ALMEIDA THEATRE: FULL CAST FOR A STREETCAR NAMED DESIRE

The Almeida Theatre announces the full cast for Rebecca Frecknall’s production of Tennessee Williams’ A Streetcar Named Desire.

Joining the previously announced Paul Mescal, Anjana Vasan, Dwane Walcott and Lydia Wilson are Eduardo Ackerman, Ralph Davis, Janet Etuk, Gabriela García, Tom Penn and Jabez Sykes.

The production opens on Tuesday 20 December, with previews from Saturday 10 December and runs until Saturday 4 February.

A STREETCAR NAMED DESIRE

by Tennessee Williams

Director: Rebecca Frecknall; Set Designer: Madeleine Girling; Costume Designer: Merle Hensel; Lighting Designer: Lee Curran; Sound Designer: Peter Rice: Composer: Angus MacRae; Casting Director: Julia Horan CDG

Saturday 10 December 2022 – Saturday 4 February 2023

“How pretty the sky is! I ought to go there on a rocket that never comes down.” 

On a street in New Orleans, in the blistering summer heat, a sister spirals. 

Following her “spellbinding” (Financial Times) production of Summer and Smoke, Almeida Associate Director Rebecca Frecknall takes on another Tennessee Williams masterpiece. 

When Blanche unexpectedly visits her estranged sister Stella, she brings with her a past that will threaten their future. As Stella’s husband Stanley stalks closer to the truth, Blanche’s fragile world begins to fracture. Reality and illusion collide and a violent conflict changes their lives forever.

Lydia Wilson (The Duchess of Malfi) returns to the Almeida to play Blanche, with the BAFTA-winning Paul Mescal (Normal People) as Stanley and Anjana Vasan (We Are Lady Parts) as Stella.

Rebecca Frecknall directs her first production at the Almeida since her multi-Olivier Award-winning production of Cabaret

ALMEIDA LISTINGS INFORMATION

Saturday 10 December 2022 – Saturday 4 February 2023

A STREETCAR NAMED DESIRE

by Tennessee Williams

Performance times:  7:30pm; 2pm matinees

Tickets:                      From £10.

Box Office                  Online almeida.co.uk

                                    Phone 020 7359 4404

Website                      almeida.co.uk
Twitter                        @AlmeidaTheatre
Facebook                   facebook.com/almeidatheatre
Instagram                   @almeida_theatre

TikTok                        @almeidatheatre

Access                       Captioned performance:

                                    Monday 9 January 7:30pm

                                    Audio described performance:

                                    Saturday 28 January 2pm (Touch Tour 12:15pm)

Heart’s Pandora Christie to Star in Hit West End Musical, & Juliet

HEART’S PANDORA CHRISTIE

TO STAR IN THE

HIT WEST END MUSICAL & JULIET

Radio presenter Pandora to tread the boards

at the Shaftesbury Theatre on Thursday 10 November

www.andjulietthemusical.co.uk

Pandora Christie – one of the UK’s best-loved radio presenters – will make her West End theatre debut when she stars in the acclaimed musical & Juliet. Pandora, who presents the weekday mid-morning show on Heart, plus Heart’s Club Classics every Saturday night and is one of the most-listened to broadcasters in the country, will join the hit show for one night only at the Shaftesbury Theatre in London, on Thursday 10 November. Heart is the UK’s biggest commercial radio brand with 10.1m listeners tuning in every week.

Pandora will play several roles throughout the performance, and commented on her live stage debut: ‘I’m so excited to have been asked to make a guest appearance in this show.  I’ve been dancing around the studio since the day I heard the news!  Max Martin’s songs are literally the Heart playlist and there is no bigger fan of his legendary hits than me!’.

Pandora has been fitted for her costumes and will be rehearsing with the cast – including the Olivier-Award winning lead Miriam-Teak Lee, who plays Juliet – ahead of the night. Pandora will be supported in the audience by her fellow presenters from Heart and its parent company Global, ensuring an amazing party atmosphere on the night.

Miriam-Teak Lee – who was awarded the Olivier Award for Best Actress in 2020 for her performance as Juliet – leads a cast including Cassidy Janson, who also won an Olivier Award for Best Supporting Actress for her portrayal of Anne Hathaway, Oliver Tompsett as William Shakespeare, Tom Francis as Romeo, Nicolas Colicos as Lance, Malinda Parris as Angelique, the Nurse and Joe Foster as May.  They are joined by ensemble members:  Ebony Clarke, Bessy Ewa, Collette Guitart, Cassandra Lee, Nathan Louis-Fernand, Zara MacIntosh, Carl Man, Christian Maynard, Rachel Moran, Owen Saward, Aaron Shales, Benjamin Terry and Suki Wong, who join Ivan De Freitas, Rhian Duncan, Alex Tranter, Sophie Usher and Rhys Wilkinson.

