Barber Shop Chronicles Review

Royal Exchange Theatre, Manchester – until Saturday 23rd March 2019

Reviewed by Julie Noller

5*****

I’ll begin with the one thing that was weighing on me before I even arrived at the theatre, at nearly 2 hours long without an interval, would my mind be actively engaged for that length of time? If this is putting you off, honestly; don’t let those doubts win out. Be warned; don’t bank on any running times going to plan for now you’re on African time! The fast paced action you will somehow follow and understand totally and the only disappointment you will feel is when it’s time to leave the theatre and go home.

Barber Shop Chronicles was written by self confessed poet Inua Ellams, who after receiving a flyer back in 2010 all about how barbers should be taught the basics in counselling started to develop and the very idea of how much impact barbers have on everyday lives. How the men would lounge in their local barbers around his home in Peckham, this revived memories of his early days in Nigeria. What began life as 60 hours of recordings from researching barbers shops around Africa and London was slowly whittled down and polished into those nearly 2 hours of dissecting one day and life in six cities.

The action begins before the play even starts, there’s music, there’s dancing so take your seat early or you may miss a treat. A theme that repeats throughout; it bonds the stories and characters together, for isn’t music and dance a sort of universal language that speaks to our very soul? The interaction with the audience is fantastic and watching men and women pulled up out of their seats before they’ve had a chance to remove coats and relax is interesting, are we an audience or just part of the performance?

The Globe, no one can fail to notice, how you choose to interpret it is down to the individual. It hangs suspended from the ceiling as a central object. It’s educational, cities are lit up when it’s their segment in the story. Not everyone has a great grasp for geography. But is it there as a reminder that we are all living together on one planet, Earth. How we may leave our homes, where we were born, but how big or small the world feels, it’s people who make it so. The rope lights that are spread out across the upper floors reminded me of the World Wide Web or perhaps telephone lines how they make time and miles appear meaningless. Around the world we can still be connected, regardless of what we may believe. Barber Shop Chronicles is so full of ‘banging tunes’ you can’t help but move in your seat, wanting to jump up. You’ll be smiling throughout, it’s certainly fast paced the way the set can be switched around to reflect all six cities. This contrasts brilliantly against the day to day existence within the barber shops, where life is so chilled you wonder how they survive. This is only a small cast of twelve actors, most take multiple roles, leaving the arena and changing costumes. This does not impact with your enjoyment in any way.

The concept of the barber shops at first I found puzzling, perhaps because I’m a woman? But what I came away believing is that simply visiting the barber shop is for a majority of these men the equivalent of women getting together for a coffee, it’s to chat, to share laughter and tears. And put the world of politics and football to rights! My sad moment has to be how self sacrificial the barber can be; Anthony Ofoegbu as Emmanuel portrays this with great empathy and perfection in how he stands back and allows the petulance and almost toddleresque rants of Mohammed Mansaray as Samuel wash over him. His sadness indeed becomes apparent at the very end and it is a heartbreaking moment as he confesses after being ribbed throughout about how no one ever sees his wife. In a simple statement we discover how his wife died only months earlier, how do they not know? These people who visit daily, these friends. How much we are caught up in our own lives and fail to truly see those closest to us.

It’s not all poignant moments there is certainly many humorous moments, some so incredibly subtle it will take a keen eye to see them. My laugh out loud moment has to be an audience member being offered a crisp, almost as if they were sitting waiting in a chair to be called forward for a cut. The debate rages on throughout should English be the dialect of choice or should Pidgin be used, not once did I feel confused by the switch in language. The overall story is extremely easy to follow. It brings to life an understanding of being human. To witness the stories develop is poetic justice. So many morals interwoven it’s not hard hitting but in it’s own way it’s sharp. London appears to be the connecting city, London we like to see portrayed as cosmopolitan with an eclectic culture. Sometimes in life the one father figure you have may just be your barber, he knows what an important role he has. But who will be the listening ear for him. If offered a chance to watch Barber Shop Chronicles again, well I wouldn’t hesitate.

Dolly Parton’s 9 TO 5 THE MUSICAL announces second production to play 11 cities in the UK and Ireland

SECOND PRODUCTION OF

DOLLY PARTON’S

9 TO 5 THE MUSICAL

TO PLAY 11 CITIES ONLY ACROSS THE UK,

STARTING AT THE ALEXANDRA THEATRE BIRMINGHAM

ON 6 SEPTEMBER 2019

Following the huge success of 9 TO 5 THE MUSICAL at the Savoy Theatre in London’s West End, the producers of the show are delighted to announce that a second production of the hit musical will play 11 cities throughout the UK and Ireland, opening at the Alexandra Theatre Birmingham on 6 September 2019, before visiting Manchester, Milton Keynes, Liverpool, Glasgow, Woking, Aberdeen, Cardiff, Sunderland, Edinburgh and Dublin

Dolly Parton (Music/Lyrics)

The London production continues at the West End’s Savoy Theatre where it is currently booking until 31 August 2019. It stars Caroline Sheen as ‘Violet Newstead’ (until 23 March 2019), Amber Davies as ‘Judy Bernly’,Natalie McQueen as ‘Doralee Rhodes’Bonnie Langford as ‘Roz Keith’ and Brian Conley as ‘Franklin Hart’.Louise Redknapp re-joins the cast as ‘Violet Newstead’ from 25 March – 29 June 2019. The show opened in the West End last month, where Dolly Parton attended the premiere and joined the cast on stage at the finale.

9 TO 5 THE MUSICAL features a book by Patricia Resnick, the legendary film’s original screenwriter, and an original Oscar, Grammy and Tony award-nominated score by multi Grammy Award winner, country legend and pop icon Dolly Parton.

