FOOTLOOSE REVIEW

OPERA HOUSE, MANCHESTER – UNTIL SATURDAY 5TH MARCH 2022

REVIEWED BY MIA BOWEN

5*****

Footloose is a 1998 musical based on the screen sensation starring Kevin Bacon. When the film was released in 1984, it became the highest crossing February release in US film history. The soundtrack album knocked Michael Jackson’s Thriller off the number one spot and went to top album charts all over the world. I caught up with the current UK Touring stage production when it touched down at the Opera House. This adaptation is pure fun, full of passion and energy, containing pop rock hits like ‘Almost paradise’, ‘Let’s hear it for the boy’, ‘Holding out for a hero’ and ‘Footloose’.

The musical tells the story of city boy Ren McCormack (Joshua Hawkins) and his mother Ethel (Geri Allen) who has moved to the small town of Bomont in the rural Southwest. At school Ren befriends Willard (Jake Quickenden) and learns that the town council has banned dancing and rock music within the town boundary. Ren shakes things up by falling in love with Ariel (Lucy Munden), the daughter of Rev Moore (Darren Day), the main influence behind the ban. As well as teenage angst, Footloose is all about fun and the carefree nature of being a teen, which of course is never fully appreciated at the time.

It wouldn’t be Footloose without spectacular stage dancing and Matt Cole deserves a special mention as his choreography did not disappoint, it was demanding but stunningly executed. Every time a choreographed musical number ended the audience broke out in a booming applause and loud cheers. This response was also due to the cast giving the whole production an air of exhilaration, not only did they act, sing, dance and move sets around, they played multiple instruments whilst on roller skates!

Footloose is a solid piece of toe tapping entertainment, literally bringing a cheering audience to their feet

Blood Brothers Review.

Malvern Theatre – until 5th March 2022

Reviewed by Kathie Hodges

5*****

I was absolutely thrilled to be able to see Willy Russell’s Blood Brothers.

This legendary show arrived At Malvern Theatre to a sold out audience and it did not disappoint. 

Blood Brothers is a musical telling the intriguing and tragic story of the Johnstone twins, separated at birth.

One remains with his birth mother and the other is reluctantly given up in the hope of a better life.

Set in Liverpool in the 60’s Mrs Johnstone struggles to make ends meet. Her husband who once took her dancing and compared her beauty to that of Marilyn Monroe, leaves her after she falls pregnant yet again, for a younger woman who looks even more like Marilyn Monroe.

With seven children and twins on the way, and the constant threat of debt collectors, she’s drawn in to a peculiar pact.

Her wealthy employer Mrs Lyon’s desperately wants a child to fulfil her but unable to bear a child of her own, Mrs Lyon’s convinces Mrs Johnstone to give one of her babies to her. That way at least one of her children will have the best start in life.

Understanding the struggle of living during that time is a huge part of understanding Mrs Johnstones actions, and indeed to understanding why Mickey and Eddie’s lives differ so much. 

The set is brilliantly designed to show the divide between rich and poor. 

One side made up of mansions, the other a council estate.

The real problems arise when fate brings the pair back together years later. Bonding immediately, but with tragic circumstances.

Sean Jones is first seen as a playful seven year old Mickey. Obviously he is a grown man however he plays the part of this cheeky young lad brilliantly bringing some big laughs to the show.

Joel Benedict is fantastic as Eddie, deeming everything ‘fantastic’ in his ever so posh voice.

Mrs Johnstone played by Niki Evans brings so much charm to the role, we can feel nothing but adoration for her. 

Her flawless voice delivers every note perfectly and ‘Tell me it’s not True’ to a standing ovation. The love she has for her children is evident in spite of the lack of money and we feel every bit of her struggle, and her emotion.

Mrs Lyon’s however is a very tough role to play. Paula Tappenden portrays the character of this desperate woman who eventually has a break down, unable to live with the lies she has told.

Narrator Robbie Scotcher remains on stage throughout the duration of the show, seeming to act as the conscience of both woman, reminding them both of the terrible choices they have made.

For the most part the play gives a lot of laughs, but the fate of the boys keeps you on the edge of your seat.

The finale is greeted with a standing ovation. There were gunshots, there were tears, it was tense. Would I recommend it. Absolutely! 

Book a seat today. 

BEAUTIFUL – THE CAROLE KING MUSICAL – PRODUCTION IMAGES RELEASED

CAST AND TOUR DATES ANNOUNCED

BEAUTIFUL – THE CAROLE KING MUSICAL

Molly-Grace Cutler as Carole King
Tom Milner as Gerry Goffin
Seren Sandham-Davies as Cynthia Weil
Jos Slovick as Barry Mann

A Curve, Theatre Royal Bath Productions and Mayflower Theatre Southampton co-production

Leicester’s CurveTheatre Royal Bath Productions and Mayflower Theatre Southampton have announced the company of talented actor-musicians joining their new UK tour of Beautiful – The Carole King Musical.

Opening at Curve on Monday 28 February 2022, the company will be led by Molly-Grace Cutler (The Worst WitchGirls Don’t Play Guitars, We’ll Live and Die in these Towns) as Carole King. Tom Milner (Holby City, Waterloo Road) will play Gerry Goffin, Carole’s former husband and collaborator. Seren Sandham-Davies (Crazy For YouBrassed Off) and Jos Slovick, who performed in the original West End production of Once, will play husband and wife song-writing duo Cynthia Weil and Barry Mann.

Garry Robson returns to Curve as music producer and talent manager Don Kirshner. Garry was last seen on-stage in Leicester as General Henry Waverly in the 2018 Made at Curve production of White Christmas.

Claire Greenway, who originated the role of Sister Mary Patrick in Sister Act at the London Palladium, will play Carole’s mother Genie Klein, and Dan de Cruz will join as the production’s on-stage Musical Director. The cast is completed by Naomi Alade, Kemi Clarke, Chris Coxon, Amena El-Kindy, Louise FrancisDylan Gordon-JonesJessica Jolleys, Sorrel Jordan, Myles MillerPeter MooneyAdrien Spencer and Kevin Yates.

After its run in Leicester, Beautiful – The Carole King Musical will tour to Theatre Royal Bath 17 – 26 MarchTheatre Royal Brighton 29 March – 2 AprilFestival Theatre Edinburgh 5 – 9 AprilMayflower Theatre, Southampton 12 – 16 AprilNewcastle Theatre Royal 19 – 23 AprilOrchard Theatre Dartford 26 – 30 AprilMalvern Theatres 3 -7 MayCambridge Arts Theatre 10 – 21 May and New Theatre, Cardiff 24 – 28 May.

Based on the story of Carole King’s remarkable rise from singer/songwriter to chart-topping music legend, this production of Beautiful – The Carole King Musical will take audiences back to the heart of King’s landmark 1971 album ‘Tapestry’.

The musical will be directed by Curve’s Artistic Director Nikolai Foster, whose recent credits include acclaimed five-star productions of A Chorus LineWest Side Storyand 2020’s streamed production of Sunset Boulevard – at Home.

Speaking about the cast, Curve’s Chief Executive Chris Stafford and Artistic Director Nikolai Foster said:

“Carole King’s body of work speaks for itself and it is an honour to work on a show which celebrates some of the greatest pop songs ever written and the extraordinary life of the woman who has provided the soundtrack to our lives across the decades.

“In Molly-Grace Cutler, we have the perfect actor to lead our production and embody the spirit of King’s supreme artistry. Molly leads a phenomenal company of actor-musicians, who will recreate all the hits live onstage, under the supreme musical talents of Grammy winner Steve Sidwell and Tony winner Sarah Travis.

“We are thrilled to be collaborating with our friends at Theatre Royal Bath and Southampton Mayflower, flying the flag for Leicester once Beautiful tours from Curve.”

Carole King’s music will be brought to life by Grammy Award-winning Orchestrator Steve Sidwell and adapted by Tony Award-winning Curve Associate and Musical Supervisor Sarah Travis. The production will be choreographed by rising star Leah Hill (The Wiz, Hope Mill Theatre), with Associate Choreographer Tarik Frimpong, and the creative team also includes Set Designer Frankie Bradshaw, Costume Designer Edd Lindley, Lighting Designer and Curve Associate Ben Cracknell, Sound Designer Tom Marshall, Associate Director Jennifer Lane Baker and Casting Director and Curve Associate Kay Magson CDG. The production will also provide training opportunities for Regional Theatre Young Directors Scheme (RTYDS) Resident Assistant Director Lilac Yosiphon and Birkbeck Trainee Director Thyrza Abrahams.