Full cast biographies can be found on the & Juliet website www.andjulietthemusical.co.uk

The musical contains many of the biggest and most anthemic songs of the last 30 years, including Baby One More Time, Everybody (Backstreet’s Back), Love Me Like You Do, Confident, It’s My LifeCan’t Feel My Face and the roof-raising Roar.

& Juliet soars with the music of Max Martin, the acclaimed songwriter of some of pop’s most iconic songs and recorded by artists including Backstreet BoysJustin TimberlakeBritney SpearsKaty Perry and Ariana Grande, all brilliantly arranged for the musical by Tony® and Grammy Award-winning orchestrator Bill Sherman.

Brought to life by an award-winning creative team in an explosive fusion of styles, & Juliet is directed by Luke Sheppard with a book by David West Read (Schitt’s Creek), electrifying choreography from Jennifer Weber, stunning set design from Soutra Gilmour and costume design by Paloma Young.

Max Martin and Tim Headington present & Juliet, which is produced by Martin Dodd, Tim Headington, Max Martin, Jenny Petersson and Theresa Steele Page.

CORY ENGLISH TO PLAY ‘DOCTOR EMMETT BROWN’ IN BACK TO THE FUTURE THE MUSICAL FOR 6 WEEKS ONLY

CORY ENGLISH

TO PLAY ‘DOCTOR EMMETT BROWN’ IN

BACK TO THE FUTURE THE MUSICAL

AT THE ADELPHI THEATRE

FOR 6 WEEKS ONLY

Lead producer Colin Ingram, together with Robert Zemeckis and Bob Gale, the creators of the Back To The Future film trilogy, are delighted to announce that celebrated theatre actor, Cory English, will join the cast of BACK TO THE FUTURE The Musical at the Adelphi Theatre, playing the role of ‘Doctor Emmett Brown’ from 23 November 2022 until 3 January 2023. Tony Award winner, Roger Bart, who is currently playing the role, will return to the show on 5 January 2023. His final performance in London will be 20 March 2023 after which he will lead the cast of the Broadway production, which begins performances at Winter Garden Theatre (1634 Broadway) on 30 June 2023 with an official opening on 3 August 2023.

The critically acclaimed Olivier, WhatsOnStage and Broadway World Award-winning Best New Musical had its opening night in London on Monday 13 September 2021. Last week the musical broke box office records at the Adelphi Theatre for the highest gross sales in one week.

Cory English played Max Bialystock in the West End and UK Touring productions of The Producers, directed by Susan Stroman. His other credits include Sleepless at Troubadour Theatre Wembley Park, She Loves Me at the Menier Chocolate Factory, Igor in Young Frankenstein on Broadway and in the West End and Benny Southstreet in Michael Grandage’s West End production of Guys & Dolls.

BACK TO THE FUTURE The Musical currently stars Tony Award-winning Roger Bart and Ben Joyce as ‘Dr Emmett Brown’ and ‘Marty McFly’ respectively, with Amber Davies as ‘Lorraine Baines’, Oliver Nicholas as ‘George McFly’, Jordan Benjamin as ‘Goldie Wilson’, Harry Jobson as ‘Biff Tannen’, Sophie Naglik as ‘Jennifer Parker’, Gary Trainor as ‘Strickland’, Will Haswell as alternate ‘Marty McFly’ and ‘Dave McFly’ and Emma Lloyd as ‘Linda McFly’. Also in the cast are Amy Barker, Simeon Beckett, Sia Dauda, Tyler Davis, Glen Facey, Dylan Gordon-Jones, Adam Margilewski, Cameron McAllister, Alessia McDermott, Bryan Mottram, Laura Mullowney, Anna Murray, Jon Reynolds, Melissa Rose, Georgia Tapp, Justin Thomas, Charley Warburton and Tavio Wright.

The Original Cast Recording, released on Sony Music’s Masterworks Broadway label, is now available on all formats, including vinyl, and has had over 3 million streams. It features the new music by multi-Grammy Award-winners Alan Silvestri and Glen Ballard alongside classic songs from the movie including The Power of Love and Johnny B. Goode

BACK TO THE FUTURE The Musical won the Olivier Award for Best New Musical, four WhatsOnStage Awards, including Best New Musical, and the Broadway World Award for Best New Musical. The productions in London and Manchester have so far been seen by half a million people and the musical has broken box office records at the Adelphi Theatre.

Based on the Universal Pictures/Amblin Entertainment film, BACK TO THE FUTURE The Musical has a book by Bob Gale and new music and lyrics by Emmy and Grammy Award-winning Alan Silvestri and six-time Grammy Award-winning Glen Ballard, with additional songs from the film including The Power of Love and Johnny B. Goode.

Marty McFly is a rock ‘n’ roll teenager who is accidentally transported back to 1955 in a time-travelling DeLorean invented by his friend, Dr Emmett Brown.  But before he can return to 1985, Marty must make sure his high school-aged parents fall in love in order to save his own existence.

