Announcing the final Thunder Girl – Carol Harrison stars as ‘Chrissie’ in The Thunder Girls!

Announcing the final Thunder Girl
Carol Harrison stars as ‘Chrissie’ in The Thunder Girls!

Carol Harrison has been announced as the final star to be cast in the all-female world premiere preview of The Thunder Girls at The Lowry Tue 24 – Sat 28 September. Carol will star alongside Coronation Street’s Beverley Callard, Queen of Day Time TV, Coleen Nolan and West End’s All About Jamie star, Mina Anwar.

The Thunder Girls is a true celebration of women. All four of The Thunder Girls actresses are over 50, one of the most under-represented demographics in the UK entertainment industry.  The show has a female writer, female producer and female director and all from working class roots – another area which is under represented in mainstream media.  The debut play by Melanie Blake is an adaptation from her first novel of the same name which will be released by Pan Macmillan this summer. The week long premiere preview will open at The Lowry, Salford on 24th September 2019 and tickets are on sale now. The run is nearly sold out in record time for a completely new piece.

Carol Harrison takes on the role of Chrissie, former lead singer of The Thunder Girls, who at the height of the band’s success, ditched the others to pursue a solo career, taking their manager, Rick, her bandmate’s boyfriend with her.  Chrissie would trample on anyone to get to the top and stay there. For decades Chrissie maintained her stardom whilst the other girls’ lives and careers fell apart. Now Chrissie must face the former friends and bandmates she cast aside without looking back to join her at Wembley Stadium for the pay cheque of their lives.  But can a price be put on pain, anger, heartache and betrayal – at The Reunion Dinner From Hell – the audience are about to find out…  

The Thunder Girls follows an ‘80s girl group reuniting 30 years after greed, envy and egos tore their friendship and the band apart. The play focuses on what goes on during the night from hell when lead singer Chrissie tries to reunite the band she dumped. Chrissie is desperate to salvage herself from bankruptcy after being conned out of her fortune by her toy boy husband.  But is there a fee which can heal the wounds?  Or maybe some friendships never die, even if you want them to?

They say write about what you know, and as one of the UK’s most powerful music managers, Melanie has lived and breathed The Thunder Girls. Melanie came from nothing but was inspired by Jackie Collins’ books and ‘80s television to believe that she could become whoever she wanted to be.  She started her career at Top of the Pops working with the biggest names in showbiz from Destiny’s Child to The Spice Girls and went on to become a manager to some of the biggest names in pop.

Melanie Blake, Writer, says: Carol Harrison’s performance in Eastenders as Louise Raymond twenty years ago burned up the screen.  This was when I started writing The Thunder Girls. And Carol’s performance made such an impact on me, that there was never any doubt that she would be the perfect actress to play The Thunder Girls’ protagonist, Chrissie Martin.

I was familiar with Carol’s great body of work before Eastenders but it was as Louise that she captured me, as well as millions, as she smashed her way through that famous Square giving Walford some of its finest moments. We knew she’d moved behind the scenes and didn’t know if we could tempt her back, so when Carol accepted the challenge of playing Chrissie Martin, the hostess at our Dinner Party from Hell, the whole team were delighted.

Carol completes a fantastic cast of 4 incredibly strong, vibrant and talented women who are going to give our audience the night of their lives as they tear up the stage (almost literally!) At the World Premiere Preview of The Thunder Girls this September at The Lowry, Salford.

Carol Harrison says: “When I left Eastenders, I was in my mid-forties and felt I had so much to more to give. I had worked constantly for 25 years up to that point but it soon became apparent that after ‘Louise Raymond’, my character in Eastenders, there were very few decent parts being written for working class women of my age and the handful that I was offered were stereotypical downtrodden, dowdy and broken. I didn’t feel old or past it, but according to the industry, I was. That hurt me as an actress and as a woman. At the same time my relationship had broken up and I was bringing up my son, Alfie, alone. I couldn’t hang on forever waiting for the phone to ring about a role which excited me, I had a child to support – I had to survive. So I went back to writing, and for the past 20 years have been behind the scenes writing, producing, directing and teaching.