Dolly Parton said today “I am beyond thrilled to the response from across the pond to 9 to 5 The Musical.  The overwhelmingly positive fan reaction to this universal story tickles every rhinestone on my body! I can’t wait for more people throughout the UK and Ireland to enjoy it and sing along”. 

9 TO 5 THE MUSICAL tells the story of Doralee, Violet and Judy – three workmates pushed to boiling point by their sexist and egotistical boss. Concocting a plan to kidnap and turn the tables on their despicable supervisor, will the women manage to reform their office – or will events unravel when the CEO pays an unexpected visit?Inspired by the cult film this hilarious new West End production is about teaming up, standing up and taking care of business!

9 TO 5 THE MUSICAL is written by Patricia Resnick, with music and lyrics by Dolly Parton. It is directed by Jeff Calhoun, choreography by Lisa Stevens, design by Tom Rogers, lighting design by Howard Hudson, sound design by Poti Martin, video design by Nina Dunn, original arrangements by Stephen Oremus & Alex Lacamoire, original Broadway orchestrations by Bruce Coughlin, musical supervisor, reductions & extra arrangements by Mark Crossland, musical direction by Andrew Hilton and casting by Victoria Roe.

Based on the 20th Century Fox Picture. Originally produced on Broadway by Robert Greenblatt, April 2009.

9 TO 5 THE MUSICAL is produced by Ambassador Theatre Group, Selladoor Worldwide and Gavin Kalin Productions with Benjamin Lowy Productions, Glass Half Full Productions, Showtime Theatre Productions, Hartshorn – Hook Productions, Harmonia Holdings and Kilimanjaro Live.

LISTINGS INFORMATION

9 TO 5 THE MUSICAL

Savoy Theatre, Savoy Court, London, WC2R 0ET

Currently booking until 31 August 2019

Box Office: 0844 871 7687

Performances: Monday – Saturday 7.30pm, Wednesday and Saturday 2.30pm

Website: 9to5themusical.co.uk

Instagram: @9to5themusicaluk

[http://Facebook:%20www.facebook.com/9to5TheMusicalUK/]Facebook: 9to5TheMusicalUK

Twitter: @9to5MusicalUK

YouTube: 9 to 5 The Musical

VENUE LISTINGS

FRIDAY 6 SEPTEMBER – SATURDAY 14 SEPTEMBER 2019

The Alexandra Theatre, Birmingham

https://www.atgtickets.com/shows/9-to-5-the-musical/alexandra-theatre-birmingham

ON SALE 18 MARCH

TUESDAY 17 SEPTEMBER – SATURDAY 21 SEPTEMBER 2019

Palace Theatre, Manchester

https://www.atgtickets.com/shows/9-to-5-the-musical/palace-theatre-manchester

ON SALE 18 MARCH

TUESDAY 24 SEPTEMBER – SATURDAY 28 SEPTEMBER 2019

Milton Keynes Theatre

https://www.atgtickets.com/shows/9-to-5-the-musical/milton-keynes-theatre

ON SALE 18 MARCH

TUESDAY 1 OCTOBER – SATURDAY 5 OCTOBER 2019

Liverpool Empire

https://www.atgtickets.com/shows/dolly-parton-9-to-5-the-musical/liverpool-empire

ON SALE 18 MARCH

TUESDAY 8 OCTOBER – SATURDAY 12 OCTOBER 2019

King’s Theatre, Glasgow

https://www.atgtickets.com/shows/9-to-5-the-musical-2/kings-theatre

ON SALE 18 MARCH

TUESDAY 15 OCTOBER – SATURDAY 19 OCTOBER 2019

New Victoria Theatre, Woking

https://www.atgtickets.com/shows/9-to-5-the-musical/new-victoria-theatre

ON SALE 18 MARCH

TUESDAY 22 OCTOBER – SATURDAY 26 OCTOBER 2019

His Majesty’s Theatre, Aberdeen

www.aberdeenperformingarts.com/his-majestys-theatre

ON SALE 22 MARCH

TUESDAY 29 OCTOBER – SATURDAY 2 NOVEMBER 2019

Wales Millennium Centre, Cardiff

www.wmc.org.uk

ON SALE 25 MARCH

TUESDAY 5 NOVEMBER – SATURDAY 9 NOVEMBER 2019

Sunderland Empire

https://www.atgtickets.com/shows/9-to-5-the-musical/sunderland-empire

ON SALE 18 MARCH

TUESDAY 12 NOVEMBER – SATURDAY 16 NOVEMBER 2019

Edinburgh Playhouse

https://www.atgtickets.com/shows/9-to-5-the-musical/edinburgh-playhouse

ON SALE 18 MARCH

TUESDAY 19 NOVEMBER – SATURDAY 23 NOVEMBER 2019

Bord Gáis Energy Theatre, Dublin

www.bordgaisenergytheatre.ie

ON SALE 22 MARCH

High School Musical Review

York St Johns – Musical Production Society

Joseph Rowntree Theatre York until 16th March 2019

Reviewed by Sara Garner

3***

High School Musical is modern adaptation of Romeo & Juliet and Grease rolled into one enthusiastic musical production and that’s certainly what we got last night – buckets of enthusiasm.

It’s a story about two high school juniors from rival cliques – Troy Bolton (Mitchell Strong), captain of the basketball team, and Gabriella Montez (Lucy Griffiths), a shy student that has just moved to a new school who excels in mathematics and science. Together, they try out for the lead parts in their high school musical, and this causes division among all the school’s students. Despite other students’ attempts to spoil their dreams, Troy and Gabriella resist peer pressure and rivalry, inspiring others along the way not to “stick to the status quo”. High school diva Sharpay Evans (Jasmine Towse) and her twin brother Ryan (Liam Smith), will do anything not only to disrupt the friendship and romance between Troy and Gabriella but also to get the leads in the school musical.