BACK TO THE FUTURE The Musical is directed by Tony Award-winning director John Rando (UrinetownOn The Town), alongside the multi Tony and Olivier Award-winning design team of Tim Hatley (set and costume design), Tim Lutkin (lighting), Hugh Vanstone (lighting consultant), Gareth Owen (sound) and Finn Ross (video), with choreography by Chris Bailey, musical supervision and arrangements by Nick Finlow and Illusions by Chris Fisher. Orchestrations are by Ethan Popp and Bryan Crook, with dance arrangements by David Chase. Casting is by David Grindrod Associates.

Back to the Future the movie was released in 1985, starring Michael J. Fox as Marty McFly and Christopher Lloyd as Dr Emmett Brown. The film grossed $360.6 million (£279 million) at the box office worldwide and the total box office for all three films in the Back to the Future franchise was $936.6 million (over $1.8 billion in today’s money).

BACK TO THE FUTURE The Musical is produced by Colin Ingram, Donovan Mannato, Frankel/Viertel/Baruch/Routh Group, Hunter Arnold, Gavin Kalin Productions, Playing Field, Crush Music, CJ ENM, Teresa Tsai, Ivy Herman/Hallee Adelman, Robert L. Hutt, Universal Theatrical Group, Ricardo Marques, Augury, Robert Zemeckis, Bob Gale, in association with Kimberly Magarro, Stage Entertainment, Glass Half Full Productions/ Neil Gooding Productions.

Website: BackToTheFutureMusical.com   

Twitter: @BTTFmusical

Instagram: @BTTFmusical

TikTok: @BTTFmusical          

LISTINGS INFORMATIONBACK TO THE FUTURE The Musical
Adelphi Theatre
Strand
Covent Garden
London WC2R 0NS

Current booking period to 23 July 2023

Performances:

Mondays, Wednesdays – Saturdays at 7.30pm, Thursday & Saturday matinees at 2.30pm, Sundays at 3pm

(Please note, there will be additional matinees at 2.30pm on Tuesday 14 February, Monday 10 April and  Monday 29 May 2023. There will be no shows on Monday 13 February or Monday 20 February. The show on Monday 1 May will be at 2:30pm)

N.B  9 November will be a captioned performance. Further access performances will be added in the new booking period. Please keep an eye on the website for more information.

Tickets: from £19.55

Please book via the website: BackToTheFutureMusical.com – no booking fees  

Booking line: 0203 925 2998

Christmas 2022/23 Performance Schedule

Sunday 18 December                1pm & 6pm

Monday 19 December               No performance

Tuesday 20 December               2.30pm & 7.30pm

Wednesday 21 December          2.30pm & 7.30pm         

Thursday 22 December              2.30pm & 7.30pm

Friday 23 December                  7.30pm

Saturday 24 December              2.30pm

Sunday 25 December                No performance

Monday 26 December               No performance

Tuesday 27 December               No performance

Wednesday 28 December          2.30pm & 7.30pm         

Thursday 29 December              2.30pm & 7.30pm

Friday 30 December                  7.30pm

Saturday 31 December              2.30pm

Sunday 1 January                      No performance

Monday 2 January                     2.30pm & 7.30pm

X-treme Magic Review

York Opera House – 30th October 2022

Reviewed by Sal E Marino

5*****

X-treme Magic delivered a non-stop jukebox of heart-stopping moments that pulsed with wonder, amazement and “how did they do that?” questions . An awesome show packed with fire, illusion and interesting stunts. Starring multi-talented artists:  Richard Cadell (Master Illusionist), Richard Jones (Winner Of Britain’s Got Talent), John Archer (Penn & Teller Fool Us), Solange Kardinaly and Arkadio – there’s something for everyone! 

Richard, who has nerves of steel, drove the drama right the way through the show and by the end of this journey you felt like you knew the man – his reasons for why he does and dares – to have and follow these dreams.  An immaculate performer with a story to tell!   In complete contrast is John, John Archer, who probably isn’t sure why he does what he does but it seems to work.  One to speak his mind and sometimes his thoughts (that should maybe kept to himself) John is quick, full of one-liners and actually a very good magician!  You think he’s let you in on the tricks but when I look back – you actually can’t work out how he did it because he adds a little John Archer twist. 

Arkadio and Solange were equally as intriguing as they were smooth.  Both performed outstanding illusions and tricks mesmerised and left you thinking ‘how?’.  Richard Jones, had a slick and very professional delivery of his talent.  Complex could be said of Richard’s stunts and magic, complex with an edge.  It felt very unpredictable at times and that’s what makes talent within this strange and mysterious genre!

A truly amazing night out for all the family and your friends – fun, fabulous and fantastic!