Featuring countless classics such as You Make Me Feel Like a Natural Woman, Take Good Care of my Baby, You’ve Got a Friend, Up on the Roof, Locomotion and You’ve Lost That Loving Feeling, Beautiful – The Carole King Musical is written by Douglas McGrath, with songs by Carole King, Gerry GoffinBarry Mann and Cynthia Weil.

Beautiful – The Carole King Musical was originally produced on Broadway and in London by Paul Blake, SONY/ATV Music Publishing and Mike Bosner.

Beautiful – The Carole King Musical

Book by Douglas McGrath

Words & Music by Gerry Coffin & Carole King, Barry Mann & Cynthia Weil

Music by arrangement with Sony/ATV Music Publishing

MAMMA MIA! celebrates 9000 performances in London’s West End

MAMMA MIA! celebrates 9000 performances in London’s West End

The global smash hit musical will celebrate its 23rd birthday in London on 6 April 2022.  MAMMA MIA! originally opened in London at the Prince Edward Theatre on 6 April 1999, before transferring to the Prince of Wales Theatre in 2004, and then to the Novello Theatre in 2012.  The London production of MAMMA MIA! has been seen by over 9 million people and has broken box office records in all three of its London homes.  

Mamma Mia! London

The London cast stars Mazz Murray as Donna, Josie Benson as Tanya, Gemma Goggin as Rosie, Richard Trinder as Sam, Neil Moors as Harry, Stephen Beckett as Bill, Emma Mullen as Sophie, Jack Danson as Sky, Tegan Bannister as Ali, Sophie Matthew as Lisa, Michael Nelson as Eddie and Alexandros Beshonges as Pepper, with Natalie Langston playing the role of Donna at certain performances.

Mamma Mia! London

Also in the cast are Natasha Agnew, Chloe Ames, Gemma Atkins, Chloe-Jo Byrnes, Nicole Carlisle, Angus Good, Natalie Jayne Hall, Lauren Hampton, James Humpleman, Morgan Jackson, Frankie Jones, Grace Moorhouse, Jodie Nolan, Dan O’Brien, George Olney, Michael Storrs, Kyle Turner, Amy Thiroff, Michael Tyler, Simon Willmont and Alex Woodward.  

Mamma Mia! London

Since premiering in London in 1999, the irresistible feelgood musical has captured the hearts of millions around the globe.  The sunny, funny tale of a mother, a daughter and three possible dads on a Greek island idyll, all unfolding to the magic of ABBA’s timeless pop masterpieces, has now been seen live on stage by 65 million people across the world and turned into two record-breaking movies – MAMMA MIA! The Movie and MAMMA MIA! Here We Go Again.

Mamma Mia! London

To date, MAMMA MIA! has been seen in 50 productions in 16 different languages grossing more than $4 billion at the box office.  In 2011, it became the first Western musical ever to be staged in Mandarin in the People’s Republic of China.

Mamma Mia! London

With music & lyrics by Benny Andersson & Björn Ulvaeus, MAMMA MIA! is written by Catherine Johnson, directed by Phyllida Lloyd and choreographed by Anthony Van Laast. The production is designed by Mark Thompson, with lighting design by Howard Harrison, sound design by Andrew Bruce & Bobby Aitken, and musical supervision, additional material & arrangements by Martin Koch.

MAMMA MIA! is produced by Judy Craymer, Richard East & Björn Ulvaeus for Littlestar in association with Universal.

LISTINGS INFORMATION

Novello Theatre
Aldwych
London WC2B 4LD

Ticket Prices: from £17.50*
*All prices include a £2.50 per ticket booking fee and £1.25 restoration levy (£1.50 restoration levy for performances from Monday 4 April 2022)

Early Bird Pricing – anyone booking four months or more in advance of the performance they are attending (Monday to Thursday performances only) will save £20 on Band A and Premium tickets, but only through Delfont Mackintosh Theatres, either online or by calling the Novello Theatre Box Office.

Performance Times:
Monday, Wednesdays – Saturdays 7.30pm
Matinees – Thursdays & Saturdays 3.00pm, Sundays 2.30pm
The performance lasts 2 hours and 35 minutes (including a 15-minute interval)
Box Office: 0844 482 5151

http://www.mamma-mia.com/

http://www.facebook.com/mammamiamusical

http://twitter.com/MammaMiaMusical 

TICKETS NOW ON SALE FOR f r a g m e n t s – The Waste Land 2022

TICKETS NOW ON SALE FOR 

f r a g m e n t s – The Waste Land 2022

www.thewasteland2022.com

A bespoke one-off experiential festival takes place in the heart of London next month to attract new audiences in a post-Covid environment with an indoor & outdoor mix of short events followed by equal intervals of fresh air.

Box office opens today with 30 actors, writers and musicians leading a reimagining of T S Eliot’s five part epic poem The Waste Land in the world’s largest celebration of the poem in the geography of its setting.  

Star artists led by Tamsin Greig, Toby Jones, Jeanette Winterson, Gavin Bryars, Jenna Russell, Liam Ó’Maonlaí (Hothouse Flowers), Sam Lee, Erland Cooper and the 2022 T S Eliot Prize winner Joelle Taylor head up a cross disciplinary line-up of classical, folk & world music, fado & flamenco, talks & readings and free sound, video and film installations performed in 22 City of London mediaeval churches.  

Commissioned by the T S Eliot Estate, the arts imagineers DoranBrowne (former curators of the 50th anniversary Beatles’ Sgt. Pepper in Liverpool in 2017 and the highly acclaimed annual Happy Days Samuel Beckett Festival in Ireland) have devised a new festival model in search for new audiences of the post Covid era –  short espresso hit 15 minute f r a g m e n t performances across a square mile of 22 churches (15 by Sir Christopher Wren).

Audiences will balance a rotation of 15-minute performances followed by 15 or less minutes walking through the streets of old London encountering hidden and extraordinary beautiful church interiors.  Cultural offerings in the church acoustics range from Indian Raga to Ragtime, the Syrian Qunan to Kaustinen folk, Sufi to spirituals music and western classical and baroque music to contemporary minimalism & hip-hop. 

Audiences can book one of five walking route options in any of  the 5 x 3 hour f r a g m e n t slots getting the opportunity to watch and listen up to 7 short 15 minute event bursts.  The more adventurous ticket buyer can deviate from the routes and create their own order of events in an unique ‘shuffle festival’ style.

The festival opens on April 7th with the writer Jeanette Winterson giving a secular sermon in Southwark Cathedral at 7pm followed by the Hothouse Flowers supremo Liam Ó’Maonlaí with the Opening Concert in St. Mary Woolnoth church, known as the Amazing Grace church.  The festival centrepiece, a world premiere 40 minute electro-acoustic music composition by French composer Pierre-Yves Macé opens in the Bow Bells church, St. Mary-Le-Bow, on April 8th.  This is followed by 5 x 3 hour  f r a g m e n t s  sessions:  April 8th 7-10pm; April 9th 10.30-1.30pm & 3.30pm-6.30pm and April 10th 10.30am-1.30pm & 4.30pm-7.30pm. The final event will be at Wilton’s Music Hall. Exploring the deep and surprising relationship between Marie Lloyd, T. S. Eliot’s poetry Marie, Marie, Hold on Tight! is a sort-of-musical that marks the centenary of Marie Lloyd’s death and The Waste Land’s birth. It tells the very funny and moving story of the unlikely relationship between the work of two unhappy people and great artists. Starring Jenna Russell, Luke Thallon & Tom Hanson. Tickets available at  www.wiltons.org.uk

A single 3 hour slot event ticket costs £20 (£15 concession) with Day tickets £35 on Saturday and Sunday April 9 & 10. Full programme information and tickets are available from  www.thewasteland2022.com

A MIDSUMMER NIGHT’S DREAM ANNOUNCED FOR IRIS THEATRE’S OUTDOOR SUMMER FESTIVAL 2022

A MIDSUMMER NIGHT’S DREAM ANNOUNCED FOR

IRIS THEATRE’S OUTDOOR SUMMER FESTIVAL 2022

Iris Theatre today announces A Midsummer Night’s Dream as part of their Summer Festival 2022. It opens on 5th July, with previews from 29 June, and running until 30 July, at the Actors’ Church in the heart of Covent Garden.

Alongside A Midsummer Night’s Dream there will be three Iris commissions to complete the line-up, with more information to follow in the coming months. Now in its 14th year, Iris’ summer season has become an essential part of the theatrical calendar, welcoming thousands of people. Join Iris this year, and escape to the forest, where fairies, lovers and a travelling band of actors await magical wonderment in A Midsummer Night’s Dream.