While I am very proud of my achievements, acting is and always has been my first love. But of course, like “love” it has often been unrequited.   I am absolutely thrilled to be playing the role of Chrissie Martin in The Thunder Girls and am honoured to be working alongside such a wonder bunch of glorious awe-inspiring women. What I love most about the part of Chrissie Martin is her passion and tenacity.  She is determined to continue to follow her dream, to not be thrown on the scrapheap because she has lost her youth and therefore her ‘relevance’. She is a fighter, ready to stand up to whatever life throws at her.

The Thunder Girls is an incredibly well written, blisteringly powerful play, which leads the audience on a rollercoaster journey, full of love, passion, tears and laughter. In thirty years apart, these women have seen their livelihoods lost, their creativity crushed and relationships torn apart. It’s a story of struggle and survival, and it’s a struggle that I can totally relate to in my own life, and which draws me even closer to this exciting role and why, for the first time in twenty years away from the spotlight, I just had to say yes.  I’ve waited decades for such a brilliant and fulfilling character to come along and finally, here she is!  I am Back.”

Angela Squire, Producer, says:  “Carol Harrison was born to play Chrissie Martin. We are delighted that The Thunder Girls is the work which has tempted her back into the spotlight, where she belongs.  Carol Harrison is an accomplished actress and it is that superb mastery of her craft coupled with Carol’s own rollercoaster life experiences which will make her performance as Chrissie Martin nothing short of electrifying.

We are proud to have created 4 strong roles for actresses over 50, all from working class backgrounds, who will be giving the performances of their lives for our packed audiences in The Lowry, Salford.”

BEAUTIFUL – THE CAROLE KING MUSICAL 2020 Tour Announced

PAUL BLAKE, SONY/ATV MUSIC PUBLISHING, MIKE BOSNER

IN ASSOCIATION WITH

MICHAEL HARRISON

ANNOUNCE THE RETURN OF THE

OLIVIER, TONY AND GRAMMY AWARD-WINNING

BEAUTIFUL – THE CAROLE KING MUSICAL

EMBARKING ON A UK AND IRELAND TOUR

OPENING AT THE CHURCHILL THEATRE BROMLEY

ON 11 JANUARY 2020

Following a highly successful West End run/a run of two and a half years in the West End and a sell-out tour in 2017/18, Paul Blake, Sony/ATV Music Publishing and Mike Bosner in association with Michael Harrison are delighted to announce that the Olivier, Tony and Grammy award-winning BEAUTIFUL – THE CAROLE KING MUSICAL will hit the road again and tour throughout the UK and Ireland in 2020, opening at the Churchill Theatre Bromley on 11 January. Tour schedule below with further venues and casting to be announced soon.beautifulmusical.co.uk

Long before she was Carole King, the chart-topping music legend, she was an ordinary girl with an extraordinary talent.

BEAUTIFUL – THE CAROLE KING MUSICAL tells the inspiring true story of King’s remarkable rise to stardom, from being part of a hit songwriting team with her husband Gerry Goffin, to her relationship with fellow writers and best friends Cynthia Weil and Barry Mann, to becoming one of the most successful solo acts in popular music history. Along the way, she wrote the soundtrack to a generation, including one of the best-selling albums of all time, Tapestry, and countless classics such as (You Make Me Feel Like) A Natural Woman, Take Good Care of My Baby, You’ve Got a Friend, So Far Away, It Might as Well Rain Until September, Up on the Roof andThe Locomotion. The show also includes the Cynthia Weil and Barry Mann hit songs You’ve Lost that Lovin Feeling, On Broadway and We Gotta Get out of This Place.

BEAUTIFUL – THE CAROLE KING MUSICAL is based on the early life and career of legendary singer/ songwriter Carole King. It has a book by Douglas McGrath with words and music by Gerry Goffin, Carole King, Barry Mann and Cynthia Weil.

BEAUTIFUL – THE CAROLE KING MUSICAL celebrates five years on Broadway this year and continues to sell out in cities across the US throughout its North American tour.