It was a slow burner with technical issues throughout the performance leaving the audience straining to hear some of the dialogue and singing. It got better as time went along. There were also some stage management issues that need improving leading to the play appearing clumsy in some scenes.

This said it was a very enthusiastic performance by all the cast, the detention scene with Miss Darbus played brilliantly by Emma Sharpe was hilarious and had the audience is fits of laughter. Jack Scott’s (Sam Strickland) Wildcats News flashes and Zeke Baylor (Yee Tsai Sern) school boy crush on Sharpay kept us entertained throughout the performance. Sharpay’s sassy attitude and Ryan’s under shadowed little brother was portrayed well, as was the two leads Tory and Gabriella and they were well supported by the entire cast.

The Group singing was full of enthusiasm and got audience excited who joined in throughout the performance. A fun way to spend a couple of hours on a cold windy night supporting local theatre and York St Johns – Musical Production Society.

The Mikado Review

Kings Theatre, Edinburgh – until 2 March 2019

Reviewed by Siobhan Wilson

4****

This Gilbert & Sullivan classic is brought to life beautifully with modernisation threaded throughout.

The curtain rises to audible gasp from the audience to the beautifully painted yet simply put together set. The opening let people a little restless in its length. It was difficult to focus on the incredible musical ensemble as the rotating projector was making you feel dizzy. Luckily once the people emerged, the show really began. The script allowing the modern take to continue with Gilbert & Sullivan’s vision of freedom to address political issues right here in the UK by setting the Opera in the far off country of Japan.

In the little town of Titipu, Japan, where you can get punished to death for flirting, The High Executioner, Ko-Ko is set to marry one of his wards named Yum-Yum when her long lost love interest, Nanki-Poo, comes into the village to find her. The story unfolds that the Mikado is concerned that nobody has been executed in Titipu for over a year, and an execution must then be carried out in within a month. So, The High Executioner on advice from the ‘The High Everything Else’ agrees that Nanki-Poo can marry Yum-Yum so long as he gets executed after a month, which would allow Nanki-Poo to marry Ko-Ko as planned. The promised Katisha, comes in search of Nanki-Poo as he bailed on her the night before the wedding, with hilarious consequences. An unexpected visit from the Mikado, really sends the town into a tizzy. The twists and turns through this come unexpectedly, the comical timing and delivery was impeccable.

Colin Tovey as Ko-Ko was inspired. His whole performance was effortless and hilarious. He had the air of a Jester of the Court whilst holding the audience in the palm of his hand leading the story down the tumultuous path. His ability to deliver was second to none. He managed to address the modern political issues & PC warriors in a style that Gilbert & Sullivan would have been proud of.

Simon Boothroyd as Pooh-Bah the High Everything else has something very familiar about him and his dry sarcastic humor immediately likens him to that one uncle who sits in the corner at parties trying to make every situation as awkward as possible in the most comical way. Simon’s expressive face means that he can impact the scene without even saying a word.

I would recommend this to anyone especially as in introduction to the opera. There are scripted and lyrical sections which makes it a smooth and enjoyable experience.

CASTING UPDATE FOR WEST END PRODUCTION OF MARY POPPINS

PETULA CLARK AND JOSEPH MILLSON

JOIN THE CAST OF DISNEY AND CAMERON MACKINTOSH’S

MULTI AWARD-WINNING

M A R Y   P O P P I N S

Cameron Mackintosh and Disney are delighted to announce that Petula Clark and Joseph Millson will join the Company to play the Bird Woman and George Banks in the new production of Mary Poppins, which returns to its original West End home at the Prince Edward Theatre from 23 October 2019.  They join the previously announced Zizi Strallen in the title role and Charlie Stemp as Bert.

The magical story of the world’s favourite Nanny arriving on Cherry Tree Lane has been triumphantly and spectacularly brought to the stage with dazzling choreography, incredible effects and unforgettable songs. The stage version of Mary Poppins, brilliantly adapted from the wonderful stories by PL Travers and the original beloved Walt Disney film, continues to be a smash hit around the world since it opening in London 15 years ago.

Petula Clark by Pip

Petula Clark became a star in the UK at nine years old singingfor the troops stationed in England during World War II.  Many years later she moved to France and soon became an European star recording in English, French, Italian, German and Spanish.  While still living in Paris, English songwriter Tony Hatch presented her with his new composition, Downtown, which became a worldwide hit and led to a string of top ten records, winning her two Grammy awards and making her an international star.  She later met with Charlie Chaplin who penned one of her further major hitsThis Is My Song.  She has performed in her own TV shows in the UK, the US and France and has starred in the iconic films Finian’s Rainbow with Fred Astaire and Goodbye Mr. Chips with Peter O’Toole.  She has been seen on stage in West End and on Broadway, and has just finished a triumphant US tour.  During her extensive career spanning eight decades she sold over 70 million records.  Clark was made a Commander of the Order of the British Empire in 1998 and was installed as a Commander of the Ordre des Arts et des Lettres on France in 2012.