We are thrilled to be announcing A Midsummer Night’s Dream as part of our upcoming Summer Season. After it was sadly postponed in 2020, it has been great to return to a show that we have been passionate about sharing with audiences for two years. We are also very excited to be supporting three commissions of early-career companies which will make up our Summer Festival; Iris is proud of our history in supporting early-career artists and cannot wait to support more exceptional and innovative work. Keep an eye out for applications opening soon and come and join us in the garden for some fairy-led mayhem!” – The Iris Team

Iris Theatre presents

A MIDSUMMER NIGHT’S DREAM

By William Shakespeare

29 June – 30 July

Are you sure that we are awake? It seems to me that yet we sleep, we dream.

It’s the height of Summer, and the ancient city of Athens has never felt colder. The young nobleman Demetrius is set to marry his bride Hermia, and their parents are overjoyed. The only problem is, she’s in love with someone else. Fleeing the broken court, and her impending nuptials, Hermia escapes to the forest beyond the city, ready to elope.

There, deep in an enchanted forest of lights, new mysteries await her. A feuding fairy King and Queen plot revenge, a band of travelling misfit actors prepare their latest performance, and a magical trickster, ready to cause mischief, has other ideas for the young lovers’ midsummer’s night.

Experience Shakespeare’s best-loved comedy in the heart of Covent Garden with the award-winning Iris Theatre, celebrate the arrival of Summer and find out whether love really can conquer all.

Age Guidance: 8+

LISTINGS

St Pauls Covent Garden

Actors’ Church, Bedford Street, London, WC2E 9ED

Box Office: https://iristheatre.ticketsolve.com/shows

Tickets

Previews – Full Price: £16

Previews – Concessions*: £14

Standard – Full Price: £22.50

Standard – Concessions*: £17.50

*Concession prices are available to Under 21s, Students, people with access requirements and people in receipt of Universal Credit.

Chichester Festival Theatre announces 60th anniversary season – Festival 2022

CHICHESTER FESTIVAL THEATRE ANNOUNCES
FESTIVAL 2022
60TH ANNIVERSARY SEASON INCLUDES:
SIX WORLD PREMIERE PRODUCTIONS
THREE MUSICALS
FIVE NEW PLAYS
THREE CO-PRODUCTIONS
DIGITAL STAGES INSPIRED BY CFT 1962-2022
CULTURE SPARK CELEBRATES CHICHESTER’S CULTURAL COMMUNITY
YOUNG VOICES, FAMILY FUN & CFT LATES

Chichester Festival Theatre’s Festival 2022, along with a roster of special events to mark
its 60th anniversary season, has today been announced by Artistic Director Daniel Evans
and Executive Director Kathy Bourne.

Three musicals:
 – Susan Stroman makes her Chichester debut directing and choreographing the
musical comedy CRAZY FOR YOU, with music & lyrics by George Gershwin
and Ira Gershwin, book by Ken Ludwig; Charlie Stemp returns to Chichester
to lead the cast
- LOCAL HERO, book by David Greig and music & lyrics by Mark Knopfler,
based on the Bill Forsyth film, is directed by Daniel Evans
 – THE FAMOUS FIVE: A New Musical, music & lyrics by Theo Jamieson, book
by Elinor Cook, based on books by Enid Blyton, is directed by Tamara Harvey
in a co-production with Theatr Clwyd

Five new plays, including three delayed from 2020:
 – New plays by Kate Mosse and Alecky Blythe open the season as previously
announced: THE TAXIDERMIST’S DAUGHTER directed by Róisín McBrinn,
and OUR GENERATION, a co-production with the National Theatre, directed
by Daniel Evans
 -THE UNFRIEND by Steven Moffat, with Amanda Abbington, Frances Barber
and Reece Shearsmith, directed by Mark Gatiss
 – THE NARCISSIST by Christopher Shinn, directed by Josh Seymour
 – Stephen Beresford’s THE SOUTHBURY CHILD, with Alex Jennings, directed
by Nicholas Hytner in a co-production with The Bridge Theatre

Great modern dramas:
 – Henry Goodman plays Poirot in Agatha Christie’s MURDER ON THE ORIENT
EXPRESS, adapted by Ken Ludwig and directed by Jonathan Church
 – Nicole Charles recreates her acclaimed Chichester production of Roy
Williams’s SING YER HEART OUT FOR THE LADS in the Minerva Theatre
 – Alan Ayckbourn’s WOMAN IN MIND is directed by Justin Martin

Chichester Festival Youth Theatre present Alan Bennett’s adaptation of Kenneth
Grahame’s THE WIND IN THE WILLOWS, with music and additional lyrics by Jeremy
Sams, for Christmas

DIGITAL STAGES uses cutting-edge technology to celebrate CFT’s history and
community, including a unique VR link up with Stratford Ontario’s Festival Theatre

Chichester’s Culture Spark festival; Family Friendly shows and activities; National
Youth Conference; and a new CFT Lates series for 16+ 20,500 tickets at £10 in the Festival Theatre and 10,000 £5 PROLOGUE tickets for 16 – 30 year olds

Daniel Evans’s 2021 production of Rodgers & Hammerstein’s SOUTH PACIFIC at
Sadler’s Wells and on UK and Ireland tour

Daniel Evans and Kathy Bourne said:
‘2022 marks our diamond anniversary year and our sparkling Festival Season offers no less
than six world premiere productions, three musicals and a host of dramas, as well as
community and digital events celebrating 60 years of CFT.

‘Festival 2022 places compelling stories front and centre: joyful, gripping, uplifting and
provocative. They teem with 21st century teenagers and 1930s showgirls; London football fans and Scottish environmentalists; Edwardian feminists fighting for justice and American politicians struggling for dominance. A celebrated sleuth, an Anglican vicar, a troubled housewife and overly-polite middle Englanders all have their battles to fight, while ‘the Famous Five’ and Mole, Ratty and Toad go seeking adventure.

‘CFT was built by the community, for the community. Nobody in 1962 could have foreseen the digital revolution which has enabled that community to expand worldwide, and to participate in ways undreamt of 60 years ago. Our digital celebrations will include a unique link-up with the Festival Theatre in Stratford Ontario – a key inspiration for CFT’s unique hexagonal design – on our 60th anniversary itself. Meanwhile, audiences across the country will be able to see 2021’s South Pacific in person when it tours to ten UK and Ireland venues, as well as its run at Sadler’s Wells.

‘Three Festival 2022 productions will pilot the standards set out in the Theatre Green Book,
continuing our mission to make all our activities environmentally conscious. Off-stage, our
events have a refreshed focus on young people’s voices, including a National Youth
Conference and CFT Lates. And we are delighted to be co-producing work with the National Theatre, The Bridge Theatre and Theatr Clwyd.

‘In happy serendipity, we join with our fellow cultural organisations in Chichester marking
significant anniversaries this year with a district-wide festival Culture Spark. After a challenging couple of years, we are all surely in need of a celebration.’

FESTIVAL 2022 PRODUCTIONS – APRIL TO OCTOBER
THE TAXIDERMIST’S DAUGHTER
Adapted for the stage by Kate Mosse
A new play based on her novel
Directed by Róisín McBrinn
8 – 30 April, Festival Theatre

1912. In the isolated Blackthorn House on Sussex’s Fishbourne Marshes, Connie Gifford lives with her father. His Museum of Avian Taxidermy was once legendary, but since its closure Gifford has become a broken man, taking refuge in the bottle.

Robbed of her childhood memories by a mysterious accident, Connie is haunted by fitful
glimpses of her past. A strange woman has been seen in the graveyard; and at Chichester’s
Graylingwell Asylum, two female patients have, inexplicably, disappeared.

As a major storm hits the Sussex landscape, old wounds are about to be opened as one
woman, intent on revenge, attempts to liberate another from the horrifying crimes of the past.

A story of retribution and justice, The Taxidermist’s Daughter is a thrilling Gothic mystery set in and around historic Chichester. This world premiere is written by Cicestrian Kate Mosse, based on her No 1 internationally best-selling novel.

Kate Mosse’s novels include The Languedoc Trilogy (Labyrinth, Sepulchre and Citadel), The
Winter Ghosts and her new historical series, The Burning Chambers and The City of Tears;
non-fiction includes An Extra Pair of Hands. She is Founder Director of the Women’s Prize for Fiction, Founder of the global Woman in History campaign and Visiting Professor in
Contemporary Fiction & Creative Writing at the University of Chichester.

