It’s normal, as a reviewer, to have people wanting to attend a show with you. Today at Zog I had to take my 23 year old son and 29 year old daughter because they were arguing about who was going to come with me. So thank you to the Hippodrome for helping me to have family harmony!
Zog and the Flying Doctors is written by the wonderful Julia Donaldson and Freckle Productions bring to life Axel Schefflers equally wonderful illustrations. With music and lyrics from Joe Stilgoe.
Zog (Ben Raymond) is still learning to fly, or rather learning to land. He still crashes with a bump. Princess Pearl (Lois Glenister) and Sir Gadabout (Alex Bloomer) don’t seem to mind as they take to the skies and tend to their patients – a mermaid with sunburn (Sarah Freer), a unicorn with an extra horn (Danny Hendrix) and a Lion with a cold. And their friends Rabbit and Squirrel (Annie Rose Chapman), But on their travels they meet Pearls uncle, a King who believes that Princesses should wear pretty dresses and not be Doctors. However, after he gets ill, Princess Pearl and her friends help him to get better and prove that Princesses can work too
Zog has a lovely message for the children, proving that anyone can do anything and they shouldn’t let anyone tell them otherwise. The children in the audience enjoyed the singing and dancing and general shouting and silliness. Its less than an hour long and designed for the under-8’s (and the random 23 and 29 year old obviously)
55 minutes of childish interactive joy, a perfect introduction to the theatre for your little ones
Le Navet Bete and John Nicholson bring their hilariously adapted version of Treasure Island to Bristol, and it does not disappoint!
With only a cast of 4, we follow Jim Hawkins (Nick Bunt) as he sails across the world in search of buried treasure. Along the way, he meets some rather unusual characters, such as Long John Silver (Al Dunn), Captain Birdseye (Simon Burbage) and Blue Peter (Matt Freeman), who all join him on his quest-however some are our for their own gain! Whilst trying to gauge who he can trust and who he needs to outwit, Jim successfully retrieves the treasure and the story is complete!
With a minute cast of only 4, transitioning between 26 characters, this is a seamless show. Each member of the cast is exquisite, bringing their own flair to each character whilst being easily distinguishable-a real help for the younger members of the audience. Nick Bunt as ‘Jim Hawkins’ captures the naivety of a 14 year old boy well, and draws the audience in instantly on his side. Al Dunn as multiple characters but namely ‘Long John Silver’, took on the enviable task of initiating audience participation. With his good vocals, he connected with the audience well, breaking the fourth wall and making us believe each twist and turn of the story. Along with Simon Burbage as ‘Captain Birdseye’ and many others making up ‘Jim’s shipmates, this lead to some hilarious moments-Burbage was great at being the enigmatic friend, who becomes a foe!
The stand out performance was from Matt Freeman, mainly as ‘Ben Gunn’, a stranded man on Treasure Island. His perfectly executed slapstick was a triumph, causing uproars in the auditorium! There were also some moments that seemed unscripted, such as falling over and hilariously forgetting lines, which I think added to the charm of the show. Freeman is an artist and characterises himself well into anything-he was even a Mermaid and gave us a lovely rendition of the well known song ‘Loving You!’
At some points, I found it slightly difficult to hear the speech over the background music, but this was only for a few moments at a time.
This panto-esque performance is perfect for children and adults alike, I defy anyone not to come out of the theatre without a smile! You’d better crack on and grab your tickets-or it’s walking the plank for you!!!
Crucible Studio Theatre, Sheffield – 21st July 2022
Reviewed by Sophie Dodworth
3***
This solo show lands in the Crucible Studio Theatre with a bang. We are taken on an up-close and personal journey into the heart, soul and mind of the troubled Mandla Rae. This play is written by Mandla but is ‘just a story written in my bedroom, nothing is real’. The story telling is done in an endearing tone and manner, getting you hooked from the start. Mandla comes across as a sweetheart with a troubled mind and you almost feel protective of them as they takes you though the traumatic times they have had.
We learn that Mandla was a refugee and explore how the fear of being deported controls your life even at a young age. We get to see into the awful relationship that was there with Mandlas grandmother, making them believe in things that children should never even have to consider. There are tales of abuse, beatings, depression, abandonment and racism. A traumatic childhood it certainly seemed.