BEAUTIFUL UK TOUR LISTINGS 2020

SATURDAY 11 JANUARY – SATURDAY 18 JANUARY

The Churchill Theatre, Bromley

www.churchilltheatre.co.uk

ON SALE NOW

TUESDAY 21 JANUARY – SATURDAY 25 JANUARY

Hull New Theatre

www.hulltheatres.co.uk

ON SALE FRIDAY 26 APRIL

TUESDAY 28 JANUARY – SATURDAY 1 FEBRUARY

His Majesty’s Theatre, Aberdeen

www.aberdeenperformingarts.com/his-majestys-theatre

ON SALE NOW

MONDAY 3 FEBRUARY – SATURDAY 8 FEBRUARY

Royal & Derngate, Northampton

www.royalandderngate.co.uk

NOW ON SALE

MONDAY 10 FEBRUARY – SATURDAY 15 FEBRUARY

Congress Theatre, Eastbourne

www.eastbournetheatres.co.uk/venue/congress-theatre

ON SALE FRIDAY 26 APRIL

TUESDAY 18 FEBRUARY – SATURDAY 22 FEBRUARY

New Victoria Theatre, Woking

www.atgtickets.com/venues/new-victoria-theatre

ON SALE WEDNESDAY 8 MAY

TUESDAY 25 FEBRUARY – SATURDAY 29 FEBRUARY

Bristol Hippodrome

www.atgtickets.com/venues/bristol-hippodrome/

ON SALE WEDNESDAY 8 MAY

TUESDAY 3 MARCH – SATURDAY 7 MARCH

The Alhambra Theatre, Bradford

www.bradford-theatres.co.uk/venues/the-alhambra-theatre

ON SALE MONDAY 20 MAY

MONDAY 9 MARCH – SATURDAY 14 MARCH

Wales Millennium Centre, Cardiff

www.wmc.org.uk

ON SALE MONDAY 20 MAY

TUESDAY 17 MARCH – SATURDAY 21 MARCH

Sunderland Empire

www.atgtickets.com/venues/sunderland-empire/

ON SALE WEDNESDAY 8 MAY

TUESDAY 24 MARCH – SATURDAY 28 MARCH

New Wimbledon Theatre

www.atgtickets.com/venues/new-wimbledon-theatre/

ON SALE WEDNESDAY 8 MAY

TUESDAY 7 APRIL – SATURDAY 11 APRIL

Milton Keynes Theatre

www.atgtickets.com/venues/milton-keynes-theatre/

ON SALE WEDNESDAY 8 MAY

TUESDAY 14 APRIL – SATURDAY 18 APRIL

Venue Cymru, Llandudno

www.venuecymru.co.uk/

ON SALE FRIDAY 3 MAY

TUESDAY 21APRIL – SATURDAY 25 APRIL

Marlowe Theatre, Canterbury

www.marlowetheatre.com/

ON SALE SOON

TUESDAY 28 APRIL – SATURDAY 2 MAY

Cliffs Pavilion, Southend

www.southendtheatres.org.uk

ON SALE TUESDAY 30 APRIL

TUESDAY 5 MAY – SATURDAY 9 MAY

Edinburgh Playhouse

www.atgtickets.com/venues/edinburgh-playhouse/

ON SALE SOON

TUESDAY 19 MAY – SATURDAY 23 MAY

Liverpool Empire

www.atgtickets.com/venues/liverpool-empire/

ON SALE SOON

TUESDAY 26 MAY – SATURDAY 30 MAY

King’s Theatre, Glasgow

https://www.atgtickets.com/venues/kings-theatre/

ON SALE SOON

TUESDAY 2 JUNE – SATURDAY 6 JUNE

Royal Concert Hall Nottingham

www.trch.co.uk/

ON SALE SOON

Leeds Playhouse Announces New Theatre Director

NEW THEATRE DIRECTOR ANNOUNCED AT LEEDS PLAYHOUSE

Regional Theatre Young Director Scheme (RTYDS) – the professional artist development programme for potential, new, emerging and experienced theatre directors – has announced its 18-Month Residency placements for 2019.