Announcing UK workshops of a major new musical Benny & Joon based on the 1993 Johnny Depp movie

Announcing UK workshops of a major new musical
Benny & Joon
BASED ON THE METRO-GOLDWYN-MAYER
MOTION PICTURE WRITTEN BY BARRY BERMAN AND LESLIE McNEIL

A story about love, family and the power of a great grilled cheese
based on the 1993 Johnny Depp movie

2 first-look 75-minute showcase performances open to the public
Monday 14 & Tuesday 15 November at The Other Palace

Benny & Joon is a delightful new musical comedy based on the beloved hit film. Sweetly romantic and genuinely touching, it tells the story of Joon, an eccentric young woman, her protective older brother, and the charming and whimsical Sam, whose exuberant love for Joon changes them forever.

With his perfect impressions of Buster Keaton and his playful spirit, Sam shows Benny and Joon a new way to see the world.  It is a moving love story full of magic and madness, unforgettable characters and a beguiling score.

Benny & Joon
, Book by Kirsten Guenther, Music by Nolan Gasser, Lyrics by Mindi Dickstein, explores what happens when we step out of our comfort zone and take a leap toward love.

As it prepares for an expected UK premiere, two 75-minute first-look workshop performances of Benny & Joon will take place at 5pm on Monday 14 November and 3pm on Tuesday 15 November. Tickets go on sale today at The Other Palace with £10 seats available to the public.

The cast features:

Christine Allado (Ruthie)
She was Tzipporah in ‘Prince Of Egypt’ (Dominion Theatre), Peggy/Maria Reynolds u/s Eliza Hamilton in the original West End cast of ‘Hamilton’ (Victoria Palace) and u/s Imelda Marcos in ‘Here Lies Love’ at the National Theatre.

George Blagden (Sam)
He was Presley Stray in Jamie Lloyd’s production of ‘The Pitchfork Disney’ (Shoreditch Town Hall) and on TV played Louis XIV, the lead, in three series of ‘Versailles’ and Athelstan in three series of ‘Vikings’.

Hannah Elless (Joon)
Hannah starred on Broadway as Margo Crawford in Steve Martin’s musical ‘Bright Star’ (Cort Theatre) and most recently originated the role of Jess in Jack Thorne’s Tony award-winning Broadway adaptation of ‘A Christmas Carol’ (Lyceum Theatre).

Jak Malone (Waldo)
Jak was Hester in ‘Operation Mincemeat’ (New Diorama, Southwark Playhouse/Riverside Studios), Dim in ‘A Clockwork Orange’ (Everyman Theatre, Liverpool) and Draper in ‘Terrible Tales of Horrible Horror’ (Hope Street Theatre).

Landi Oshinowo (Dr. Cruz)
She is currently playing Mrs Phelps in ‘Matilda the Musical’ at the Cambridge Theatre. She was Jarene in ‘The Color Purple’ (Leicester Curve) and Nell in ‘Ain’t Misbehavin’ (Southwark Playhouse).

Simon-Anthony Rhoden (Mike)
Simon is currently playing Aaron Burr in ‘Hamilton’ (Victoria Palace) and was Lola in ‘Kinky Boots’ (Adelphi).He was Robert Catesby in‘ Treason – Concert’ (Theatre Royal Drury Lane ). On TV he was Diana in two series of ‘Temple’ on SKY.

Andrew Samonsky (Benny)
Andrew originated the role of Benny in the US (Old Globe). His Broadway/NY credits  include Lt Cable in ‘South Pacific Live’ (PBS), Neville in ‘The Mystery of Edwin Drood’, Ormisten in ‘Scandalous’ and Frank Russell in ‘Queen of the Mist’ (Drama Desk nomination).

Eric Stroud (Larry)
Eric was Dominic in ‘101 Dalmatians’ (Regent’s Park Open Air Theatre), Watson in ‘Baskerville’ (Mercury, Colchester) and Narrator in ‘The Snow Queen’ (Yvonne Arnaud, Guildford).

Creative team:
Jack Cummings III – Director
Jack is the Co-Founder and Artistic Director of New York’s award-winning Transport Group Theatre Company. He is a five-time Drama Desk Award nominee for Outstanding Director, Audelco Award nominee for Best Director of a Musical, and two-time Obie Award winner for Directing.

J. Oconer Navarro – Musical Director
He was Music Director for ‘Benny & Joon’ at The Old Globe and Paper Mill Playhouse. J. is Head of Music and Vocal Performance at The New Studio on Broadway at NYU-Tisch.

Scott Rink – Choreographer
Off-Broadway credits: ‘Once Upon A Mattress’, ‘Three Days to See’, ‘Queen Of The Mist’, ‘Hello Again’, ‘Being Audrey’, ‘Crossing Brooklyn’, ‘Songs For a New World’, ‘Nor’mal’, (Transport Group, Dir. Jack Cummings III).

Will Burton – Casting Director
Will is one half of Grindrod Burton Casting and was the casting director of Olivier Award-winning
‘Matilda’, ‘In the Heights’ and ‘Jesus Christ Superstar.’