The set works well along with the lighting; with the lights being set into the minimal door and window frames. There are many watermelons, which are used for different scenes throughout, including being chopped violently, thrown and smashed, stabbed etc…this show really should come with a trigger warning for the amount of knifes on stage in close proximity to the audience on the front row. But this is essential to the performance and adds to the ambience.
Mandla is a fantastic performer and uses their skills to keep the audience engaged. They are able to make you believe in what they are telling you and during the performance (if you have not already read the programme) you start to wonder if this is their actual life story. There are some moments which do leave you feeling like there could have been more explanation or story there, maybe one too many cryptic occasions.
If you are looking for something that bares all, delves deep into private life, mind and soul then this is for you, take a seat and get ready for a whirlwind of emotions.
Everybody’s Talking About Jamie is back by popular demand embarking on a second UK Tour from September 2023
Following a record-breaking three-year West End residency, sold-out UK & Ireland Tour and Amazon studios award-winning film, the smash-hit, critically acclaimed and award-winning musical Everybody’s Talking About Jamie embarks on a second UK Tour from September 2023 into 2024. The show opens at The Lowry on 7 September 2023 before visiting Sunderland, Nottingham, Bromley, Cardiff, Brighton, Leeds, Blackpool, Llandudno, Newcastle, Wolverhampton and Woking with further tour dates and casting to be announced.
Jamie New is sixteen and lives on a council estate in Sheffield. Jamie doesn’t quite fit in. Jamie is terrified about the future. Jamie is going to be a sensation. Supported by his brilliant loving mum and surrounded by his friends, Jamie overcomes prejudice, beats the bullies and steps out of the darkness, into the spotlight.
This ‘Funny, outrageous, touching’ (Daily Telegraph), musical sensation is to be experienced by all the family and not to be missed!
With an original score of catchy pop tunes that will ‘blow the roof of the Theatre’ (Mail on Sunday) by lead singer-songwriter of The Feeling, Dan Gillespie Sells and writer Tom MacRae (Doctor Who), this ‘Sparking coming-of-age musical’ (The Times) will have everybody talking about Jamie for years to come
Sixteen: the edge of possibility. Time to make your dreams come true.
Music by Dan Gillespie Sells Book and Lyrics by Tom MacRae From an idea by Jonathan Butterell Directed by Jonathan Butterell Design by Anna Fleischle Choreography by Kate Prince Lighting design by Lucy Carter
Sound design by Paul Groothuis Casting by Will Burton Musical Supervisor Theo Jamieson Video Design Luke Halls
LEAD CAST AND CREATIVES FOR SHEFFIELD RUN AND UK TOUR OF
MUCH ADO ABOUT NOTHING
By William Shakespeare Directed by Robert Hastie Designer Peter Mckintosh British Sign Language Director Emily Howlett Audio Description Director Chloë Clarke Lighting Designer Ian Scott Sound Designer Sam Glossop Composer John Biddle Casting Director Jacob Sparrow Assistant Director Alexandra Whiteley British Sign Language Consultant: Brian Duffy British Sign Language Interpreter (Lead): Emma Dawber
Crucible Theatre, Sheffield – 9 to 24 September
UK Tour from 27 September
Sheffield Theatres today announces its lead cast members and creative teams for their production of William Shakespeare’s well-loved comedy Much Ado About Nothing, co-produced with Ramps on the Moon, which will open at the Crucible Theatre, Sheffield this September before embarking on a UK Tour.
Playing the roles of Beatrice and Benedick are DanekaEtchells and Guy Rhys. Guy returns to Sheffield Theatres, having just performed in Chris Bush’s trilogy of plays ROCK / PAPER / SCISSORS across the Crucible, Lyceum and Studio stages. Daneka makes her Sheffield Theatres debut with Much Ado About Nothing.
A pioneering initiative, Ramps on the Moon is a consortium of theatres which aim to enrich stories and the ways in which they are told by putting deaf and disabled artists and audiences at the centre of their work.
‘I do love nothing in the world so well as you. Is not that strange?’
Besotted young couple Claudio and Hero have fallen fast and are quickly engaged. Not everyone finds romance so straightforward – Benedick balks at the very thought of it and Beatrice agrees with him, on that if nothing else. But somewhere in this world, there’s someone for everyone, even if they’re right under your nose.