Sameena Hussain

The newly redeveloped Leeds Playhouse will host the scheme from September this year welcoming Sameena Hussain for a paid residency and the opportunity to direct her own production as part of the theatre’s programme.

We are thrilled to work with Leeds Playhouse to bring new and emerging talent to the cultural landscape,” says Artistic Director of RTYDS Sue Emmas.

Sue Emmas

The scheme seeks out the most talented theatre directors at the early stage of their careers and helps develop their skills and experience by placing them in theatres outside London.

“RTYDS set out to challenge the idea that anyone wanting to work in theatre had to go to London, and for almost 60 years we have been hugely successful in placing great talent with prominent producing houses outside the capital” continues Sue.

We create pathways that affect who can lead in theatre; if you change the directors, you change the work that gets made, the actors they work with and the stories they tell. We believe it’s hugely important to see everyone represented in theatre and at every level and in every area.”

In the past five years RTYDS has placed 11 directors on 18-Month residencies across 10 venues – includingBirmingham RepCurve LeicesterSheffield Theatres and Liverpool Everyman and can claim an impressive list of past participants; Vicky Featherstone [Artistic Director at London’s Royal Court], Matthew Xia [ArtisticDirector with Actors Touring Company], Natalie Ibu [Artistic Director at Tiata Fahodzi], and Elizabeth Newman[Artistic Director Pitlochry Festival Theatre] are just a few.

Leeds Playhouse Artistic Director James Brining:

We are delighted to be partnering again with RTYDS to find and nurture the next generation of artists; the relationship has spanned many years and follows in the footsteps of leading cultural figures like Vicky Featherstone who notably started their long and successful career here through an RTYDS scheme.

Sameena Hussain is an inspiring artist, whose passion and commitment shone through brightly. The team and I are looking forward to working with her and seeing how she grows as an artist and a cultural leader as well as being moved forward as an organisation by her ideas and energy.

The 18-month residency also covers all the elements of the theatre’s day-to day-running; finance, development, producing, administration, marketing and publicity are all part of the training.

Theatres are complex buildings,” concludes Sue Emmas. “The high level of work that goes into them before there is even a production, before the doors open, is incredible.  We believe it’s important that our Directors understand that because we want to create future leaders in theatre; the names we have worked with up to now would suggest that we are achieving that.”

For more information about RTYDS and their programmes visit www.rtyds.co.uk

THE PICTURE OF DORIAN GRAY REVIEW

RICHMOND THEATRE – UNTIL 27th APRIL 2019

Reviewed by Serena Norgren

3***

The Picture of Dorian Gray, adapted from Oscar Wilde’s probably most popular and scandalous story, is brought to the stage in a new adaptation by Séan Aydon. Staying true to the original tale, we learn of the beautiful orphan, Dorian Gray (Gavin Fowler) arriving in London where he becomes the muse of renowned artist Basil Hallward (Daniel Goode). Basil begins a portrait of Dorian that becomes his finest work to date. Basil also (reluctantly) introduces Dorian to his old friend, Lord Henry Wotton (Jonathan Wrather). And so begins Henry’s indoctrination of Dorian into his immoral world view. When Dorian sees the extraordinarily beautiful picture of himself he is horrified that one day he will be old and ugly and wishes that his beauty and youth could stay with him forever. His wish is granted.

Wrather is unmistakable as Dorian’s immoral mentor introducing him into the more corrupt elements of London society while effortlessly living up to the aristocratic norms of marriage, the opera, his club, etc. Wrather’s restless physicality with no trace of self-doubt paints a picture of a man with an almost ruthless determination to lead a life of pure hedonism. As the story unfolds, Wrather too descends into an alcohol and drug fueled chaos that is both convincing and uncomfortable.

The platonic but symbiotic relationship with his wife, played in a languidly understated way by Phoebe Pryce underscores the need to meet the societal norms of the day. Pryce is by far and away the most superior of the women in this piece and it would have been nice to see more of her. Clever direction of husband and wife rarely being on stage at the same time, leaves you wanting to know and understand more of their relationship.