Kirsten Guenther – Writer (Book)
Kirsten is the recipient of a Richard Rodgers Award,Rockefeller Grant, Dramatist Guild Fellowship, Johnny Mercer Writers Fellowship, and a Lincoln Center Honorarium. She has written several stage musicals including the book and lyrics for Little Miss Fix-it (as seen on NBC); and the book for Mrs. Sharp (Richard Rodgers Award) directed by Michael Greif, starring Jane Krakowski.

Nolan Gasser  – Composer
Nolan is a critically acclaimed composer, pianist, and musicologist – notably, the architect of Pandora Radio’s Music Genome Project. He holds a Ph.D. in Musicology from Stanford University. His original compositions have been performed at Carnegie Hall, and Lincoln Center, among other prestigious venues. Theatrical projects include the musical ‘Benny & Joon’ and the San Francisco Opera- commissioned ‘The Secret Garden’.

Mindi Dickstein – Lyricist
Mindi is an award-winning lyricist, librettist, and playwright. She is best known as the lyricist for the Broadway musical ‘Little Women’ (licensed by MTI), Original Broadway Cast Album released by Sh-k-boom/Ghostlight Records), with music by Jason Howland and book by Allan Knee.

Larry Hirschhorn – Producer
His Broadway credits include: ‘Hadestown’ (Tony Award), ‘Torch Song’, ‘Indecent’, ‘On Your Feet’, ‘The Elephant Man’ (with Bradley Cooper, Drama Desk Award); ‘Gentleman’s Guide’ (Tony Award); ‘Vanya and Sonia and Masha and Spike’ (Tony Award); ‘Hair’ (Tony Award), ‘Peter and the Starcatcher’.

Aria Entertainment – General Manager
Aria Entertainment was founded in 2012 by Producer Katy Lipson. In 10 years, she has produced over 70 productions in the West End, Off-West End and across the UK.  She most recently produced the World Première of Jack Holden’s ‘Cruise’ (Duchess Theatre) which was nominated for a 2022 Oliver Award for the Best New Play and which returned to the West End in August 2022 for a limited season at the Apollo Theatre. Other recent productions include, The Rise and Fall of Little Voice (UK Tour), Zorro – The Musical and Broken Wings (Charing Cross Theatre), the West End transfer of The Last Five Years (Garrick Theatre) and A-Typical Rainbow (Turbine Theatre). Current projects include: The Osmonds and The Cher Show (UK Tours); From Here to Eternity (CharingCross Theatre) and Claus – The Musical (The Lowry, Salford).

LISTINGS INFO

Benny & Joon
Based on the Metro-Goldwyn-Mayer
motion picture
written by Barry Berman and Leslie McNeil

2 workshop performances

Monday 14 November at 5pm
Tuesday 15 November at 3pm

The Other Palace
12 Palace Street
London
SW1E 5BJ

Tickets: £10

Book: https://theotherpalace.co.uk/

Spine-tingling fun with Gilbert & Sullivan’s RUDDIGORE at Wilton’s Music Hall

Ghostly Victorian fun with Gilbert & Sullivan’s RUDDIGORE

at Wilton’s Music Hall

Presented by Oracle Productions

14th – 25th March 2023

Surreal comedy meets genuinely spooky Victorian chiller in this unmissable production of Gilbert and Sullivan’s Ruddigore, or The Witch’s Curse, at Wilton’s Music Hall. 


Directed by Peter Benedict (Mapp & Lucia – The Musical and Terry Pratchett’s Guards! Guards!), expect all the familiar G&S elements: terrific music, cheeky social satire, comic pathos and a sensational cast singing faster than you’d think humanly possible – but with a seasoning of sinister spectres.

Wilton’s Music Hall with its faded Victorian grandeur, lends itself to a tale of ancestral ghosts who haunt the family picture gallery, and this innovative production will provide spine-tingling moments amidst the laughs.

Take a step back in time and experience Benedict’s hilariously haunting take on Gilbert and Sullivan’s tenth collaboration featuring some visual and musical surprises.

A family curse means a baronet must commit a crime every day or perish. In trying to escape his fate, he encounters dancing sailors, a bunch of frustrated bridesmaids and a chorus of ghosts. What could possibly go wrong?


Don’t miss this truly magical experience performed in London’s oldest Victorian music hall from 14th March 2023.

Cast and creative team to be announced.

Age recommendation: 12+

Tickets
14th – 25th March 2023
Box Office: 
020 7702 2789  
Online: www.wiltons.org.uk/whatson/774-ruddigore
Performances
: Tuesday – Saturday at 7:30pm
matinées: Thursday and Saturday at 2:30pm
Age group: suitable for 12+
Getting there: Wilton’s Music Hall, Graces Alley (off Ensign Street pedestrian only), London E1 8JB. Closest tube stations are Tower Hill (Zone 1), Aldgate East (Zone 1) and Shadwell (Zone 2). Closest rail station is Fenchurch Street.