Robert Hastie, Artistic Director of Sheffield Theatres, directsthe play having recently directed PAPER in the Lyceum theatre for Sheffield Theatres’ ROCK / PAPER / SCISSORS trilogy, and before that She Loves Me in the Crucible. The Set and Costume Designer is Peter Mckintosh (Oliver!), British Sign Language Director is Emily Howlett (Tribes), Audio Description Director is Chloë Clarke (Elbow Room Theatre), Lighting Designer is Ian Scott (¡Carpa!), Sound Designer is Sam Glossop (PAPER), Composeris John Biddle (Oliver Twist), Casting Director is Jacob Sparrow (Anna Karenina), Assistant Director is Alexandra Whiteley (ROCK), British Sign Language Consultant is Brian Duffy (As You Like It) and British Sign Language Interpreter (Lead) is Emma Dawber (PAPER, SCISSORS).
Opening in Sheffield from Friday 9– Saturday 24 September, the production will tour to Leeds Playhouse (Tuesday 27 September – Saturday 1 October), Birmingham Rep (Tuesday 4 – Saturday 8 October), Nottingham Playhouse (Tuesday 11 – Saturday 15 October), New Wolsey Theatre Ipswich (Tuesday 18 – Saturday 22 October), Theatre Royal Stratford East (Tuesday 1 – Saturday 5 November), and Salisbury Playhouse (Tuesday 8 – Saturday 12 November).
Tickets for Much Ado About Nothing are on sale now with every performance featuring the use of integrated creative sign language, audio description and captioning. Tickets can be booked through the Box Office in person, over the phone on 0114 249 6000 or at sheffieldtheatres.co.uk.
SHARON SMALL JOINS DAVID TENNANT AND ELLIOT LEVEY IN THE WEST END REVIVAL OF C.P. TAYLOR’S GOOD THURSDAY 6 OCTOBER – SATURDAY 24 DECEMBER 2022 HAROLD PINTER THEATRE
David Tennant returns to the West End in a new production of the acclaimed play GOOD by C.P. Taylor, directed by Dominic Cooke, and will be joined by Elliot Levey and Sharon Small.
Rehearsals start next month with the production running at the Harold Pinter Theatre for a strictly limited 11-week run from Thursday 6 October until Saturday 24 December.
GOOD is the debut West End production for Fictionhouse, launched by Dominic Cooke and Kate Horton.
Tickets are on sale now at www.goodtheplay.com with 100 £25 tickets available for every show and a third of tickets available at £35 and under.
Ahead of rehearsals starting next month, Dominic Cooke’s new production of C.P. Taylor’sGOOD, starring David Tennant and Elliot Levey, announces that Sharon Small will join the cast for its strictly limited run at the Harold Pinter Theatre this autumn.
Small reunites with fellow Scottish actor David Tennant, having first appeared together in a short film 25 years ago, and is best known for her long running role as Detective Sergeant Barbara Havers in the BBC adaptation of The Inspector Lynley Mysteries.
Produced by Fictionhouse and Playful Productions, GOOD will play a strictly limited 11-week season from Thursday 6 October to Saturday 24 December 2022.
Director Dominic Cooke said: “I am so excited to finally get ‘GOOD’ into rehearsals and our patience has been rewarded with the thrilling combination of David Tennant, Elliot Levey, and Sharon Small together on stage. I can’t wait for audiences to experience C.P. Taylor’s remarkable and timely play with these three fantastic actors.”
Professor John Halder is a ‘good’ man. But ‘good’ men must adapt to survive.
How is it possible to be a ‘good’ person when things are falling apart?
As the world faces a World War, John Halder, a decent, intelligent, music-loving German professor, finds himself swept along in a movement that crescendos towards an unthinkable finale. GOOD is a warning for our times.
Olivier Award-winning director Dominic Cooke reimagines one of Britain’s most powerful, political plays with David Tennant returning to the West End alongside Elliot Levey and Sharon Small, for 11 weeks only.
GOOD will be the debut West End production for Fictionhouse, an independent producing company, established by Dominic Cooke and Kate Horton. Their long and fruitful working relationship, which began at the Royal Shakespeare Company, developed into a celebrated partnership at the Royal Court Theatre where they were Artistic Director and Executive Director respectively from 2007 – 2014. At the Royal Court they produced over 100 new plays and were the original producing team behind a series of notable award-winning productions including Jez Butterworth’s Jerusalem, Nick Payne’s Constellations and Mike Bartlett’s Cock all of which have received recent West End revivals. Their productions have been nominated for 210 major awards, winning 59, and their partnership saw the development and launch of an exciting new generation of playwrights including Mike Bartlett, Polly Stenham, Bola Agbaje, Nick Payne, Lucy Kirkwood and Tarell Alvin McCraney. Recent productions include The Normal Heart by Larry Kramer (NT, London) and current projects include The Music Man (Broadway) and The Narcissist (Chichester Festival Theatre).