As Dorian follows his mentor’s lead into a life of debauchery and moral corruption, the implication is that the portrait gets older and crueller looking, whilst the man himself does not visibly age. Gavin Fowler does a fine job of setting the scene in the first act of the young innocent Dorian gradually changing in the second act to the truly despicable and morally bankrupt individual he becomes. The transformation is both believable and complete if not somewhat abrupt. His anguish as he realises what he has become is visceral and how he can attempt to redeem himself is dramatic but rushed. One feels that the failed path to redemption is over before it has even started somehow. The fatal denouement feels almost like a necessity to keep the piece within the requisite 2 hour time window. Fowler would no doubt have loved the opportunity to explore this more fully.

Daniel Goode does a lovely job of the vulnerable and gentle artist, Basil Hayward: adoring his muse while having to compete for his affections with the gregarious Henry Wotton. His horror at the realisation of what Gray has eventually becomes is palpable.

All in all, the triumvirate of the three main actors really works and the relationships between the three men is cleverly woven together and then torn apart. Aydon does a good job of preserving much of Wilde’s witty and distinctive prose in the script which make you both wince and smile and the same time. Sarah Beaton’s set design is a beautifully decaying artist’s studio and the set never changes throughout the piece. It works in the most part and is enhanced through clever lighting by Matt Haskins. His lighting design is top notch using clever shadows in the large space to both dehumanise and isolate Dorian at various points.

Oscar Wilde’s novel caused a scandal when it first appeared in 1890, initially for its homosexual overtones but later for its depiction of moral corruption. The egotistical and narcissistic elements of the story still resonate today with the unrelenting quest for beauty and youth – perhaps we can learn something as we pour over our copies of glossy magazines!! A cautionary tale and well worth a visit!

Matthew Bourne’s Swan Lake Review

Hull New Theatre – until 27th April 2019

Reviewed by Catherine McWilliams

5*****

I was lost at the Hull New Theatre, lost in the beauty and spectacle of Matthew Bourne’s Swan Lake, and now I am lost for words and feeling inadequate, how do I review such a wonderful experience?

Matthew Bourne’s Swan Lake is a retelling like no other, with male swans and a Prince who is struggling with life and his sexuality. It was originally created in 1995, but this revival is fresh and relevant.

Our hero the Prince (Liam Mower) is unhappy with life and the coldness of his mother the Queen (Nicole Kabera) adds to his despair, things come to such a pitch that he decides to commit suicide and it is when he goes to the lake that the swans appear.

From start to finish this production is packed with detail, always something happening slightly off from the main action – where to look? Watch the ballet at the theatre and miss what is happening in the Royal Box; watch the dancing at the ball and suddenly spot that something is happening on the balcony. Full of quirkiness and life and with a nod to the current preoccupation with “fame” in the shape of the Girlfriend (Katrina Lyndon) and the paparazzi. It has humour but so much darkness – pulling at your emotions. Lez Brotherston’s set and costume designs are magnificent and of course there is Tchaikovsky’s soaring music but it is the dancing that is riveting from start to finish.

Liam Mower’s Prince is sublime, his every body movement shows how he is feeling – a simple shrug or a head movement. His dancing is breathtaking and so elegant but it is in the duets with the Swan (Max Westwell) that I held my breath, such beauty and vulnerability, it made me cry.

Max Westwell is captivating as The Swan/Stranger, his performance at the ball as the Stranger is mesmerising, a dark presence but full of charisma. His Swan broke my heart in the finale, how I wanted a different ending.

Katrina Lyndon adds a wonderful touch of humour as the Girlfriend, whilst Nicole Kabera adds an imperiousness and coldness to her role as the Queen.

As to those Swans, it was impossible to take your eyes off them as they swirled and stamped and hissed across the stage. Portraying viciousness in the extreme, these were not swans you would want to come across. They moved as one, yet seemed to have their own characters, the stuff of nightmares.

The finale was magnificent, so incredibly emotional.

As to the standing ovation, we would have still been there cheering for some considerable time had the lights not gone up.

This is a must see – food for the soul, an experience like no other. Me – I’m back on Saturday night to see it again!