Joseph Millson’s extensive theatre credits include Apologia at Trafalgar Studios, The Rover for the Royal Shakespeare Company for which he won the Best Performance in a Play Award at the 2017 UK Theatre Awards, Mr Foote’s Other Leg at the Theatre Royal Haymarket, Macbeth at Shakespeare’s Globe, Much Ado About Nothing, King John and the Spanish Golden Age Season for the RSC/West End, Rocket to the Moon, Pillars of the Community and Every Good Boy Deserves Favour for the National Theatre, Love Never Dies at the Adelphi Theatre for which he won the WhatsOnStage Award for Best Supporting Actor in a Musical and The Priory for the Royal Court Theatre. His more recent television work includes Catch 22, Grantchester, RansomBanished, 24 Live Another Day, as well as regular roles in The Last Kingdom, Campus, Holby City and The Sarah Jane Adventures.  His film credits include Casino Royale, I Give It A Year, All The Devils Men, Dragonheart Vengeance, Angel Has Fallen, No Vacancies, Burning Men, Tango One, The Dead 2 and Devil’s Bridge.

Zizi Strallen’s previous theatre credits include Fran in Strictly Ballroom The Musical at the Piccadilly Theatre, Follies at the National Theatre, Mary Poppins on tour in the UK, Ireland and in Dubai, Matthew Bourne’s The Car Man and Cinderella at Sadler’s Wells and on tour, Cats and Scrooge at the London Palladium, Hairspray and Chicago at Leicester Curve, Merrily We Roll Along at the Harold Pinter Theatre, Rock of Ages at the Shaftesbury Theatre and The Music Man for Chichester Festival Theatre.

Award-winning Charlie Stemp can currently be seen in the UK tour of Rough Crossing and was last on stage in the West End in Snow White at the London Palladium.  His previous theatre credits include Barnaby Tucker opposite Bette Midler and Bernadette Peters in the Broadway production ofHello, Dolly!Dick Whittington at the London Palladium and his critically acclaimed performance as Arthur Kipps in Half a Sixpence at the Nöel Coward Theatre, a role he first performed at Chichester Festival Theatre.  His further theatre credits include Wicked at the Apollo Victoria and the international tour of Mamma Mia!

The original music and lyrics by Richard M. Sherman and Robert B. Sherman include the classic songs Jolly Holiday, Step in Time, Feed the Birds and Supercalifragilisticexpialidocious.  New songs and additional music are by the Olivier award-winning British team of George Stiles and Anthony Drewe.

Book is by Academy Award®-winning screenwriter and Downton Abbey creator, Julian Fellowesand this production is co-created by Cameron Mackintosh.  The producer for Disney Theatrical Productions is Thomas Schumacher.

This production of Mary Poppins has orchestrations by William David Brohn with dance and vocal arrangements by George Stiles. It has a new sound design by Paul Gatehouse and new lighting by Hugh Vanstone and Natasha Katz. Co-choreography is by Stephen Mear. The reimagined set and costume designs are by Bob Crowley. Co-direction and choreography is by Matthew Bourneand direction by Richard Eyre.

The stage production of Mary Poppins originally opened in the West End in December 2004, running for over 1,250 performances. During this time, the production won two Olivier Awards and an Evening Standard Award. Subsequently the Tony Award®-winning Broadway production ran for over six years.  This new production of the show will be seen for the first time in London following record-breaking runs in Australia, North America, the UK and Ireland, New Zealand, Holland, Mexico, Austria, Switzerland, Dubai, Japan and Germany, where the production recently entered its second hit year in Hamburg. Mary Poppins is also the biggest hit musical ever in Italy where it is currently running in Milan, with several further new productions to open in Europe over the next three years.

LISTINGS INFORMATION

Theatre:                    Prince Edward Theatre, Old Compton St, Soho, London W1D 4HS

Dates:                       23 October 2019 – 29 March 2020

Opening night:           13 November 2019

Performances:           Mondays, Thursdays, Fridays and Saturdays at 7.30pm

                                Thursday, Saturday and Sundays at 2.30pm

                                Family Night performances on Wednesdays at 7pm

See website for Preview performance schedule

Prices:                       Tickets from £15

Reduced price tickets for Family Nights and Preview performances

£2.50 booking fee applies

Box Office:                0844 482 5151

Face Book:                 facebook.com/marypoppins
Twitter:                     twitter.com/marypoppins

Instagram                  instagram.com/marypoppinsmusical

Website:                    marypoppinsonstage.co.uk

Birmingham Royal Ballet – Beauty and the Beast Review

Festival Theatre Edinburgh – Saturday 16 March 2019

Reviewed by Manetta McIntosh

4****

For those whose knowledge of Beauty and the Beast is grown from the house of Disney, then be prepared for a very different experience. This production from David Bintley is closer to the original story. It opens with Belle in a library looking for a book and then cunningly the scene changes to the uncaring Prince hunting in the woods with his friends. They are tormenting a fox when a woodsman casts a spell, turning the Prince and his friends into a Beast and animals respectively, and the fox into a young girl. The story then follows a wealthy merchant who has 3 daughters, he thinks his ships are lost at sea but then hears they have been sighted. He travels to meet them and promises his daughters a gift on his return, Belle’s sisters are materialistic and ask for dresses and jewels but Belle has a simple request for a sweet smelling rose.

The merchant gets lost in the woods during a storm and finds respite in an enchanted castle. Once rested he makes his leave but remembers the rose for Belle, as he picks one from the garden the Beast catches him, he agrees to let him take the rose but makes him promise to send his youngest daughter back as a trade for his own life. The story then unfolds as most of us know it, Beast loves girl, girl doesn’t love Beast, Beast let’s her go and almost dies, girl realises she does love Beast and everyone lives happily ever after.

Delia Mathews, who plays Belle, is an incredibly graceful dancer who epitomises the classic picture of a ballerina, her dancing on pointe was on point, did you see what I did there, her solos were a thing of beauty…I’m on a roll. The role of Beast was played by Tyrone Singleton, he showed incredible strength in his performance, his ability to hold Belle in pose whilst simultaneously lower themselves to the floor was a testament to his muscularity.