ADRIAN EDMONDSON CAST AS SCROOGE IN RSC’S “A CHRISTMAS CAROL”
Casting announced for A Christmas Carol, which plays in the Royal Shakespeare Theatre this winter.
Adrian Edmondson will play Ebenezer Scrooge in the Royal Shakespeare Company’s revival of David Edgar’s adaptation of Dickens’ much-loved classic story A Christmas Carol. The production, directed by Rachel Kavanaugh, runs in the Royal Shakespeare Theatre, Stratford-upon-Avon between 26 October 2022 – 1 January 2023.
Talking about A Christmas Carol, Adrian Edmondson said:
“A Christmas Carol in an extraordinary book. It’s been in print continuously since 1843. So it must be saying something very important that catches our imagination. A lot of people think it’s about Scrooge and ghosts, which of course it is, but at the heart of it, it’s about poverty and our individual reaction to it. So it couldn’t be more relevant today than it has been in the past 30-40 years. Not since rationing really. Actual poverty in our streets. People at food banks. That’s the driving force of it for Dickens. He’d read a report on poverty and was considering writing this as a dry pamphlet, but wrote it as a story because he thought it would connect more. And, of course, it does. So it’s hard to find a play that’s more relevant, especially one you might enjoy.
“I’m really looking forward to playing Scrooge. Why, you might ask, would you watch a show about a really horrible person? You watch it because you’re cheering him on, urging him to become a better person. You’re on his side, you want him to turn. I think that makes him one of the most fundamentally interesting characters in literature, and a great part to play.”
Adrian returns to the RSC after making his debut as Malvolio in Twelfth Night in 2017. His other theatre credits include: The Rocky Horror Show (Piccadilly Theatre), Waiting for Godot (Queens Theatre), Bits of Me Are Falling Apart (Soho Theatre), The Boy Friend (Menier Chocolate Factory) and Once Upon A Time in Nazi Occupied Tunisia (Almeida).
TV credits include: The Young Ones, The Comic Strip Presents…, Bottom, Blackadder, War & Peace, Bancroft, Save Me, Cheat, Out of Her Mind, Back To Life, Summer of Rockets, One of Us, Upstart Crow and A Spy Among Friends. Film credits include: Supergrass, The Pope Must Die, Guesthouse Paradiso and Star Wars: The Last Jedi.
Joining Adrian is Sunetra Sarker who makes her RSC debut as The Ghost of Christmas Present. Sunetra is a stalwart of British TV and is best known for a nearly ten year stint as Dr Zoe Hanna on BBC’s Casualty, three series of Channel Four’s No Angels, and currently as Kaneez Parach in Ackley Bridge, also for Channel Four. She reached the latter stages of Strictly Come Dancing in 2014, was the subject of Who Do You Think You Are? in 2017,and is currently a regular panellist on ITV’s Loose Women.
Sunetra’s other TV credits include: Desperate Measures, Sherwood, The Bay, Cold Feet, Informer, Hang Ups, Broadchurch, Safe House, Death in Paradise, Puppy Love, Doctor Who, Mobile, New Street Law, The Chase, Ideal, The Smoking Room, Eyes Down, City Life: Bloody Foreigners, Emmerdale, Streetlife, Playing The Field, Miller Shorts, Starting Out, London Bridge, Wing and A Prayer, Flight, Cracker, Bhangra Girls, Bread and Brookside. Her stage credits include: House of the Sun, One Night (Stratford East), Tale of Two Cities (West Yorkshire Playhouse) and The God Botherers (Bush Theatre)
David Edgar’s socially-conscious adaptation of Dickens’ classic fable opened in 2017 to critical acclaim in the Royal Shakespeare Theatre, where it played to sell-out audiences. The production was revived the following year due to audience demand.
This festive tale of redemption and compassion follows cold-hearted businessman Ebenezer Scrooge, who – over the course of one ghostly Christmas night – learns to pity himself and to love his neighbour – but is that enough?