BLOOD BROTHERS RETURNS TO LEEDS GRAND THEATRE

IT IS TRUE; BLOOD BROTHERS RETURNS TO LEEDS GRAND THEATRE

WEST END STAR LINZI HATELEY REPRISES HER ROLE AS MRS JOHNSTONE

The international smash hit musical Blood Brothers returns to Leeds Grand Theatre from Tuesday 7 to Saturday 18 May 2019.

Considered ‘one of the best musicals ever written’ (SUNDAY TIMES), Blood Brothers – presented by award-winning producer/director Bill Kenwright andwritten by award-winning playwright Willy Russell – has triumphed across the globe, scooping up no fewer than four awards for best musical in London and seven Tony Award nominations on Broadway.

Telling the captivating and moving story of twin boys separated at birth, only to be reunited by a twist of fate and a mother’s haunting secret, the epic tale of Liverpool life started as a play performed at a Liverpool comprehensive school in 1981 before opening at the Liverpool Playhouse 35 years ago in 1983. Sell out seasons in the US, Australia, Canada, New Zealand and Japan followed as well as running in London’s West End for 24 years. The memorable score includes A Bright New Day, Marilyn Monroe and the emotionally charged hit Tell Me It’s Not True.

Returning to the seminal role of Mrs Johnstone is Olivier Award nominated British actress Linzi Hateley (Joseph and the Amazing Technicolour Dreamcoat, Les Misérables, Chicago)“Mrs Johnstone is an iconic role that I’ve always secretly dreamed of playing,” says Linzi. “I’m thrilled to perform it to audiences right across our country.” Joining Linzi will be Alexander PatmoreJoel Benedict and Paula Tappenden as Mickey, Eddie and Mrs Lyons respectively. Having recently played Bobby Willis in Cilla The Musical, Patmore makes his debut as Mickey Johnstone. Benedict and Tappenden are long associated with the production having previously played their respective roles on tour and in the West End.

Blood Brothers is at Leeds Grand Theatre from Tuesday 7 to Saturday 18 May 2019

Book online at leedsgrandtheatre.com or call Box Office on 0844 848 2700

Full Casting for My Beautiful Laundrette Announced

CURVE, BELGRADE THEATRE COVENTRY, EVERYMAN THEATRE CHELTENHAM AND LEEDS PLAYHOUSE ANNOUNCE FULL CASTING OF

Hanif Kureishi‘s

MY BEAUTIFUL LAUNDRETTE

FEATURING

Omar Malik as Omar

Jonny Fines as Johnny

And

Original film cast member Gordon Warnecke as Papa

“Could anyone in their right mind call this silly little island off of Europe their home?”

Following the recent announcement that CurveBelgrade Theatre Coventry, Everyman Theatre Cheltenhamand Leeds Playhouse are co-producing a new stage production of Hanif Kureishi’s My Beautiful Laundrette this autumn, the full cast for the drama has now been revealed.

Omar Malik (East is East, Nottingham Playhouse and Gangsta Granny, UK tour) will join the production as the quick-witted Omar, a young British Pakistani who transforms his Uncle’s run-down laundrette into a thriving business. 

Jonny Fines (An Officer and a Gentleman – the Musical, Curve and UK tour and Grease, Curve) will play rebellious punk Johnny, the role which launched the career of Daniel Day-Lewis.

Gordon Warnecke, who originally played Omar in Stephen Frears’ 1985 film, joins this new cast as Papa, Omar’s alcoholic but wise Father.

Completing the cast are Paddy Daly as Genghis and Dick O’Donnell, Kammy Darweish as Nasser, Hareet Deolas Salim, Nicole Jebeli as Tania, Balvinder Sopal as Bilquis and Moose and Cathy Tyson as Rachel and Cherry.

Opening at Leicester’s Curve 20 Sep – 5 Oct, this bold new production of Hanif Kureishi‘s ground-breaking Oscar-nominated screenplay will be directed by Curve’s Artistic Director Nikolai Foster.