It was not all doom and gloom, the production was peppered with humorous performances by Monsieur Cochon (James Barton), his signature leg-shake had us all in stitches as well as his interaction with Belle’s sisters, Fiere (Ruth Brill) and Vanite (Samara Downs). Grandmere (Laura Day) put another chuckle-worthy performance and, my favourite, Raven (Tzu-Chao Chou) whose stage presence had swagger in abundance.

The dance of the birds was cleverly choreographed, although I am not a fan of chaotic music, this particular part of the score captured the chaos of birds in flight perfectly. The music and the dancing was paired beautifully, matching the emotion of the act.

The set design was astounding, the ease with which the set changes were performed transforming you from being ‘lost in the woods’ to being within an enchanted castle was bewildering. A minor Disney moment was enabled when the castle chair moved into position and ‘lumiere’ glowed. I particularly liked the final castle interior set, when the sheets at the window were removed and the glistening light from outside was magically revealed. I’m not going to lie, Angela Lansbury was singing in my head at the end.

Heart Breakfast presenter Lucy Horobin & Jack McBrayer will host the next Waitress Cast Album Karaoke Night on 18 March

HEART BREAKFAST PRESENTER LUCY HOROBIN & JACK MCBRAYER WILL
HOST THE NEXT

CAST ALBUM KARAOKE NIGHT ON 18 MARCH

Music and lyrics by seven-time Grammy Award-nominee Sara Bareilles
Book by Jessie Nelson
Based upon the motion picture written by Adrienne Shelly
Directed by Tony Award-winner Diane Paulus

The hosts of the next Waitress London Cast Album Karaoke Night have been announced today. 30 Rock star Jack McBrayer, who has made his West End debut as Ogie in the show, will host the post-show event alongside Heart Breakfast presenter Lucy Horobin on Monday 18 March. Audience members can sign up before the show for the chance to sing one minute of any song from Waitress – live on stage at the Adelphi and accompanied by the show’s musical directorKatharine Woolley.

Waitress celebrated its official opening night last week on 7 March and the Tony-nominated musical by Sara Bareilles is now booking to 19 October.

Waitress opened on 24 April 2016 at Broadway’s Brooks Atkinson Theater. Based on the 2007 motion picture written by Adrienne ShellyWaitress is the first Broadway and West End musical in history to have four women in the four top creative team spots, featuring original music and lyrics by 7-time Grammy®​ ​nominee Sara Bareilles (“Love Song”, “Brave”), a book by acclaimed screenwriter Jessie Nelson (​I Am Sam​), direction by Tony Award winner Diane Paulus (​Pippin​, ​Finding Neverland​) and choreography by Lorin Latarro. The production is currently touring the US and has also announced it will have its Australian premiere in 2020 at the Sydney Lyric Theatre.

Waitress stars Katharine McPhee as Jenna,  Jack McBrayer as Ogie, Marisha Wallace as Becky, Laura Baldwin as Dawn, Peter Hannah as Earl, David Hunter as Dr. Pomatter andShaun Prendergast as Old Joe.

The full company includes Kelly Agbowu, Laura Baldwin, Piers Bate, Nicole Raquel Dennis, Michael Hamway, Peter Hannah, David Hunter, Stephen Leask, Jack McBrayer, Chris McGuigan, Katharine McPhee, Olivia Moore, Nathaniel Morrison, Sarah O’Connor, Leanne Pinder, Shaun Prendergast, Charlotte Riby, Marisha Wallace and Mark Willshire.

Meet Jenna, a waitress and expert pie-maker who dreams of a way out of her small town and rocky marriage. Pouring her heart into her pies, she crafts desserts that mirror her topsy-turvy life such as “​The Key (Lime) to Happiness Pie” and “Betrayed By My Eggs Pie.” When a baking contest in a nearby county — and a satisfying run-in with someone new — show Jenna a chance at a fresh start, she must find the courage to seize it. Change is on the menu, as long as Jenna can write her own perfectly personal recipe for happiness.

On its Broadway opening, Waitress was nominated for four Outer Critics’ Circle Awards, including Outstanding New Broadway Musical; two Drama League Award Nominations, including Outstanding Production of a Broadway or Off-Broadway Musical; six Drama Desk Nominations, including Outstanding Musical; and four Tony Award Nominations, including Best Musical.

Full line up announced for the world’s biggest-selling magic show The Illusionists

The Works Entertainment, Kilimanjaro Live and Magic Space Entertainment present
THE ILLUSIONISTS

  • FULL LINE-UP ANNOUNCED FOR THE WORLD’S BIGGEST-SELLING MAGIC SHOW AS IT PREPARES TO RETURN TO THE WEST END WITH A BRAND NEW SHOW THIS SUMMER
     
  • ALL-STAR BILLING INCLUDES FOUR BRITISH ILLUSIONISTS: THE SHOWMAN JAMES MORE, THE MENTALIST CHRIS COX, THE TRICKSTERPAUL DABEK AND THE DAREDEVIL JONATHAN GOODWIN
  • THE ILLUSIONISTS – DIRECT FROM BROADWAY WILL PLAY A STRICTLY LIMITED SEASON AT THE SHAFTESBURY THEATRE FROM 6TH JULY TO 1ST SEPTEMBER 2019
     
  • TICKETS ON SALE NOW  VIA  THEILLUSIONISTSLIVE.COM


The world’s biggest selling magic spectacular, The Illusionists – Direct From Broadway, will return to London’s West End this summer with a brand new show from Saturday 6th July toSunday 1st September at the Shaftesbury Theatre. The all-star line-up will see audiences wowed by The Showman James MoreThe Unforgettable Enzo, The Manipulator Yu Ho-Jin, The Futurist Adam Trent, The Mentalist Chris Cox, The Trickster Paul Dabekand The Daredevil Jonathan Goodwin. Tickets are now sale via theillusionistslive.com.