NEW CAST & VENUES ANNOUNCED FOR THE INTERNATIONAL TOUR OF BAT OUT OF HELL – THE MUSICAL

NEW CAST & VENUES ANNOUNCED

FOR THE INTERNATIONAL TOUR OF

BAT OUT OF HELL – THE MUSICAL

The original producers of Bat Out of Hell – The Musical, featuring Jim Steinman and Meat Loaf’s greatest hits, are delighted to announce both new and returning cast members for the International tour, including Glenn Adamson as Strat, Kellie Gnauck as Raven, Rob Fowler as Falco, Sharon Sexton as Sloane, Jayme-Lee Zanoncelli as Zahara, James Chisholm as Jagwire, Matteo Johnson as Tink, Katie Tonkinson as Valkyrie and Danny Whelan as Ledoux.

Also in the cast are Jay Anderson as O’Dessasuite, Alex Bowen as Goddesilla Georgia Bradshaw as Kwaidan, Amara Campbell as Vilmos, Eirik Dahlen as Esquivel, Alexandra Doar as Scherzzo, Luke Hall as Markevitch, James Lowrie as Denym, Rory Maguire as Hollander, Catherine Saunders as Mordema, Luke Street as Hoffmann/Alternate Strat, Craig Watson as Astroganger and Beth Woodcock as Spinotti.

Bat Out of Hell – The Musical will play limited seasons at Swansea Arena from 6 December to 15 December, the Capitol Theater Düsseldorf from 20 December 2022 to 04 January 2023. The musical will do an Arena tour of New Zealand and Australia from 22 January – 8 February 2023 visiting Spark Arena, Auckland, Qudos Bank Arena, Sydney, Brisbane Entertainment Centre, Adelaide Entertainment Centre, RAC Arena Perth and Rod Laver Arena, Melbourne.

The production will then return to the UK and play the Peacock Theatre in the West End from 17 February – 1 April 2023. Other European venues include Wiener Stadthalle F, Vienna and MAAG Halle, Zurich with further dates to be added.

Bat Out of Hell – The Musical wowed critics and public alike when it played limited seasons at Manchester Opera House, London Coliseum and London’s Dominion Theatre from 2017 to 2019. The musical also ran successfully in Canada, Germany and at New York’s City Centre in 2019. The current International tour began performances at Manchester Opera House on 11 September 2021 and has been playing to sold out houses and great critical acclaim. Bat Out of Hell – The Musical continues to have a residency at Paris Las Vegas Hotel & Casino where it opened to rave reviews on 27 September 2022.         

Bat Out of Hell – The Musical won the Radio 2 Audience Award for Best Musical at the Evening Standard Awards and was nominated for 8 WhatsOnStage Awards, including Best New Musical.

Bat Out of Hell became one of the best-selling albums in history, selling over 60 million copies worldwide.  16 years after the release of the original album, Steinman scored again with Bat Out of Hell II: Back into Hell, which contained the massive hit I Would Do Anything for Love (But I Won’t Do That).

For the stage musical, the legendary and award-winning Jim Steinman incorporated iconic songs from the Bat Out of Hell albums, including You Took the Words Right Out of My Mouth, Bat Out of Hell, I Would Do Anything for Love (But I Won’t Do That) and Two Out Of Three Ain’t Bad, as well as the previously unreleased song What Part of My Body Hurts the Most.

As the Lost boys and girls flee into the tunnels below the city from its ruler Falco, his teenage daughter Raven locks eyes with fearless leader of the Lost, the immortal Strat, and the immensity of their love-at-first-sight-obsessions threaten to destroy both of their families. Experience the thrill of the electrifying songs of Jim Steinman and Meat Loaf’s epic collaboration: “Bat Out of Hell.”

The International Tour of Bat Out of Hell – The Musical has book, music and lyrics by Jim Steinman, direction by Jay Scheib, with musical supervision and additional arrangements by Michael Reed, choreography adapted by Xena Gusthart,, set and costume design by Jon Bausor, original costume designs by Meentje Nielsen, original wig designs by Linda McKnight, video design by Finn Ross, lighting design by Patrick Woodroffe, sound design by Gareth Owen, orchestration by Steve Sidwell, original casting by David Grindrod CDG and International Tour casting by Anne Vosser.

The West End & UK Tour of Bat Out of Hell – The Musical is produced by Michael CohlTony Smith & David Sonenberg with executive producer Julian Stoneman.

Bat Out of Hell dedicates this tour to the memory of Jim Steinman, who sadly passed away on April 19, 2021 and Meat Loaf who passed away on 20 January 2022.