The full cast is: Beth Alsbury (Hinge), Lauren Arney (Belinda), Sally Cheng (Isabel), Eamonn Cox (Swing), Rachel Denning (Mrs Baldock), Adrian Edmondson (Ebenezer Scrooge), Gavin Fowler (Charles Dickens), Clive Hayward (Fezziwig), Jack Humphrey (Tim), Beruce Khan (John Forster), Rebecca Lacey (The Ghost of Christmas Past), Bethany Linsdell (Caroline), Michael Lyle (Father), Alexander Moneypenny (Swing), Conor O’Hara (Swing), Emma Pallant (Mrs Cratchit), Joseph Prowen (Fred), Sunetra Sarker (The Ghost of Christmas Present), Rachel Seirian (Swing), Oliver Senton (Uber), Mitesh Soni (Bob Cratchit), Liyah Summers (Fanny), Giles Taylor (Marley) and Georgie Westall (Swing).
David Edgar has been writing plays professionally since 1971. As one of the UK’s greatest living playwrights, David’s rich history with the RSC spans over four decades making him the company’s most produced living writer to date.
His original plays for the RSC include: Destiny (1976); Maydays (1983, revived in a new version in 2018 directed by Owen Horsley); Pentecost (1994, transferring to the Young Vic, London, 1995); The Prisoner’s Dilemma (2001); Written on the Heart (2011, transferring to the Duchess Theatre, London, 2012); and A Christmas Carol, his first Dickens adaptation since the multi-award winning production of The Life and Adventures of Nicholas Nickleby in 1980, which premiered at the Aldwych Theatre before transferring to Broadway in 1981 where it went on to win The Society of West End Theatre and Tony award for ‘Best Play’. In 2019, David wrote and performed his one-man solo show Trying It On, which toured to the Birmingham Rep, the RSC’s The Other Place, the Royal Court Theatre Upstairs and the Traverse Theatre during the 2019 Edinburgh Festival, and on tour.
Talking about A Christmas Carol, David Edgar said:
“In 1843, Dickens read a parliamentary report on the conditions of children in the mines and factories of what was aptly called the Hungry Forties, and resolved to write an angry political pamphlet, to be published that Christmas, calling for reform. By the end of the year he’d produced not a tract but a universal story of how benevolence is stronger than greed. I wanted to put Dickens and his ambitions in the foreground of the adaptation. In Rachel Kavanaugh’s wonderful production – combining a glorious set with dazzling choreography and musical score – we see Dickens construct his story before our very eyes.
“When we premiered the show in 2017, millions were already relying on food banks and beggars haunted city streets. Covid and the cost of living crisis have made economic inequality – and raw poverty – an even more pressing reality. And yet – in the way the nation came together around the NHS to combat the pandemic – we have been reminded of the selflessness and generosity of spirit which lies at the heart of Dickens’ enduringly optimistic story.”
A Christmas Carol is directed by Rachel Kavanaugh and designed by Stephen BrimsonLewis with lighting by Tim Mitchell. Music is by Catherine Jayes, Sound Design by Fergus O’Hare with Movement by Georgina Lamb.
Producers Kevin McCollum and Jamie Wilson are thrilled to announce the full cast for the UK premiere of Mrs. Doubtfire, the new comedy musical based on the iconic movie, which will run for a strictly limited season at the Manchester Opera House from Friday 2 September 2022 until Saturday 1 October.
Mrs. Doubtfirethe musical will introduce comic actor Gabriel Vick (Avenue Q) as Daniel Hillard, with Laura Tebbutt (School of Rock) as Miranda Hillard, Carla Dixon Hernandez (Matilda the Musical) as Lydia Hillard, Cameron Blakely (The Addams Family) as Frank Hillard, Marcus Collins (The X Factor) as Andre, Dominic Andersen (Heathers) as Stuart, Vanessa Fisher (Legally Blonde) as Wanda Sellner, Ian Talbot OBE (Hairspray, and Director of The Mousetrap) as Mr. Jolly and Aiesha Naomi Pease (Sister Act) as Janet Lundy.
The role of Christopher Hillard will alternate between young performers George Nearn Stuart, Charlie Tumbridge and Fred Wilcox, and the role of Natalie Hillard will alternate between Jessica Bowerman, Darcey Dean and Angelica Pearl Scott.