Last seen in the West End in 2015 and having just recently broken its fourth box office record on Broadway, The Illusionists is a mind-blowing spectacular showcasing the jaw dropping talents of seven of the most incredible illusionists on earth. Collectively these performers have been seen by millions across the world and this production showcases their collective talents on stage together for the very first time. The Illusionists has shattered box office records and dazzled audiences of all ages around the world with a powerful mix of the most outrageous and astonishing acts ever to be seen on stage.

This spectacular show is packed with thrilling and sophisticated magic of unprecedented proportions. Prepare to witness stunning acts of grand illusion, levitation, mindreading, and disappearance next summer!

The Showman, James More, is currently one of the world’s leading and most viral illusionists. He first made an impact after an incredible run on Britain’s Got Talent in 2013 and has the most watched audition from his series with over 80 million hits on YouTube. The British-born illusionist continued to make waves after a sell-out tour in Russia with his Theatre of Illusion show and soon after was approached by The Illusionists. After performing with the show for over two years in five continents around the globe, More became the first British magician in history to appear on New York’s infamous Broadway.  His fast-growing reputation also includes a special guest appearance on NBC’s, America’s got Talent, a feature on, Got Talent World Stage and numerous other television appearances. His live work comprises of performances at London’s 02 Arena, The Hollywood Pantages in Los Angeles and the Sydney Opera House to name but a few.

The Unforgettable, Enzo, warns his audience to forget everything they know and prepare to live an unprecedented experience though which all their senses will be put to the test. Enzo held his first magic show at 11 years old, with humble resources. However, he wished to stage far more impressive illusions, and spent a year as an engineering student during which he was taught how to draw up plans and to understand mechanics and electrotechnics. It was his performance onFrance’s Got Talent, where he reached a new audience. A few years later, the audience of Le Plus Grand Cabaret du Monde was, in turn, mesmerized. This new publicity opened him the doors to the most prestigious events in Europe, as well as some of the biggest international festivals. Enzo has since been considered a rising star of magic. In 2013, he returned to France’s Got Talent, where he wowed the jury and the audience again by making a helicopter appear on stage, an act that had never been seen before on television. In 2015 at just 26 years old, he premiered his show, Beyond Illusions at the famous Casino de Paris.

The Manipulator, Yu Ho-Jin began his career in magic aged just 9 years old and it was only a decade later that he turned the magic community upside-down and won the first prize in Stage Magic and Grand Prix at FISM World Championship of Magic 2012. Today Yu Ho-Jin is considered to be the most elegant and artistic manipulator alive by the world’s leading magicians. It is no surprise that Ho-Jin is often referred to as “the future of magic”. When Yu Ho-Jin’s nimble fingers rend the empty air as if playing the piano, astonishing notes of mystery flutter in the atmosphere and captivate the hearts of his audience. There is no deception or trickery in his work.  Not only that, there is no doubt that Yu Ho-Jin has the ability of turning anyone into his fan – from children to the world’s finest magicians.  

The Futurist, Adam Trent inaugurated the first two record-breaking Broadway runs on the US tour of The Illusionists. His frequent TV appearances on The Ellen DeGeneres ShowThe Today Show, and countless others as well as an NBC primetime TV special and his own 10-episode TV series premiering May 2017 on Red Bull TV, further highlight his appeal to audiences of all ages.

The Mentalist, Chris Cox is a multi-award winning ‘mind reader who can’t read minds’ and the star of the TV shows Chris Cox’s Mind Boggling Magic (CBBC) and Killer Magic (BBC Three)He has previously appeared in The Illusionists Direct From Broadway in the USA, South Africa, Mexico & Australia, Impossible (London, Dubai Opera and world tour) and five critically-acclaimed one-man solo Edinburgh Fringe Festival shows which Chris has also performed throughout the UK and New Zealand. Chris has appeared with One Direction at the BBC Music Awards (BBC), on America’s Got Talent (NBC), Heston Blumenthal’s Recipe For Romance (Channel 4), Now You See It (BBC One), How TV Changed Magic and The Mentalist Revealed (Channel 5), The Secret Of Star Wars (BBC) and The Project (Channel 9 Australia). As a creator of magic for stage shows and other events, he has worked on Barnum (Menier Chocolate Factory), Dan & Phil’s 2016 and 2018 World Tours, Heston Blumenthal’s Fat Duck Restaurant and is the Magic and Illusions Assistant for Harry Potter And The Cursed Child Parts One And Two (Palace Theatre, London).

The Trickster, Paul Dabek is one of the UK’s top entertainers, he has performed across 6 continents and headlined his own show in Las Vegas. As well as appearing on BBC TV. An accomplished magician, comedian and actor, Paul’s skills have won him critical acclaim, Time Out magazine named him ‘a superb showman!’ Both the Magic Circle and the International Brotherhood of Magicians have recognized Paul’s talent naming him Young Magician of the Year and awarding him the British Shield. Fast-paced, dynamic magic, quick-witted humor, and a theatrical flair combined with a personality that reaches to the very back of the theatre.  Join Paul as he reveals exactly what’s up his sleeve and delves into his box of tricks while cheekily enchanting the audience with jaw-dropping hilarity.

The Daredevil and Escape Artist, British-born Jonathan Goodwin is widely considered one of the most creative, skilled and frankly crazy stunt performers in the world. Goodwin has been hanged, buried alive, hung by his toes from helicopters, burned at the stake, attacked by sharks and even sewn up inside a dead cow. Jonathan has starred in numerous TV series including One Way Out for Discovery Channel and DangermanThe Incredible Mr Goodwin for the BBC as well asDeathwish LiveHow Not To Become Sharkbait and The Seven Stupidest Things to Escape From.