Website:  www.BatOutOfHellMusical.com

Twitter & Facebook: @BatTheMusical

2022/23 TOUR LISTINGS INFORMATION

6 – 15 December                                   Swansea Arena                                                     01792 804770

                                                              www.swansea-arena.co.uk

20 December – 4 January 2023             Capitol Theater Düsseldorf                                    +49 021173440

                                                               www.eventim.de/artist/bat-out-of-hell-the-musical

22 January                                             Spark Arena, Auckland                                          +64 9 358 1250

                                                               www.sparkarena.co.nz

27 January                                             Qudos Bank Arena, Sydney                                  +61 2 8765 4321

                                                               www.qudosbankarena.com.au

30 January                                             Brisbane Entertainment Centre                               +61 7 3265 8111

                                                               www.brisent.com.au

2 February                                              Adelaide Entertainment Centre                               +61 8 8208 2222

                                                               rodlaverarena.com.au

8 February                                              Rod Laver Arena, Melbourne                                 +61 3 9286 1600

                                                                rodlaverarena.com.au

17 February – 1 April                               Peacock Theatre, London                                      020 7863 8000

                                                                www.sadlerswells.com/your-visit/peacock-theatre

13 – 16 April                                            Wiener Stadthalle F, Vienna                                   +4317999979                                                              

                                                        www.stadthalle.com

4 – 20 May                                              MAAG Halle, Zurich                                               +41 0900 444 262

                                                                bymaag.ch                                                          

Further dates to be announced.

PEAKY BLINDERS: THE RISE Announces New Casting

NEW CASTING ANNOUCED

FOR

PEAKY BLINDERS: THE RISE

AT THE CAMDEN GARRISON

Producers Immersive Everywhere, in association with Caryn Mandabach Productions and Steven Knight, announce new casting for PEAKY BLINDERS: THE RISE, at the Camden Garrison, joining from Wednesday 9 Novemberwww.immersivepeakyblinders.com

Joining the show will be Tanya Bridgeman (Milky Peaks for Theatr Clwyd and Wales Tour, The Fear at The Bunker) as Maggie Hill, Thea Butler (Twelfth Night UK Tour, Chicago at the Minack Theatre and Elegies for Angels, Punks and Raging Queens at the Charing Cross Theatre) as Lizzie Stark, Ivy Corbin (Doctor Who: Time Fracture and The Great Gatsby for Immersive Everywhere) as Polly Gray, Ross Ford (Comet at the Pleasance, Under Milk Wood at the Watermill Theatre and the UK and International tour of Much Ado About Nothing) as Arthur Shelby, Mabli Gwynne (Elegies for Angels, Punks and Raging Queens at the King’s Head) as Ada Thorne,  James Lawrence (Doctor Who: Time Fracture and The Great Gatsby for Immersive Everywhere, One Man, Two Guvnors UK Tour) as Walter McDonald and Harriett O’Grady (Secret Cinema’s Casino Royale and Dirty Dancing) as Pearl St. Clair.

They join Roxana Bartle (The Hound of the Baskervilles, Sophia)as Grace Burgess/Zilpha Lee, Isaac Beechey (The Laramie Project) as John Shelby, Sam Blythe (Doctor Who: Time Fracture for Immersive Everywhere and Secret Cinema’s Stranger Things, Casino Royale, 28 Days Later and Star Wars: The Empire Strikes Back) as Alfie Solomons, Angus Brown (Doctor Who: Time Fracture for Immersive Everywhere and Secret Cinema’s Casino Royale) as Charles Sabini, James Bryant (Doctor Who: Time Fracture and The Wolf of Wall Street for Immersive Everywhere) as an American Businessman, Craig Hamilton (Doctor Who: Time Fracture and The Great Gatsby for Immersive Everywhere and Secret Cinema’s Casino Royale) as Tommy Shelby, Daniel Mackenzie-Carter making his professional debut as Michael Gray, Reece Richardson (Human, 1984) as Georgie Sewell, Elliot Rodriguez (Doctor Who: Time Fracture for Immersive Everywhere, The Gruffalo) as Isiah Jesus, Daisy Winter-Taylor (Doctor Who: Time Fracture for Immersive Everywhere, Runway) as Phyllis Robbins.

PEAKY BLINDERS: THE RISE is an immersive theatrical show that places audiences in the heart of one of the world’s most popular TV series. Presented in collaboration with Peaky Blinders creator Steven Knight and Caryn Mandabach Productions, you are invited to get dressed up and fully immersed in Tommy Shelby’s world. As the story unfolds you will experience live sets, unmissable character interactions, competitive game play and ultimately determine whether Tommy Shelby and his family succeed in their ambition to take London.

1921, London. Tommy has taken the northern racecourses and eliminated his opponent, Billy Kimber. He now has his sights set on a London expansion… 

With the approval of north London kingpin, Alfie Solomons, Tommy personally invites you to a family meeting at the Shelbys’ Camden warehouse. Tommy has a plan that could prove lucrative for everyone, and it promises to be a night of celebration. 

Whether you kick back in the Camden Garrison Pub with Arthur, advise Tommy on his business affairs in his office, or conspire with the Italians in the Eden Club, how the family meeting goes is for you to decide. However, you must keep your eyes open and your ear to the ground, Tommy’s enemies are closer than you think, and they may want to make you an offer you’ll find hard to refuse. 

But before you choose where your loyalties lie, get suited and booted ready for a night with the Peaky Blinders at the Camden Garrison. With three possible narrative outcomes, your decisions have consequences and directly affect the rise or the fall of the Shelby family.   