The full cast will include Aidan O’Neill, Joshua Dever, Samuel Wilson Freeman, Maria Garrett, Kiera Haynes, AJ Lewis, Adam Lyons, Lisa Mathieson, Ellie Mitchell, Matt Overfield, Tom Scanlon, Vicki Lee Taylor and Rebecca Donnelly, Effie Rae Dyson, Amy Everett, Travis Ross and Paulo Teixeira.
A hilarious and heartfelt story about holding onto your loved ones against all odds, Mrs. Doubtfire is the musical comedy we need right now.
Out-of-work actor Daniel will do anything for his kids. After losing custody in a messy divorce, he creates the alter ego of Scottish nanny Euphegenia Doubtfire in a desperate attempt to stay in their lives. As his new character takes on a life of its own, Mrs. Doubtfire teaches Daniel more than he bargained for about how to be a father.
Mrs. Doubtfire has been created by a transatlantic team of award-winning artists, with a Book by Karey Kirkpatrick and John O’Farrell, Original Music and Lyrics by Wayne Kirkpatrick and Karey Kirkpatrick, (the Tony Award-nominated team behind Something Rotten!, along with O’Farrell), Direction by 4-time Tony winner Jerry Zaks (Hello, Dolly!), Choreography by Lorin Latarro (Waitress), and Music Supervision, Arrangements & Orchestrations by Ethan Popp (Tina: The Tina Turner Musical). Scenic design is by David Korins (Hamilton), Costume Design by Catherine Zuber (Moulin Rouge! The Musical), Lighting Design by Philip S. Rosenberg (Pretty Woman The Musical), Sound Design by Brian Ronan (Beautiful: The Carole King Musical), Hair Design by David Brian Brown (Frozen), Makeup & Prosthetics Design by Tommy Kurzman (The King and I), Casting by Stuart Burt (Caberet), and Musical Direction by Elliot Ware (Sunny Afternoon).
Mrs. Doubtfire is produced by Kevin McCollum and Jamie Wilson and is presented by special arrangement with Buena Vista Theatrical.
After the last two days of heatwave weather, the song lyrics – ‘I’m singing in the rain … what a glorious feelin’ … I’m happy again!’ could not have been more apt as to what the whole nation was praying for on Wednesday (20 July) and the audience were enthusiastically hoping for – to get a ‘splash’ or two – at the beautiful, historic Lyceum theatre last night, where the spectacular Singin’ in the Rain was being performed. Jubilantly uplifting, this effervescent musical elevated and enlivened the entire room as an aura of pure joy and delight embraced the whole room, giving rapturous applause throughout! Every dance sequence was flawless as this stunning performance that was delivered to us by a multi-talented cast was first-class and of a very high calibre.
Singin’ in the Rain transports one back to the 1920s when the dazzling world of Hollywood was transitioning from silent movies to ‘talkies’. This exciting period of time, that inspired many in the world of film, was faultlessly captured in the show due to being loaded with many moments of slapstick comedy, confusion and calamity that was once encapsulated by Gene Kelly and Debbie Reynolds in the classic 1952, ‘Singin’ in the Rain’ movie. Jonathan Church and the creative team definitely delivered in adapting and producing the magic of this old-time classic that clearly has stood the test of time because it really was quality.
Sam Lips (Don Lockwood) and Charlotte Gooch (Kathy Selden) were simply magnificent at making what must have been extremely challenging roles, due to the complex high-energy numbers, seem effortless as they floated and tapped across the stage . Both note-perfect and foot-perfect – these two really did trip the light fantastic and it was a sight to behold and bliss to hear! Supporting Sam and Charlotte were a phenomenal cast and crew who gave us jaw-dropping dance routines, iconic big-band tunes and slick, smooth choreography with excellent comic timing and witty quips.
Credit must be given to Ross McLaren who played Don’s sidekick,Cosmos Brown, who in the number ‘Make em Laugh’ really showed us his genius skills in precision and timing when he had one of the trickiest scenes to perform that I’ve ever seen and I still don’t know how he did it! Kudos must also be shared with Jenny Gayner playing Lina Lamont as her portrayal of a talentless ‘star’ provided many laughs and struck me that in a world of celebrity where the likes of the Kardashians are celebrated and fawned over – has anything changed in Hollywood today, in 2022? No, sadly not.