Full casting announced for The Omission of the Family Coleman at the Ustinov Studio

FULL CASTING ANNOUNCED FOR THE OMISSION OF THE FAMILY COLEMAN AT THE USTINOV STUDIO
 

  • LAOISHA O’CALLAGHAN, DAVID CROWLEY, ANNE KENT, EVANNA LYNCH, ROWAN POLONSKI, ROBERT MOUNTFORD, PATRICK MOY AND NATALIE RADMALL-QUIRKE TO APPEAR IN UK PREMIERE OF THE OMISSION OF THE FAMILY COLEMAN
     
  • CLAUDIO TOLCACHIR’S AWARD-WINNING PLAY, IN A NEW VERSION BY STELLA FEEHILY, DIRECTED BY LAURENCE BOSWELL, WILL COMPLETE ‘A SEASON OF UK PREMIERES FROM THE AMERICAS’ AT THE USTINOV STUDIO
     
  • PRODUCTION RUNS AT THEATRE ROYAL BATH’S USTINOV STUDIO FROM 28 MARCH TO 27 APRIL

Full casting is announced today for The Omission of the Family Coleman by Claudio Tolcachir, in a new version by Stella Feehily and directed by Laurence Boswell at Theatre Royal Bath’sUstinov Studio. Laoisha O’Callaghan, David Crowley, Anne Kent, Evanna Lynch, Rowan Polonski, Robert Mountford, Patrick Moy, Natalie Radmall-Quirke will appear in the UK Premiere which runs from Thursday 28 March to Saturday 27 April with opening night for press on Wednesday 3 April and completes the venue’s Season of UK Premieres from the Americas

Claudio Tolcachir’s absurdist comedy The Omission of the Family Coleman has won several prestigious awards including the Ace Award for Best Argentinian Play and the Best Original Play Award at the Fiesta Nacional del Teatro.

Three generations of the dysfunctional Coleman family live under one roof on the verge of chaos, held in check by their matriarchal grandmother. But how will the family cope when their linchpin is removed?

Laoisha O’Callaghan has performed on stage in Cat on a Hot Tin Roof (West End), The Importance of being Earnest (London Classical Theatre) and Roses of Whitechapel (Greenwich Playhouse, Lion and Unicorn Theatre). She has also appeared on screen in Fair City and Doctors.

David Crowley’s screen credits include The Syndicate and In the Flesh for the BBC. Stage credits also include Thick as Thieves (Reform Theatre), The Lonely Clouds of Guernice (The Lowry) andBurt and Joyce (Theatre Royal Nottingham).

Anne Kent has appeared in Waiting for Elvis and Cleaners (Axis Theatre), Little Gem (National Tour), Portia Coughlin at The Old Red Lion theatre for which she was nominated in the Off West End Awards for best actress in a supporting role. Film and TV credits include PS I Love You and RTE’s Fairy City.

Evanna Lynch starred as Luna Lovegood in the final four films of the Harry Potter franchise. Her other screen credits include My Name is Emily and Addiction: A 60’s Love Story. She recently appeared on stage in Disco Pigs (Trafalgar Studios) and the UK tour of Houdini. 

Robert Mountford’s stage credits include Vagabonds (UK tour), The Habit of Art (Original Theatre Company), Bitched (Tristan Bates Theatre), House & Garden for which he was nominated for Best Supporting Artist at the UK Theatre Awards (Newbury Watermill), and Anita and Me(Birmingham Rep).

Patrick Moy’s theatre credits include The Taming of the Shew and The Merchant of Venice with the Royal Shakespeare Company, A Holy Show (Abbey Theatre), The Weir (Tobacco Factory), The Sound of Music and Abigail’s Party (Leicester Curve).

Rowan Polonski returns to Bath following the UK tour of Shakespeare in Love. His other stage credits include Cockamamy (Hope Theatre) and Another Country (Trafalgar Studios). Film credits include Tomb Raider and Kingsman: The Secret Service.

Natalie Radmall-Quirke has appeared on stage in The Weir (English Touring Theatre), The Winter’s Tale(Cheek by Jowl), Martyr (UK Tour), The Playboy of the Western World (Southwark Playhouse) and Romeo and Juliet (The Gate). TV credits include Casualty, Striking Out andDoctors.

Claudio Tolcachir is a prominent Argentine actor, playwright and director and was recognised as The Outstanding Personality of Culture by the Legislature of Buenos Aires. He is the founder of theatre company Timbre 4 which regularly presents work in his hometown in Buenos Aires and internationally. His other works include Third Body and The Wind in a Violin.

Stella Feehily has worked extensively with Out of Joint and the Royal Court and her plays have toured nationally and been produced internationally. Plays include This May Hurt A Bit, Bang Bang Bang, Duck and the award-winning O Go My Man.

Laurence Boswell is an Olivier Award winner, Artistic Director of the Ustinov Studio and an Associate Artist of the RSC. His recent productions include The Model Apartment,The Whale,The Mentor,Trouble in Mind, The Mother, Intimate Apparel and The Spanish Golden Age Season in the Ustinov Studio and A Midsummer Night’s Dream in the Theatre Royal Bath’s Main House.

The Omission of the Family Coleman is the third and final play featured in the Ustinov Studio’s ASeason of UK Premieres which opened in November 2018 with Donald Margulies’The Model Apartment, also directed by Laurence Boswell, and Tanya Barfield’s searing dramaBlue Door, directed by Eleanor Rhode which opened in February 2019.