The cast includes Geoff Aymer, Pearl Chanda (as Cassie), William Chubb, Tim Frances,
Daisy Prosper
(as Connie), Forbes Masson, Taheen Modak, Akai Osei, Alastair Parker,
Raad Rawi, Howard Saddler, Posy Sterling
and Connie Walker.

Róisín McBrinn is Joint Artistic Director of Clean Break; elsewhere she has directed many
productions for theatres including The Abbey and Gate Theatres (Dublin), Leeds Playhouse,
Sheffield Theatres, Donmar Warehouse, Bush Theatre and Sherman Theatre.

The Taxidermist’s Daughter will be designed by Paul Wills, with lighting by Prema Mehta,
music, sound and musical direction by Sinéad Diskin, video design by Andrzej Goulding,
movement by Chi-San Howard, fight direction by Rc-Annie and casting by Charlotte Sutton CDG

The production is sponsored by Seaward Homes.

OUR GENERATION
A new play by Alecky Blythe
Directed by Daniel Evans
A co-production with the National Theatre
22 April – 14 May, Minerva Theatre

You may not know them yet – but you’ll never forget them.

Meet Mia, who wants to be on Jeremy Kyle. And Robyn, who wants a job. When Ayesha and
her brother Ali aren’t bickering, they’re dreaming of going on Hajj or to Australia to get a tan. Lucas wants to get into Durham and get a girlfriend. Basketball holds the future for Taylor and Luan, but for Callum it’s politics. Ierum’s only allowed on her phone at the weekends; Annabella receives surprising news via Snapchat. Emily, whose dad is the housemaster, is predicted to get ten A*s. Zac has six piano concerts in five days.

Alecky Blythe’s panoramic new verbatim play tells the stories of a generation. Created from five years of interviews with 12 young people from all four corners of the UK, Our Generation is a captivating portrait of their teenage years as they journey into adulthood.

Often too extraordinary to be fiction, this funny and moving play is for anyone who is – or has ever been – a teenager.

CFT Artistic Director Daniel Evans directs this co-production with the National Theatre, which runs at the Minerva Theatre immediately following its London premiere.

The cast is Dee Ahluwalia, Joe Bolland, Anna Burnett, Anushka Chakravarti, Debbie
Chazen, Gavi Singh Chera, Rachelle Diedericks, Hasan Dixon, Hélder Fernandes, Sarita
Gabony, Conor Gormally, Alex Jarrett, Callum Mardy, Poppy Shepherd and Stephanie
Street
, who returns to Chichester where she played Diana Ingram in Quiz in 2017.

Alecky Blythe’s acclaimed verbatim musical London Road premiered at the National Theatre in 2011 and she later adapted it for the 2015 feature film. Her other work includes Little Revolution (Almeida Theatre) and The Riots: In Their Own Words for BBC2.

Our Generation marks Daniel Evans’s directorial debut at the National Theatre; as an actor,
his work there included Cardiff East, Peter Pan, Troilus and Cressida, Candide and The
Merchant of Venice.
His Chichester productions include South Pacific, This Is My Family, Quiz and Fiddler on the Roof.

Our Generation has set design by Vicki Mortimer, costume design by Kinnetia Isidore,
lighting design by Zoe Spurr, sound design by Paul Arditti, video design by Akhila Krishnan, movement direction by Carrie-Anne Ingrouille, music composition, production & direction by DJ Walde, dramaturgy by Sebastian Born and casting by Charlotte Sutton CDG.

Contains strong language; recommended for ages 13+.

The Chichester production is sponsored by Wiley

Henry Goodman in
MURDER ON THE ORIENT EXPRESS
By Agatha Christie
Adapted for the stage by Ken Ludwig
Directed by Jonathan Church
13 May – 4 June, Festival Theatre

The celebrated detective Hercule Poirot boards the legendary Orient Express, enjoying the
prospect of a luxurious rail journey from Istanbul to Calais in the dead of winter.

The train is surprisingly packed for the time of year; only the intervention of the manager
secures Poirot a first class berth, alongside an intriguing and glittering company of international travellers.

But just after midnight, the Orient Express screeches to a halt, marooned by a snowdrift. And by morning, one passenger is dead…

Nobody can leave. A guard appears to be missing. A killer is in their midst. And Poirot must
deploy his ‘little grey cells’ on the most difficult case of his career: one that will force him to
question his deepest beliefs.

Adapted from Agatha Christie’s masterpiece by Ken Ludwig, this spectacular and sumptuous new staging is directed by former CFT Artistic Director Jonathan Church (Amadeus, Singin’ in the Rain, The Resistible Rise of Arturo Ui) and designed by Robert Jones (Oklahoma!, Mack & Mabel).

Henry Goodman makes a welcome return to Chichester to play Poirot, following his
appearances in Yes, Prime Minister (2010) and The Resistible Rise of Arturo Ui (2012/13), also directed by Jonathan Church, and which both transferred to the West End. His many other roles encompass his Olivier Award-winning Shylock in The Merchant of Venice, Roy Cohn in the UK premiere of Angels in America and Nathan Detroit in Guys and Dolls (all National Theatre), Volpone for the RSC, and Assassins for which he also won an Olivier Award at the Donmar Warehouse.

Ken Ludwig has had six productions on Broadway and seven in London’s West End. His 30
plays and musicals are staged around the world and throughout the United States every night of the year. His shows have won five Tony Awards. He has also won two Laurence Olivier Awards, the Edwin Forrest Award for Contributions to the American Theater, two Helen Hayes Awards, the Charles MacArthur Award, and the Edgar Award for Best Mystery of the Year. For more information, visit kenludwig.com.

The production will have lighting by Mark Henderson, music by Adrian Sutton, sound by
Christopher Shutt, movement by Lucy Hind, and casting by Gabrielle Dawes CDG.

It is sponsored by Greenwood Wealth Solutions.

Murder on the Orient Express will also run at Theatre Royal Bath from 9 – 25 June,
immediately following its Chichester premiere.

MURDER ON THE ORIENT EXPRESS
Stage Play © 2018 Agatha Christie Limited & Ken Ludwig
MURDER ON THE ORIENT EXPRESS, AGATHA CHRISTIE and POIROT are registered trademarks of Agatha Christie Limited.

Amanda Abbington, Frances Barber and Reece Shearsmith in
THE UNFRIEND

A new play by Steven Moffat
Directed by Mark Gatiss
21 May – 9 July, Minerva Theatre

After twenty years of marriage, Peter and Debbie are enjoying a cruise as a break from their
annoying teenagers. Peter can’t resist exchanging views on Donald Trump with an American fellow passenger. There’s something slightly unsettling about the eagerly friendly Elsa Jean Krakowski – but there’s no point in rocking the boat when you’re about to get off it.

Back home, an email arrives from Elsa, followed by Elsa herself. And when Debbie googles
their house guest and turns up some hair-raising evidence, their good nature is challenged as never before. What kind of danger have they allowed to take up residence in their spare room? And can they bring themselves to say anything about it? Sometimes, the truth is just too impolite.

The Unfriend takes a hugely entertaining and satirical look at middle-class England’s disastrous instinct always to appear nice. Manners can be murder.

Steven Moffat is an award-winning writer, whose hit television series include Doctor Who,
Sherlock
and Dracula – the latter two co-written with the actor and writer Mark Gatiss, who
directs.

Mark Gatiss is also a member of the sketch comedy team The League of Gentlemen alongside Reece Shearsmith, who plays Peter. Last seen at Chichester in The Dresser, Reece’s recent work also includes Hangmen (Royal Court) and TV’s Inside No 9.

Amanda Abbington, whose credits include TV’s Sherlock and Mr Selfridge, and The Son in
the West End, makes her Chichester debut as Debbie.

Frances Barber, last seen here in Uncle Vanya (1996) returns as Elsa; her extensive screen
work includes The Mezzotint, Silk and Film Stars Don’t Die in Liverpool.

The cast also includes Maddie Holliday and Michael Simkins, whose CFT appearances
include Fracked! and Yes Prime Minister.

The Unfriend will be designed by Robert Jones, with lighting by Mark Henderson, sound by
Ella Wahlström and casting by Charlotte Sutton CDG.

The production is sponsored by Jones & Tomlin

Alex Jennings in
THE SOUTHBURY CHILD

A new play by Stephen Beresford
Directed by Nicholas Hytner
A co-production with The Bridge Theatre
13 – 25 June, Festival Theatre

Sharp-witted, wilful and frequently drunk, David Highland has kept a grip on his parish through a combination of disordered charm and high-handed determination. But when his conscience forces him to take a hard line with a parishioner who wants Disney balloons at a family funeral, he finds himself dangerously isolated from public opinion. As his own family begins to fracture, David must face a future that threatens to extinguish not only his position in the town, but everything he stands for.

