Birmingham Royal Ballet’s Don Quixote Review

Mayflower, Southampton – until 12 February 2022

Reviewed by Lucy Hitchcock

4****

Carlos Acosta choreographs Birmingham Royal Ballet’s newest piece, Don Quixote.

The 19th century classic is reimagined for ballet and together with Tim Hatley’s set and costume design Spain is brought to life and sunshine hits the stage. This 60 company strong, is a true diamond-a real feat for the eyes. Acosta has really made ballet accessible, with an easily understandable storyline that tells of love and desire with a hint of comedy and fear. Momoko Hirata as Kitri, the daughter of an innkeeper in love with Basilio (Mathias Dingman) was superb. With such elegance and poise, the stage was hers and she exudes pure delight and joy. Dingman was also stellar, performing with unflattering strength, he truly commanded the stage. The set was exciting and when intertwined with Peter Mumford and Nina Dunn’s lighting and video, the show comes to life.

A rapturous applause was well deserved for the whole company, orchestra and backstage crew. This piece is no mean feat and with the perfect amalgamation of dance and orchestral accompaniment, this piece showcases excellence in the discipline of Ballet. Birmingham Royal Ballet should be extremely pleased with this beautiful performance.