If the main purpose and intention of going to the theatre is to lift one’s spirits and evoke a feeling of happiness then this production of Singin’ in the Rain has nailed it! Whether your guests are five or one hundred and five, they will love this little interlude of fun!
A creatives’ floor with rehearsal room, actors’ Green Room, bar and terrace
A ground floor public restaurant and bar, open from midday to midnight
Impressive screen show-signage including a double-sided 17m by 3m digital screen front of house sign on Charing Cross Road and a large screen in the centre of the front façade on Soho Place
The theatre lies at the heart of Derwent London’s £300m regeneration project at the north east corner of Soho
Derwent London picked a first class team to overcome the engineering challenges of building a theatre immediately above three tube lines and Crossrail’s large extractor fan to achieve perfect acoustics in the auditorium with no vibrations
Leading West End producer and theatre owner, Nica Burns, today announces the opening of @sohoplace, the first new-build West End theatre in 50 years. The culmination of a 12-year project, the theatre is owned by Nica Burns and operated by Nimax Theatres and will open this autumn with the first production to be announced soon.
The theatre is adjacent to the site of the old Astoria theatre which was demolished to build Crossrail. The auditorium sits directly above Crossrail’s new Elizabeth line and the existing Northern and Central lines at Tottenham Court Road station, a major transport hub. In addition, Crossrail’s huge ventilation fans extracting the hot air from the platform below and working full-time 365 days a year are also adjacent to the auditorium. A challenging location to build a new modern theatre with state-of-the-art facilities!
The theatre @sohoplace is at the heart of property giant Derwent London’s visionary £300 million regeneration of a neglected corner of Soho. Totalling 285,000 square feet it is a mixed development with the theatre at its heart, offices and retail and a fantastic new piazza, an ideal meeting place for Londoners to start their day or night out in the West End.
Nica Burns, Theatre ownersaid:
Nimax Theatre Credit Geraint Lewis
“I wanted to create a theatre which could add a different dimension to our vibrant West End landscape. I asked our greatest theatre creatives two questions: If we could build a new theatre in the heart of the West End, what would you like it to be? What additional facilities would be on your wish list? They dreamt of a flexible auditorium, perfect acoustics and audience / stage intimacy. An ability to create on-site with the dream of a rehearsal room, a Green Room and a bar all in the same building. So that’s what we built – with a few extras including an outside terrace.”
“The incredible team of engineers pulled off the greatest of structural feats, building over a major underground transport hub – a challenging place to build a theatre – achieving perfect acoustics and no vibrations”.
The auditorium has the following key qualities:
Wonderful acoustics
Perfect sightlines from every seat with no obscured views
Intimate actor/audience relationship: no seat further than 6 rows from the stage
Curved auditorium unifying both audience and actors (theatre term ‘the hug’)
The flexible auditorium can be transformed into a number of different configurations
The theatre interior was inspired by Nica’s visit to Epidaurus when young. “I was standing on the stage of this great ancient theatre at 8 o’clock – show time – as the last rays of a golden sun were coming through the trees and the stars were starting to twinkle in an indigo sky. It was magic. Epidaurus is one of the greatest theatres in the world and the plays of ancient Greece are still part of our theatre heritage today. The interior of @sohoplace reflects these colours and when you walk through the theatre you walk under crystal star lights, laid out in constellations. When you pass the building, look up to the terrace and you will see the constellations shine.”
“I am incredibly privileged to be working with Derwent London who hand-picked the most outstanding team – all leaders and innovators in their sectors – to deliver this challenging build:
Architect Simon Allford, founder of Allford Hall Monaghan Morris, one of London’s most significant international architectural practices. Simon is currently President of RIBA.
Arup, a brilliant worldwide engineering giant who make the impossible, possible.
Laing O’Rourke, renowned global construction company, specialising in delivering the most difficult projects.
Finally, a very big thank you to all at Westminster Council. We have had incredible support from every team member and we couldn’t have done it without you”.
Paul Williams, Chief Executive Derwent London said:
“Working alongside world-class architects and engineers, and in collaboration with Crossrail and our partner Nica Burns, we are delighted to have developed this new state-of-the-art theatre together with substantial public realm as part of a successful commercial regeneration project above the Elizabeth line.”
Simon Allford, Architect said:
“@sohoplace is undoubtedly the most complex and delightful project I have ever worked on: the highly engineered architecture and design of a Swiss watch but built on an urban scale”.