Stephen Beresford’s very funny new play is a deeply humane exploration of family, faith,
tradition and tolerance in a rapidly changing world. His work includes The Last of the
Haussmans
at the National Theatre, an adaptation of Bergman’s Fanny & Alexander for The
Old Vic and the BAFTA-winning film Pride.

Triple Olivier Award-winner Alex Jennings returns to Chichester to lead the cast. The
Southbury Child
reunites him with Nicholas Hytner who has previously directed him in
Hymn and Cocktail Sticks, Collaborators, The Habit of Art, The Alchemist and The Winter’s
Tale
(all at the National Theatre) amongst others. His many other credits range from My Fair
Lady to Stuff Happens and Hansard at the NT, as well as Hamlet for the RSC. His screen work includes The Crown, The Lady in the Van, The Queen, Victoria, A Very English Scandal and This Is Going to Hurt.

The cast also includes Holly Atkins, Josh Finan, Jack Greenlees, Jo Herbert, Phoebe
Nicholls, Racheal Ofori
and Sarah Twomey.

Nicholas Hytner also makes a welcome return to Chichester, where he previously directed The Scarlet Pimpernel (with a cast including Alex Jennings) in 1985. Director of the National Theatre from 2003-2015, he is Co-Founder of The Bridge Theatre where his recent work
includes A Midsummer Night’s Dream, Beat The Devil, Bach & Sons, The Book of Dust – La
Belle Sauvage
and the forthcoming Straight Line Crazy.

The production will have set designs by Mark Thompson and costume by Yvonne Milnes,
with lighting by Max Narula, sound by George Dennis and casting by Robert Sterne CDG.

The Southbury Child is sponsored at Chichester by Hancock & Partners, Lettings & Estate
Agents

Charlie Stemp in
CRAZY FOR YOU
Music and lyrics by George Gershwin and Ira Gershwin
Book by Ken Ludwig
Co-conception by Ken Ludwig and Mike Ockrent
Inspired by material by Guy Bolton and John McGowan
Direction and Choreography by Susan Stroman

Theatre-mad Bobby Child is torn between his show-business dreams and his rich, demanding New York fiancée and rich, demanding New York mother who want him to run the family bank. On his mother’s insistence, he reluctantly heads west for the bygone mining town of Deadrock, Nevada, to foreclose on a mortgage.

There he finds the mortgage in question is on a dilapidated Victorian theatre and the owner’s daughter Polly is the girl of his dreams. Desperate to prove his good faith and win her love, Bobby lights on the idea of putting on a show – complete with glamorous dancers from New York’s Follies – to save the theatre and renew the town…

This hilarious, riotously entertaining musical is packed with glorious Gershwin melodies
(including Someone to Watch Over Me, Embraceable You, I Got Rhythm and They Can’t Take That Away from Me), and its stunning tap-dance routines are guaranteed to set the spirits soaring. The witty book and dialogue are written by Ken Ludwig, who also wrote this season’s Murder on the Orient Express and is the author of the Tony Award-winning Lend Me a Tenor.

This brand new production, which celebrates the work’s 30th anniversary, is directed and
choreographed by Susan Stroman: true Broadway royalty and winner of five Tony and two
Olivier Awards for productions including The Producers, Contact and The Scottsboro Boys.

Charlie Stemp plays Bobby, returning to Chichester where he played Arthur Kipps in Half A
Sixpence
in 2016, for which he won the WhatsOnStage Award for Best Actor in a Musical and received Olivier and UK Theatre Award nominations. The production transferred to the West End, and was recently broadcast on Sky Arts as Kipps – The New Half A Sixpence Musical. He has starred on Broadway in Hello, Dolly! opposite Bette Midler and Bernadette Peters, and at the London Palladium in Dick Whittington, Snow White and Pantoland at the Palladium. He is currently playing Bert in Mary Poppins in the West End, for which he received his second Olivier Award nomination.

Tom Edden makes his Chichester debut as Bela Zangler; he received a Drama Desk Award
and Tony Award nomination for One Man, Two Guvnors at the NT, West End and on
Broadway, and his extensive work also includes Cyrano de Bergerac, Matilda, The Pinter
Season
and Les Misérables in the West End, Amadeus at the NT and Oliver! at Sheffield
Crucible,

The set designer is Beowulf Boritt; the costume designer is William Ivey Long; the lighting
designer is Ken Billington, musical director, Alan Williams; with new orchestrations by Doug Besterman and Mark Cumberland, original orchestrations by William David Brohn, sound design by Kai Harada, new arrangements by David Krane, original arrangements by Peter Howard and casting by Jill Green CDG.

There will be a Dementia Friendly performance on 1 September at 2.30pm.

Crazy for You is sponsored by Architectural Plants Ltd and R.L. Austen

Crazy for You™ is presented by arrangement with Concord Theatricals Ltd on behalf of Tams-Wittmark LLC. www.concordtheatricals.co.uk

SING YER HEART OUT FOR THE LADS by Roy Williams
Directed by Nicole Charles
22 July – 13 August, Minerva Theatre

Saturday 7 October. Gina, landlady of The King George pub, has a lot on her plate. The
England vs Germany World Cup qualifying match is about to start, the pub football team is
about to charge in and the TV’s on the blink.

Over the next few hours, national defeat looms and xenophobic tensions rise, fuelled by the
inarticulate fury of the pub team captain, Lawrie, and the insidious propaganda of right-wing extremist Alan. And while policeman Lee struggles to keep the peace, disillusioned squaddie Mark and Gina’s bullied son Glen are fighting their own demons.

Premiered at the National Theatre in 2002, Roy Williams’s ferocious, funny and disturbing play takes aim at what it means to be black, white and English in twenty-first century Britain. Scoring high on foul language, threat and vulgar humour, Sing Yer Heart Out for the Lads is definitely not for the faint of heart.

Nicole Charles’s much-praised production, which earned critical and public acclaim when it
was staged in Chichester’s Spiegeltent in 2019, returns for a run in World Cup and Women’s
Euro year in the Minerva Theatre, part of which will be transformed into a pub setting to create an immersive theatrical experience.

Roy Williams’s award-winning plays include Death of England and Death of England: Delroy
(both co-written with Clint Dyer for the National Theatre); Sucker Punch, Fallout, Clubland and Lift Off (Royal Court); and Days of Significance (RSC).

Nicole Charles’s recent work also includes Emilia at Shakespeare’s Globe and in the West
End.

Original cast members Kirsty J Curtis, Jennifer Daley, Michael Hodgson and Mark
Springer
return, with further casting to be announced.

Please note this play contains strong language. Recommended for ages 15+

The production has set design by Joanna Scotcher, costume design by Amelia Jane Hankin, lighting by Joshua Carr, sound by George Dennis, video by Isaac Madge, movement by Chris Whittaker, fight direction by Kate Waters and casting by Charlotte Sutton CDG.

It is sponsored by Genesis Town Planning.

THE NARCISSIST
A new play by Christopher Shinn
Directed by Josh Seymour
26 August – 24 September, Minerva Theatre

Everyone needs Jim.
His mother. His best friend. His brother. His new lover. A hopeful future President.

But can Jim really help anyone, when he isn’t sure who he is any more, or what he actually
believes? An expert in electoral strategy, he’s forged a successful career by advising politicians how to communicate with voters. But following seismic shifts in the political landscape, he’s disillusioned. And his marriage is in crisis. As he juggles the demands on his life through his smartphone, will the lure of success and fame prove irresistible?

The Narcissist is a gripping, inventive and witty take on personal and political communication in the internet age.

Christopher Shinn is a celebrated American playwright whose work has been produced to
huge acclaim on both sides of the Atlantic. His first play, Four, premiered at the Royal Court in 1998 and, in 2008, his play Dying City was a finalist for the Pulitzer Prize for Drama.

Josh Seymour was formerly Resident Assistant Director at the Donmar Warehouse and won the 2016 Off-West End Award for Best Director for Tennessee Williams’s One Arm at
Southwark Playhouse. His theatre credits also include Associate Director on A Christmas Carol at the Old Vic, and The Normal Heart and Follies at the National Theatre.

The production will be designed by Jasmine Swan, with lighting by Jess Bernberg, sound by
Alexandra Faye Braithwaite, movement by Chi-San Howard and casting by Amy Ball CDG.

The Narcissist was initially commissioned by Fictionhouse.

The production is sponsored by Behrens Sharp, Chartered Surveyors.