PEAKY BLINDERS: THE RISE is directed by Tom Maller, who is also Creative Director, set and costume designs are by Rebecca Brower, with a script by Katie Lyons, music by Barnaby Race, lighting design by Terry Cook for Woodroffe Bassett, sound design by Luke Swaffield for Autograph, dramaturgy by Raphael Martin, the Associate Director is Elena Voce, the Vocal and Accent Coach is Sarah McGuinness, and the Movement Director is Charlie Burt.

Peaky Blinders, the TV series, was created and written by Steven Knight (Dirty Pretty Things, Eastern Promises and Locke) and recently returned for its final season, receiving five-star reviews and enjoying record viewing figures. The multi award-winning BBC One/iPlayer and Netflix series is owned and produced by Peaky Blinders’ official series and brand owner, Caryn Mandabach Productions and the television series is co-produced with Banijay Group’s Tiger Aspect Productions.

Peaky Blinders® © Caryn Mandabach Productions. All rights reserved. Licensed by Caryn Mandabach Productions.

Anything for Love Review

Grand Opera House York – Friday 28th October 2022

Reviewed by Michelle Richardson

4****

Steve Steinman and Anything for Love returned to the Grand Opera House York on Friday night. After appearing on Stars in your Eyes as Meatloaf, Steinman has been touring the UK and beyond with his original Meatloaf Story and Vampires Rock for years, one of the hardest working bands out there. This tour again is supported by the wonderful vocals of Lorraine Crosby, the original artist who sang with Meatloaf on Anything for Love, off the Bat Out of Hell II album, she was also managed by Jim Steinman earlier in her career.

As usual with a lot of Steinman’s shows the theatre was packed out, proving what a huge loyal following they have. When the lights go out and the band enters the stage the audience couldn’t help but show their excitement for this celebration of Meatloaf and the music of Jim Steinman. Anything for Love is the first tune we hear with Crosby and Steinman belting out the classic hit. After working together for several years, they have some fabulous chemistry and camaraderie going on.

Steinman surrounds himself with a loyal group of performers, his ever-present side kick John Evans, providing backing vocals. If you’ve seen Vampires Rock, he is Bosley, a highlight of which are the animal print leggings with blue pvc pants over the top. Joining Evans were two backing singers and dancers, who never stopped. Their dancing was a complete workout, it was exhausting to watch. A huge accomplishment when they are also singing, stunning to watch, bravo ladies. The band were tremendous, each member having the opportunity to shine. I must send a shout out to the pianist, his solo piece was phenomenal.

As usual Steinman packed a punch with his vocals, emulating the powerhouse that was Meatloaf. Crosby’s vocals were stunning, she brings a fabulous energy to the show. I enjoyed hearing about her few encounters with Meat, especially the story about duetting with him at the ice rink in her neck of the woods, Whitley Bay. Who knew?

This is a show is a feast of Meatloaf’s greatest hits, with some Bonnie Tyler thrown in. Songs included Dead Ringer for Love, Took the Word Right Out of My Mouth, Paradise by the Dashboard Light, and many, many more. And of course, we can’t forget Bat Out of Hell. A must show for any fan.

Steinman just loves being on stage, he has a natural rapport with the audience. He has some excellent bite backs and is not afraid to laugh at himself. He has a winning formula and is not afraid to use it, long may it continue.

Quiet Rebels Review

Tanya Moiseiwitsch Studio, Sheffield – until 28th October 2022

Reviewed by Sophie Dodworth

2**

Stopping at Sheffield Theatres Tanya Moiseiwitsch Studio is Quiet Rebels, a new play written and directed by Julie McNamara and Hassan Mahamdallie. A drama based on true-life stories of white women who crossed ‘the colour line’ to marry men from the Windrush generation. Women who lived with the ignorance of racism and social stigma directed against them and their families, but who are the foundations of today’s multi-cultural communities.

Real-life footage of women who experienced racial prejudice opens the show and this is most engaging, the audience respond well to this and alongside the awful racist times these women lived through, true love stories were created and to be told of these was heart-warming.

The setting is a dystopian one, in the UK in 2028 where Detective Shade (Deni Francis) investigates the murder of Aileen Burnett (Lottie Bell) – a white woman who married a black man and went on to having four children. Convicted as a ‘race-traitor’, she served time for ‘miscegenation’. Shade travels the multi-resistance underground network to the Northern Free Zone to solve the crime, where delving in to her past, everything she thought she knew about herself is challenged.

The set was simple but effective and provided a perfect back drop for the subtitles and signing that was used throughout. The subtitles did however highlight errors and missed dialogue during quite a lot of the performance, this did tend to draw your attention away from the main event.

Fiona Whitelaw shone in her roles of Mary Khan/Tracey/Betty Grogan, with a real ability to adapt to each character with fluidity.

Thought provoking theatre that touching on an important part of history that shouldn’t be forgotten.