Following performances in Leicester My Beautiful Laundrette will then tour to

Everyman Theatre Cheltenham (8 – 12 Oct), Leeds Playhouse (15 – 26 Oct), Belgrade Theatre Coventry (29 Oct – 2 Nov) and Birmingham Repertory Theatre (5 – 9 Nov).

Set in London during the Thatcher years, My Beautiful Laundrette tells the story of young British Pakistani, Omar, who transforms his Uncle’s run-down laundrette into a thriving business. After being confronted by a fascist gang, Omar recognises school-friend Johnny and uses their history to diffuse the situation. As they renovate the laundrette together, love blossoms between them. This culture clash comedy is also a subversive work of social realism, sprinkled with magic and joy running through the rich veins of Kureishi’s writing.

Creative Team

Director – Nikolai Foster
Designer 
– Grace Smart
Lighting Designer – Ben Cracknell
Sound Designer – Tom Marshall
Fight Director – Kevin McCurdy
Casting Director – Kay Magson CDG

Full cast announced to join Matthew Broderick & Elizabeth McGovern in The Starry Messenger

FULL CAST ANNOUNCED TO JOIN

MATTHEW BRODERICK

& ELIZABETH MCGOVERN

IN

Acclaimed Hollywood star Broderick making West End debut

By the celebrated writer of Oscar-winning Manchester-By-The-Sea

Cast also includes Jim Norton, Rosalind Eleazar and Sinead Matthews

Performances begin Thursday 16 May | Wyndham’s Theatre

Full casting has been announced to join Hollywood star and multiple Tony Award-winning Broadway legend Matthew Broderick in The Starry Messenger by Kenneth Lonergan, the Academy Award-winning writer of Manchester-By-The-SeaThe Starry Messenger will begin performances at the Wyndham’s Theatre on Thursday 16 May and play a strictly limited 13-week season.

Alongside Broderick – renowned for roles including Ferris Bueller in the iconic movie and Leo Bloom in The Producers – and the also previously-announced Elizabeth McGovern – known to millions for her portrayal of Lady Cora in the multi award-winning drama series Downton Abbey – will be Tony and Olivier Award-winnerJim Norton (Father Ted)Olivier Award-winner Jenny Galloway and Rosalind Eleazar (Howard’s End).

Completing the cast will be Joplin SibtainSinead Matthews and Sid Sagar, in a production to be directed bySam Yates (Glengarry Glen Ross).

In the vastness of the universe are we all just lonely souls under the same night sky?

Mark Williams is lost. An astronomer at New York City’s Planetarium, he feels a closer connection to the infinite, starry sky than to his job or even to his wife, Anne. Mark doesn’t believe in fate or divine intervention, but the universe has other ideas.

After a chance meeting with Angela, a young single mother, the stars appear to have aligned. But when a catastrophic event rips through their lives, Mark is forced to re-evaluate his life, his faith and his place in the universe itself.

This bittersweet, comic drama is an unblinking exploration of love, hope and understanding our place in the universe, by one of the most celebrated writers working today.

The Starry Messenger is produced by Simon Friend Entertainment, Act Productions, Gavin Kalin, Howard Panter/Eilene Davidson and Rupert Gavin.

Waitress celebrates its 3rd birthday on Broadway

CELEBRATES 3RD BIRTHDAY ON BROADWAY
Music and lyrics by seven-time Grammy Award-nominee Sara Bareilles
Book by Jessie Nelson
Based upon the motion picture written by Adrienne Shelly
Directed by Tony Award-winner Diane Paulus

The London company of Waitress is wishing the New York production a happy birthday today as it enters its fourth year on Broadway, having opened at the Brooks Atkinson Theater on 24 April 2016. The hit show was the first ever Broadway musical in history to have four women in the four top creative team spots.

On its Broadway opening, Waitress was nominated for four Outer Critics’ Circle Awards, including Outstanding New Broadway Musical; two Drama League Award Nominations, including Outstanding Production of a Broadway or Off-Broadway Musical; six Drama Desk Nominations, including Outstanding Musical; and four Tony Award Nominations, including Best Musical.

The London production of Waitress had its official opening night at the Adelphi Theatre on 7 March where the Tony-nominated musical is now booking to 19 October.