WOMAN IN MIND by Alan Ayckbourn
Directed by Justin Martin
23 September – 15 October, Festival Theatre

A knock on the head from a garden rake splits Susan’s world in two.

Is she living happily with her devoted husband, charming brother and talented daughter,
revelling in her rose-filled garden with its swimming pool and tennis court, and combining her blissful family life with a successful career?

Or is Susan trapped in a suburban existence with her pedantic husband, resentful sister-in-law and estranged son, wrestling with desperate frustration at her aimless life of routine
domesticity?

Which of these lives is real? Which one does she want? And is Susan in control of either of
them?

Alan Ayckbourn’s dazzling black comedy takes us on a dizzying journey through the looking
glass into a woman’s mind.

The author of over 80 plays, Ayckbourn has won countless awards for his work including Olivier and Tony Lifetime Achievement Awards. Previous productions at Chichester include The Norman Conquests, Way Upstream, Absurd Person Singular, Surprises and A Small Family Business.

Justin Martin makes his directorial debut at Chichester. His West End work includes Prima
Facie
and The Jungle (also New York), the latter co-directed with Stephen Daldry with whom he also collaborated on TV’s Together and The Crown.

Woman in Mind will be designed by Sophie Thomas with casting by Charlotte Sutton.

The production is sponsored by Bishops Printers.

LOCAL HERO
Book by David Greig, Music and Lyrics by Mark Knopfler
Based on the Bill Forsyth film
Directed by Daniel Evans
8 October – 19 November, Minerva Theatre

It’s 1983 and hotshot Texan oil executive Mac MacIntyre is dispatched to the tiny Scottish
fishing village of Ferness with $30million in his pocket. The bay may have views to die for but it’s the only place that can take the tankers from an offshore oil field, so it’s up to Mac to seal a deal on the locals’ homes and put a refinery in their place.

The villagers aren’t averse to cashing in on the black gold and Gordon, the local hotelierlawyer-accountant-ceilidh organiser, proves a surprisingly tough negotiator.

But they’ve all overlooked one very important person. And as the northern lights dance in the skies, Mac comes to realise that not everything of value is for sale.

The book by David Greig (Artistic Director of Edinburgh’s Royal Lyceum Theatre), based on
Bill Forsyth’s iconic film, features new songs by the legendary Mark Knopfler (formerly of Dire Straits). This new musical version of Local Hero will win devotees from admirers of the beloved film as well as those coming fresh to this funny and enchanting story. It’s directed by Daniel Evans, whose previous Chichester productions include South Pacific, Quiz, Fiddler on the Roof and this season’s Our Generation.

Local Hero will be designed by Frankie Bradshaw; the musical director will be Richard John
and the music producer, Guy Fletcher; with orchestrations and arrangements by Dave
Milligan
, lighting design by Paule Constable with Ryan Day, sound design by Paul Arditti
and casting by Charlotte Sutton CDG.

The sponsors are itd Consultants and Genesis Town Planning.

THE FAMOUS FIVE
A New Musical
Music & lyrics by Theo Jamieson, Book by Elinor Cook
Based on books by Enid Blyton
Directed by Tamara Harvey
A co-production with Theatr Clwyd
21 October – 12 November, Festival Theatre

George isn’t happy at the idea of being lumbered with three unknown cousins for the summer, and her devoted dog Timmy agrees. Her cousins aren’t keen on the prospect either. Julian’s struggling to live up to the responsibility of being the eldest; Anne is working out how to make her voice heard; while Dick would like everyone to stop fussing and focus on more important things. Like sandwiches.

But out in the bay lies Kirrin Island, with a ruined castle rumoured to harbour secrets. And it
quickly becomes clear that five heads are better than one when it comes to solving mysteries…

Soon the Famous Five are on a daring mission with the future of the planet at stake!

Based on Enid Blyton’s multi-million-selling novels, this brand new musical written by Elinor
Cook
, with music and lyrics by Theo Jamieson, is an exciting and heart-warming family treat celebrating adventure, bravery and friendship for everyone aged 7+.

Tamara Harvey, Artistic Director of Theatr Clwyd, directs this co-production. Her work
includes the Olivier Award-winning Home, I’m Darling, Peter Gill’s adaptation of Uncle Vanya
and productions for Shakespeare’s Globe, Bush Theatre, Hampstead Theatre and in the West End.

The Famous Five: A New Musical will be designed by Lucy Osborne, with choreography by
Annie-Lunnette Deakin-Foster, musical supervision by David White, musical direction by
Katherine Rockhill, orchestrations by Theo Jamieson, lighting by Johanna Town, sound
design by Dan Samson, video design by Ash Woodward and casting by Charlotte Sutton
CDG.

There will be a Polish-interpreted performance of The Famous Five on 26 October at 7pm,
and a Relaxed performance on 28 October at 2pm.

The production is sponsored at Chichester by Henry Adams.

Chichester Festival Youth Theatre present
THE WIND IN THE WILLOWS

By Kenneth Grahame
Adapted for the stage by Alan Bennett
Music and Additional Lyrics by Jeremy Sams
Directed by Dale Rooks
17 – 31 December, Festival Theatre

The inquisitive Mole abandons spring-cleaning his burrow and, to his delight, discovers the
river. There he meets Ratty, a water vole with a passion for boats. Soon the two are firm friends and settle down to life in Ratty’s riverbank home, surrounded by the neighbouring otters, rabbits, fieldmice and hedgehogs.

Over at Toad Hall, the ebullient Toad persuades them to join an excursion in a horse-pulled
caravan – only for disaster to strike when they are overturned into a ditch. But the accident
ignites Toad’s passion for motorcars…

And Mole can’t resist the temptation of another adventure, braving the snowy and threatening Wild Wood to find the elusive Badger, who welcomes Mole and Rat into his own cosy home.

But can the three friends save Toad from the consequences of his terrible driving, and defeat their enemies, the hungry and wily weasels and ferrets?

Alan Bennett’s stage adaptation of Kenneth Grahame’s 1908 story, originally seen at the
National Theatre, has become a classic in its own right: faithful to the spirit of Grahame’s
immortal characters while laced with Bennett’s inimitable wit, making this a delight for children and adults alike.

Dale Rooks, whose Chichester productions include The Butterfly Lion, The Midnight Gang and Pinocchio, directs a Chichester Festival Youth Theatre show that perfectly combines humour and enchantment with a delicious shiver of danger.

The Wind in the Willows will have set design by Simon Higlett, costumes by Ryan Dawson
Laight, musical direction by Colin Billing, lighting by James Whiteside and sound by
Gregory Clarke.

Recommended for ages 7+. There will be a Polish-interpreted performance on 20 December at 2pm and a Relaxed performance on 28 December at 2pm, and.

The Wind in the Willows is sponsored by Chichester College.

This amateur production of The Wind in the Willows is presented by arrangement with Concord Theatricals Ltd on behalf of Samuel French Ltd. www.concordtheatricals.co.uk

DIGITAL STAGES
Six dynamic digital events will celebrate Chichester Festival Theatre across the decades. Using new technology to put the history of CFT centre stage, these special events will be released over CFT’s birthday week in July for audiences across the globe.

Visionary Stages – from Sunday 3 July
Using cutting-edge technology, the 1962 stage has been recreated for a virtual meet-up with Daniel Evans and the Artistic Director of the Stratford Festival Theatre in Ontario, Canada, Antoni Cimolino. Launching on CFT’s official 60th birthday, they will talk about the shared history of the two buildings and 60 years of extraordinary theatre, reliving some favourite productions and meeting up with special guests as they travel through the decades.

Backstage Virtual Tour – from Monday 4 July, FREE
An immersive VR backstage tour allowing audiences to encounter actors as they prepare to go on stage and see the inner workings of the Theatre in virtual reality. Available using VR headsets in the Theatre foyer, or via a 360-degree video version on CFT’s YouTube channel.

Re-staged– from Tuesday 5 July
A chance to relive a favourite CFT show. A well-loved director and alumni cast (full details to be revealed) will restage a scene from an archive production for a special Zoom performance.

Your Dream – from Wednesday 6 July, FREE
Anyone who fancies themselves as the next Laurence Olivier has the chance to take part in a mammoth online performance from A Midsummer Night’s Dream. Choose your stage and your costume and send in a video of yourself performing a pre-selected scene. All submissions will be edited together for a one-off screening online. The deadline for submissions is Friday 6 May; visit cft.org.uk/YourDream for full details.