Casting Announced For The Color Purple – Curve (Leicester) and Birmingham Hippodrome Co-Production

FULL CASTING ANNOUNCED FOR CURVE AND BIRMINGHAM HIPPODROME’S CO-PRODUCTION OF THE TONY AWARD-WINNING BROADWAY SENSATION

THE COLOR PURPLE

SEYI OMOOBA AS CELIE

JOANNA FRANCIS AS SHUG AVERY

AKO MITCHELL AS MISTER

   KAREN MAVUNDUKURE AS SOFIA

    DANIELLE FIAMANYA AS NETTIE

                   SIMON-ANTHONY RHODEN AS HARPO

DELROY BROWN AS PA

Directed by Tinuke Craig

28 Jun – 13 Jul 2019 at Curve, Leicester

16 – 20 Jul 2019 at Birmingham Hippodrome

Leicester’s Curve and Birmingham Hippodrome today announce the full casting for their co-production of Oprah Winfrey’s hit Broadway musical, The Color Purple, based on the Pulitzer Prize-winning novel by Alice Walker. The production, the first to be created outside of London in the UK, will play at Curve, Leicester from 28th June – 13th July, followed by 16th – 20th July at Birmingham Hippodrome

Leading the cast is Seyi Omooba in the role of heroine Celie. Her theatre credits include Hadestown (National Theatre); Crystal in Little Shop of Horrors (Regent’s Park); Martha in Spring Awakening (Hope Mill Theatre) and Tilly in Junkyard (Bristol Old Vic and UK Tour). She also played the role of Nettie in the Cadogan Hall production of The Color Purple.

Joining Seyi is Joanna Francis who plays jazz singer and preacher’s daughter, Shug Avery. Most recently Joanna played the role of Lois in Dusty (UK Tour). Joanna returns to Curve following alternating the role of Deloris Van Cartier in Sister Act in 2016. Her other credits include Elsa in The Harder They Come (Theatre Royal Stratford East and The Barbican Theatre/Birmingham Hippodrome) and alternate Dionne in Hair (The Vaults).

Following his recent roles of The Dryer and The Bus in the critically acclaimed Caroline or Change (Chichester, Hampstead and West End), Ako Mitchell joins The Color Purple as Celie’s abusive husband, Mister. His other theatre credits include Nicely-Nicely Johnson in Guys And Dolls (Manchester Royal Exchange), Eddie Mackrel inThe Wild Party (The Other Place Theatre), Brooks in Grey Gardens (Southwark Playhouse), How To Succeed In Business Without Really Trying (Royal Festival Hall), Mitch in The 25th Annual Putnam County Spelling Bee(Donmar Warehouse), Eddie in Sister Act (London Palladium) and Mufasa in The Lion King (Lyceum Theatre).

They are joined by Simon-Anthony Rhoden (Lola in Kinky Boots – Adelphi Theatre), who plays Mister’s son, Harpo and Karen Mavundukure, who plays his wife, Sofia (Effie White in Dream Girls – Savoy Theatre).

Celie’s sister, Nettie, is played by recent graduate Danielle Fiamanya, and her father (Pa) is played by Delroy Brown (Marty Madison in Dream Girls – Savoy Theatre).

The cast is completed by Geoff AymerOwen ChapondaPerola Congo, KM Drew Boateng, Danielle Kassaraté,Anelisa LamolaRosemary Annabella NkrumahJochebel Ohene MacCarthyLandi Oshinowo and Jo Servi.

The show will be directed by Tinuke Craig, winner of the 2014 Genesis Future Directors Award. Tinuke’s recent credits include random/generations, a double bill of plays by Debbie Tucker Green at Chichester Festival Theatre and I Call my Brothers by Jonas Hassen Khemiri at the Gate Theatre.

The Color Purple is an unforgettable story told over the course of 40 years, which follows courageous heroine Celie, as she journeys through joy, despair, anguish and hope in her own personal awakening to discover her unique voice in the world.

With a profoundly evocative score drawing inspiration from jazz, ragtime, gospel and blues, this moving family chronicle set in racially divided southern America, celebrates life, love and the strength to stand up for who you are and what you believe in.

Speaking about the announcement, Curve’s Chief Executive Chris Stafford and Artistic Director Nikolai Fostersaid:

“Curve’s casting director Kay Magson and director Tinuke Craig have assembled an exceptional group of actors to create this Made at Curve and Birmingham Hippodrome co-production of the stunning musical The Color Purple. We are looking forward to welcoming them all to Leicester very much and know they will create something true, mind-blowing and beautiful.

“Seyi Omooba is an actress of immense power and she leads a formidable ensemble of astonishing talent; they are set to blow the roof off Leicester.”

Fiona Allan, Artistic Director and Chief Executive of Birmingham Hippodrome said:

“We’re very proud to be working on this co-production with our friends at Curve Leicester, and hope it’s the start of many more collaborations.  I know that our audiences here in the West Midlands will find the powerful story and characters both socially and culturally relevant; and what an incredible cast and creative team has been assembled to tell it.  I can’t think of a better way to mark the Hippodrome’s 120th birthday than with our first main stage co-production.”

Creative Team

Director Tinuke Craig

Set & Costume Designer Alex Lowde

Musical Supervisor Alex Parker

Orchestrator Martin Higgins

Choreographer Mark Smith

Lighting Designer Joshua Pharo

Sound Designer Tom Marshall

Hair & Make-up Designer Cynthia De La Rosa

Casting Director Kay Magson CDG

Co-producers Birmingham Hippodrome

Tickets for The Color Purple are on sale. Further details can be found online on www.curveonline.co.uk orwww.birminghamhippodrome.com.