Brought to life by a ground breaking, female-led creative team, the hit show features an original score by 7-time Grammy® nominee Sara Bareilles (Love Song, Brave), a book by acclaimed screenwriterJessie Nelson (I Am Sam) and direction by Tony Award® winner Diane Paulus (Pippin, Finding Neverland) and choreography by Lorin Latarro.

The production is currently touring the US and will have its Australian premiere in 2020 at the Sydney Lyric Theatre.

London’s brand-new smash hit musical comedy Waitressstars the sensational Katharine McPhee (ScorpionSmash) as Jenna, a waitress and expert pie-maker who dreams her way out of a loveless marriage. When a hot new doctor arrives in town, life gets complicated. With the support of her workmates Becky and Dawn, Jenna overcomes the challenges she faces and finds that laughter, love and friendship can provide the perfect recipe for happiness. 

Alongside Katharine McPhee as Jenna, Waitress stars Jack McBrayer as Ogie, Marisha Wallace as Becky, Laura Baldwin as Dawn, Peter Hannah as Earl, David Hunter as Dr. Pomatter and Shaun Prendergast as Old Joe.

The full company includes Kelly Agbowu, Laura Baldwin, Piers Bate, Nicole Raquel Dennis, Michael Hamway, Peter Hannah, David Hunter, Stephen Leask, Jack McBrayer, Chris McGuigan, Katharine McPhee, Olivia Moore, Nathaniel Morrison, Sarah O’Connor, Leanne Pinder, Shaun Prendergast, Charlotte Riby, Marisha Wallace and Mark Willshire.

The Worst Witch flies into Birmingham Hippodrome

The Worst Witch 

flies into Birmingham Hippodrome

Image
The Worst Witch comes to Birmingham Hippodrome for the first time

Packed with cauldrons full of original songs, magic and mayhem, The Worst Witch flies on to the Birmingham Hippodrome stage for the first time from Wed 22 – Sun 26 May

This new story, adapted for the stage from Jill Murphy’s original books by Emma Reeves (who won a Royal Television Society Award for Best Children’s TV Programme and 2017 British Screenwriters Award for Best Children’s Programme for the televised version of The Worst Witch) tells the story of an ordinary girl who finds herself in an extraordinary place: a school for witches.

Accident-prone Mildred Hubble and her fellow pupils leave a trail of mayhem behind them as they find themselves at the centre of a battle that’s being fought for their future.

Jill Murphy’s The Worst Witch stories have sold more than five million copies and been made into films and TV series by HBO, ITV and CBBC. There are now eight Worst Witch titles. The Worst Witch was made into a television series for ITV in the early 1990s and there is currently a major television series with CBBC.

The Worst Witch is directed by Theresa Heskins (2017 UK Theatre Award for Best Show for Children and Young People) and designed by Simon Daw, with music by Luke Potter.

Jill Murphy said: “My first trip to the theatre aged four, opened up a magical world – so real to me, that I had to be restrained from climbing onstage to help the children in peril! My mum was quite cross with me, but I never wanted the show to end and sang the songs loudly all the way home on the bus. Imagine how proud I feel, all these years later, seeing my own Mildred Hubble on stage with all the characters from Miss Cackle’s Academy. I still feel thrilled to bits when I go to the theatre and The Worst Witch is a magical production.

Emma Reeves added: “We’ve created a brand new story as well as revisiting moments from the books. Jealous Ethel Hallow is out to spoil Mildred’s fun, and Miss Hardbroom is opposed to all fun in general. But, without giving too much away, Mildred faces a greater danger than she ever imagined as an old enemy returns, with a plan for revenge that could threaten not just the Academy, but the whole world…

Theresa Heskins says: “We’ve seen the start of a rebalancing of power within our society and it feels like an important time to be creating a play about young women who are learning, collectively and individually, to use their power; and the danger if they decide to use it not for good but for ill.” 

The Worst Witch comes to Birmingham Hippodrome from Wed 22 – Sun 26 May. To book visit birminghamhippodrome.com or call 0844 338 5000 (4.5p per minute plus your phone company’s access charge).