Digital Diorama – from Thursday 7 July, FREE
A digital diorama sharing memories and anecdotes attached to 60 pieces from CFT’s
fascinating archive will go on virtual display this summer. Model boxes, props, costumes, set designs, footage, programmes, artwork, time-lapses, interviews and sound bites will tell the story of the Theatre through the last six decades

Game Changer – from Friday 8 July, FREE
Our creative ‘Wednesday and Friday’ community companies for adults with learning disabilities will work alongside digital experts and combine gaming technology with theatrical storytelling and music to create a new virtual theatre experience.

FESTIVAL 2022 EVENTS
A lively programme of events and activities will complement Festival 2022.

Family Friendly performances and activities range from free Family Fun sessions and
storytelling to shows including Meet me a Tree and The Rascally Diner, and a treasure hunt
inspired by The Famous Five.

Join Kate Mosse to walk in the Fishbourne footprints of The Taxidermist’s Daughter, and Roy Williams to discuss efforts to kick racism out of football. We celebrate International Women’s Day and continue the conversation in our quarterly Fizz and Feminism events. Free Pre- and Post-Show Discussions, with the director and cast members, are held for each production.

CFT Lates is a new series of drag and comedy showcases, karaoke and live bands for ages
16+, and special Prologue Events for 16-30 year-olds include a verbatim workshop with
Alecky Blythe, opportunities to meet Steven Moffat and Mark Gatiss and the cast of Crazy
for You
, as well as a one-week intensive acting course.

A national Youth Conference on 26 November, hosted by CFT’s Youth Advisory Board,
students from the University of Chichester and other young people within our communities, will bring together young people changing and challenging the cultural landscape.

CULTURE SPARK
2022 heralds significant anniversaries for many of Chichester’s cultural organisations: 60 years of CFT, 40 years of Pallant House Gallery, 30 years of Chichester Cinema at New Park’s International Film Festival, 10 years of The Novium Museum and the Festival of Chichester; and 200 years of the Canal Trust. Culture Spark will bring together artists, musicians and community groups from across the district to create a season of events that showcases work by local creatives and gives everyone a chance to enjoy a rich summer of fun.

The full programme will be announced in the spring, but highlights will include a Carnival of
Lights
on Friday 10 June which will see a grand parade of locally-created lanterns move
through the streets of Chichester to the Canal Basin for a waterside celebration; a community lantern-making workshop will take place at CFT on 21 April. We The People, a touring photographic exhibition, will celebrate the generosity and commitment of the many volunteers on whom our cultural organisations rely.

My Fair Lady directed by Bartlett Sher to embark on UK tour

James L. Nederlander, Jamie Wilson, Hunter Arnold, Playful Productions and the English National Opera
present
the Lincoln Center Theater production of

LERNER & LOEWE’S
MY FAIR LADY
Book and Lyrics by ALAN JAY LERNER
Music by FREDERICK LOEWE
Directed by BARTLETT SHER

www.myfairladymusical.co.uk
@MyFairLadyUK

Today it has been announced that New York’s Lincoln Center Theater’s critically acclaimedand multi award-winning production of Lerner & Loewe’s much loved MY FAIR LADY will embark on a UK and Ireland tour from September 2022 following a limited engagement at the London Coliseum this summer. My Fair Lady will open in Bradford before going on to visit Dublin, Cardiff and Southampton, with more cities to be announced in due course. All tickets are on sale soon, full information can be found in the listings below.

Directed by Bartlett Sher, this sublime production, which premiered in the spring of 2018 at Lincoln Center’s Vivian Beaumont Theater, was the winner of the Tony Award for Best Costume Design,  5 Outer Critics’ Circle Awards including Best Musical Revival, the Drama League Award for Outstanding Musical Revival, and the Drama Desk Awards for Best Musical Revival and Costume Design.

Bartlett Sher said: “Getting a chance to revisit Shaw’s extraordinary story of class and privilege in a new age is a rare and special event and I am thrilled to be able to take this epic musical on tour for audiences up and down the country to enjoy.”

“Lerner and Loewe’s My Fair Lady has returned to Broadway in a smashing new production from Bartlett Sher (The Sound of Music, The King and I).”
The Guardian

Lavish revival of Lerner and Loewe’s 1956 masterwork…
The Washington Post

My Fair Lady tells the story of Eliza Doolittle, a young Cockney flower seller, and Henry Higgins, a linguistics professor who is determined to transform her into his idea of a “proper lady”. But who is really being transformed?

With a book and lyrics by Alan Jay Lerner and music by Frederick Loewe, MY FAIR LADYboasts a score including the classic songs “I Could Have Danced All Night,” “Get Me to the Church on Time,” “Wouldn’t It Be Loverly,” “On the Street Where You Live,” “The Rain in Spain,” and “I’ve Grown Accustomed to Her Face.” 

“Thrilling! Glorious and better than it ever was! A marvellous and transformative revival.”
New York Times

Adapted from George Bernard Shaw’s play and Gabriel Pascal’s motion picture Pygmalion, Lerner & Loewe’s MY FAIR LADY premiered on Broadway in March 1956, winning 6 Tony Awards including Best Musical, and becoming the longest-running musical in Broadway history at the time. Following this success, the production transferred to London in 1958, where it played in the West End for five and a half years. 

MY FAIR LADY has seen many notable revivals and adaptations, including the acclaimed 1964 film starring Audrey Hepburn and Rex Harrison, which won eight Academy Awards, including Best Picture. Most recently on the London stage, Cameron Mackintosh’s 2001 revival at Theatre Royal Drury Lane won three Olivier Awards, and later toured across the UK and Ireland in 2005.

James L. Nederlander, Jamie Wilson, Hunter Arnold, Playful Productions and the English National Opera present the Lincoln Center Theater production ofLerner & Loewe’s MY FAIR LADYBook and Lyrics by Alan Jay Lerner, Music by Frederick Loewe, sets by Michael Yeargan, costumes by Catherine Zuber, lighting by Donald Holder, sound by Marc Salzberg, hair & wigs by Tom Watson, UK music supervision by Gareth Valentine, UK musical direction by Alex Parker, musical supervision by Ted Sperling, choreography by Christopher Gattellidirected by Bartlett Sher.

Casting will be announced in due course.

LOUIS GAUNT TO PLAY BERT IN ‘SUPERCALIFRAGILISTIC’ MARY POPPINS

LOUIS GAUNT TO PLAY BERT IN

‘SUPERCALIFRAGILISTIC’

M A R Y   P O P P I N S

Disney and Cameron Mackintosh are delighted to announce that Louis Gaunt will join the cast of Mary Poppins from 22June 2022 to play the iconic role of Bert, replacing Charlie Stemp whilst he performs as Bobby in the Chichester Festival Theatre production of Crazy for You this summer. 

Based on the stories of P.L. Travers and the original Walt Disney film, Mary Poppins continues to play at the Prince Edward Theatre

Louis Gaunt made his professional stage debut at Grange Park Opera in Oklahoma! for which he won The Stage Debut Awards in 2018. His other theatre credits include Sweet Charity (Nottingham Playhouse), Kiss Me, Kate (Sheffield Crucible Theatre), Standing at the Sky’s Edge (Sheffield Crucible Theatre), The Happy Prince (The Place, Kings Cross), Grease (UK tour), Gypsy (Royal Exchange Theatre) and Sleeping Beauty (Manchester Opera House). Gaunt can also be seen the forthcoming series of Bridgerton.

The cast will comprise Zizi Strallen as Mary Poppins and Louis Gaunt as Bert, Charlie Anson as George Banks, Amy Griffiths as Winifred Banks, Petula Clark as Bird Woman, Liz Robertson as Miss Andrew, Claire Machin as Mrs Brill, Jack North as Robertson Ay and Paul F. Monaghan as Admiral Boom and Bank Chairman. 

Katie Cox, Rose Dawson, Megan Donovan, Sophie Hartley-Booth, Erin HillyerMegan Judge, Shayla McCormack, Arrabella McDermott and Maddison Thew currently alternate the role of Jane Banks with Logan Clark, Cian Eagle-Service, Oliver Gordon, George Hamblin, Charlie Murphy, Gabriel Payne, Sebastian Selwood, Noah Swer-Fox and Frankie Treadaway alternating the role ofMichael Banks.

The ensemble comprises Yves Adang, Angeline Bell, Lydia Boulton, Alison Connell, Adam Davidson, Danielle Delys, Joseph Dockree, Charlie Donnelly, Stan Doughty, Glen Facey, Davide Fienauri, Harry Francis, Lyndsey Gardiner, Ian Gareth-Jones, Maria Garrett, Mark Goldthorp, Jacqueline Hughes, Emma Hunter, Jason Kajdi, Sam Lathwood, Jordan Livesey, Tania Mathurin, Laura Medforth, Alex Pinder, Ben Redfern, Clare Rickard, Lucie-Mae Sumner, Scott Waugh and Monique Young.

The magical story of the world’s favourite Nanny arriving on Cherry Tree Lane has been triumphantly and spectacularly brought to the stage with dazzling choreography, incredible effects and unforgettable songs. The stage version of Mary Poppins, brilliantly adapted from the wonderful stories by PL Travers and the original beloved Walt Disney film, continues to be a smash hit around the world since its opening in London 17 years ago.

The original music and lyrics by Richard M. Sherman and Robert B. Sherman include the classic songs Jolly Holiday, Step in Time, Feed the Birds and Supercalifragilisticexpialidocious.  New songs and additional music are by the Olivier award-winning British team of George Stiles and Anthony Drewe.

Book is by Academy Award®-winning screenwriter and Downton Abbey creator, Julian Fellowes and this production is co-created by Cameron Mackintosh.  The producer for Disney Theatrical Productions is Thomas Schumacher.  This production of Mary Poppins has orchestrations by William David Brohn with dance and vocal arrangements by George Stiles. Sound design is by Paul Gatehouse and lighting is by Hugh Vanstone and Natasha Katz. Co-choreography is by Stephen Mear. The reimagined set and costume designs are by Bob Crowley. Co-direction and choreography is by Matthew Bourne and direction by Richard Eyre.

The stage production of Mary Poppins originally opened in the West End in December 2004, running for over 1,250 performances. During this time, the production won two Olivier Awards and an Evening Standard Award. Subsequently the Tony Award®-winning Broadway production ran for over six years.  Mary Poppins was also the winner of Best Musical Revival at the 2020 Whatsonstage Awards and Best Set Design and Best Theatre Choreographer awards at the 2020 Olivier Awards.

The Southbury Child

FURTHER CASTING ANNOUNCED FOR

WORLD PREMIERE OF STEPHEN BERESFORD’S

T H E   S O U T H B U R Y   C H I L D

DIRECTED BY NICHOLAS HYTNER

Joining the previously announced Alex Jennings in Stephen Beresford’s The Southbury Child are Holly AtkinsJosh Finan, Jack Greenlees, Jo Herbert, Phoebe Nicholls, Racheal Ofori and Sarah Twomey. Final casting will be announced shortly. Directed by Nicholas HytnerThe Southbury Child will run at Chichester Festival Theatre from 13 to 25 June 2022, and then at the Bridge Theatre from 1 July to 27 August 2022. Set designs are by Mark Thompson with costume by Yvonne Milnes, sound by George Dennis and lighting by Max Narula

Sharp-witted, wilful and frequently drunk, David Highland has kept a grip on his parish through a combination of disordered charm and high-handed determination. But when his conscience forces him to take a hard line with a parishioner who wants Disney balloons at a family funeral, he finds himself dangerously isolated from public opinion. As his own family begins to fracture, David must face a future that threatens to extinguish not only his position in the town, but everything he stands for.

Stephen Beresford’s very funny new play is a deeply humane exploration of family, faith, tradition and tolerance in a rapidly changing world. 

Alex Jennings (David Highland) will make his Bridge Theatre debut in The Southbury Child reuniting him with Nicholas Hytner who has previously directed him in Hymn and Cocktail Sticks, Collaborators, The Habit of Art, The Alchemist, The Winter’s Tale and The Importance of Being Earnest amongst others. He was last on stage in Hansard at the National Theatre where he has worked extensively as well as at the Royal Shakespeare Company. During his theatre career, he has been the recipient of three Olivier awards. His many screen credits include Prince Charles in The Queen, Alan Bennett in The Lady in the Van (alongside Maggie Smith and directed by Hytner), the Duke of Windsor in The Crown, Stephen Frears’ A Very English Scandal and This is Going to Hurt currently being shown on BBC1.

Holly Atkins’ (Joy Sampson) theatre credits include Romeo and Juliet and Helen at Shakespeare’s Globe, The Ballad of Crazy Paola at the Arcola, Scarborough at the Edinburgh Festival Fringe and the Royal Court and Summer Begins atSouthwark Playhouse. Her television credits include HomeKing GaryThis CountryIn the Long Run, WitlessCall The MidwifeWallanderCriminal JusticeThe Sarah Jane AdventuresCity LightsWhere the Heart isCasualtyThe ProjectKiss Me Kate and EastEnders. She was most recently seen in Nicholas Hytner’s production of The Book of Dust – La Belle Sauvage at the Bridge Theatre.

Josh Finan’s (Lee Southbury) theatre credits include Peggy for You at Hampstead Theatre, Shook for Papatango Theatre, Romeo and Juliet, Macbeth and The Merry Wives of Windsor for the Royal Shakespeare Company, The Barricade for Theatre 503 and The Nutcracker for Theatre Clwyd. His television credits include The Responder, Doctors and Guerrilla. On film his credits include Shook and Hellboy.

Jack Greenlees (Craig Connor) has been seen in Party at the Criterion Theatre. On television his credits include The Swarm, The Trial of Christine Keeler, Lethal White, Deadwater Fell, In Plain Sight and Penny Dreadfull. On film his credits include She Will, Our Ladies, Outlaw King and Sunset Song.

Jo Herbert’s (Susannah Highland) theatre credits include The Mirror and The Light at the Gielgud Theatre, The Country Wife, Cyrano de Bergerac and For Services Rendered both for Chichester Festival Theatre, Eternal Love for the English Touring Theatre, East of Berlin for the Southwark Playhouse, Three Winters for the National Theatre, Comedy of Errors and The Importance of Being Ernest for Regents Park Theatre, Wild Honey and Hello/Goodbye for Hampstead Theatre, The Game of Love and Chance and Blackbird for Salisbury Theatre, Candida for Theatre Royal Bath, The Faerie Queen International Tour for Glyndebourne, Room Service Included at The Mill At Sonningand As You Like It and Anne Boleyn for Shakespeare’s Globe. Her television credits include Call The MidwifeUnforgottenThe CrownLoadedJosh, Casualty 1909, Lewis, Holby City and Home Fires. Herbert’s film credits include Misbehaviour.

Phoebe Nicholls’ (Mary Highland) theatre credits include Scenes from an ExecutionRutherford and SonAn Inspector Calls and Pravda all for the National Theatre, When the Rain Stops Falling and Waste for the Almeida Theatre, Three Women and a Piano Tuner for Hampstead Theatre, The Vortex at the Apollo, The Three Sisters at the Queen’s Theatre and Hysteria at the Royal Court. On television her credits include A Very British Scandal, Chloe, Anatomy of a Scandal, Sticks and Stones, Traitors, Endeavour, Doctor Thorne, Downton Abbey, Fortitude and Jonathan Strange and Mr Norrell. Her film credits include The Electrical Life of Louis Wain, The Empty Man, Berlin I Love You, Mari, Finding Your Feet and Transformers: The Last Night and Starfish.

Racheal Ofori (Naomi Highland) was previously at The Bridge in Bach & Sons. Her theatre credits include Rare Earth Mettle for the Royal Court Theatre, Three Sisters for the National, Snowflake for The Old Fire Station, Pygmalion for Headlong and West Yorkshire Playhouse, and The Merchant of Venice at Shakespeare’s Globe. Her one-woman shows are Portrait, which played to sell-out audiences at the Edinburgh Fringe prior to a UK Tour and So Many Reasons which ran at Soho Theatre. Her television credits include Big Age, Sliced, Enterprice, In the Long Run and Treadstone. Ofori’s film credits include I Used To Be Famous and Guns Akimbo

Sarah Twomey’s (Tina Southbury) theatre credits include Venice Preserved, The Provoked Wife, A Christmas Carol and Twelfth Night for the Royal Shakespeare Company, The Young Chekhov Trilogy for Chichester Festival Theatre and the National Theatre, and Mermaid for Shared Experience. Her television credits include The Mind of Herbert Clunkerdunk, The SandmanCall the Midwife and Kate and Koji. On film her credits include Men, andTwelfth Night.

For the Bridge Theatre Nicholas Hytner has directed Young Marx, Julius CaesarAllelujah!Alys, Always, A Midsummer Night’s Dream, Two Ladies, Beat the Devil, The Shrine, Bed Among the Lentils, A Christmas CarolBach & Sons and The Book of Dust – La Belle Sauvage. In March he will direct Ralph Fiennes in David Hare’s Straight Line Crazy also at The Bridge. Previously he was Director of the National Theatre from 2003 to 2015