Phoenix Soars On Tour

PHOENIX DANCE THEATRE’S AUTUMN TOUR

York – Buxton – Bridlington – Malvern – Barnsley

 

Internationally acclaimed, Leeds-based Phoenix Dance Theatre begins its Autumn Tour next week.

The dance company’s Mixed Programme starts in York on October 25th and goes on to Buxton, Bridlington, Malvern and Barnsley taking a range of bold performances with it.

Sharon Watson, Artistic Director at Phoenix Dance Theatre, and currently Yorkshire Woman of the Year, says:  “I have worked with people from all over the world for this mixed piece and the result is three diverse, emotional and sassy dances in one thought-provoking performance.”

Beast is an unsettling and unforgettable piece by Leeds-based choreographer Douglas Thorpe. It explores the dark reaches of the mind, focussing on the concept of choice and consequences that follow wrong decisions.

Created by award-winning company dancer and choreographer, Sandrine Monin and composer Roberto Rusconi, Calyx is a new piece which was inspired by and based on the book of poems The Flowers of Evil by Charles Baudelaire, Calyx explores the themes of beauty, desire and decadence.

The Calyx is the outermost part of a flower – the bud,” explains Sandrine. “It envelopes the flower, protecting it, and when it blooms it provides support for the rest of its life.  I find it a fascinating and beautiful thing and have used the dancers to translate this.”

And with a live microphone at its heart, Aletta Collins’ Maybe Yes Maybe, Maybe No Maybe sees five dancers blend movement and voices to create a uniquely witty piece of dance.

The work is set to a score by composers Street Furniture Music, a Soho-based production company who specialise in in music and sound design for Film, TV, Games and Theatre; the dancers’ voices are transformed into the beats and accents of a pulsing soundtrack.

Phoenix Dance Theatre: Mixed Programme is at:

 

York Theatre Royal on Wednesday 25th & Thursday 26th October

Buxton Opera House Tuesday 31st October

Bridlington Spa Tuesday 7th November

Malvern Theatres 14th November

Barnsley Civic 17th November

 

For more information visit www.phoenixdancetheatre.co.uk

LIFE IS A CABARET AT LEEDS GRAND THEATRE

LIFE IS A CABARET AT LEEDS GRAND THEATRE

For one week only, Leeds Grand Theatre will play host to Olivier-Award-winning musical, Cabaret, from Tuesday 24th to Saturday 28th October 2017.

Produced by Rufus Norris, Director of the National Theatre, Cabaret will star internationally renowned singer/songwriter Will Young, who reprises his Olivier Award-nominated performance as the enigmatic Emcee, musician and presenter Louise Redknapp, who makes her stage debut as Sally Bowles and Susan Penhaligon as Fraulein Schneider; Susan is best known for the popular television series Bouquet of Barbed Wire and the sitcom A Fine Romance with Judi Dench.

Set in 1930s Berlin against the backdrop of the seedy Kit Kat Club, Cabaret tells the tale of young American writer Cliff Bradshaw and his relationship with English cabaret performer Sally Bowles and features some of the most iconic songs in musical theatre, including ‘Money Makes the World Go Round’, ‘Two Ladies’ ‘Maybe This Time’ and of course ‘Cabaret’.

 

Since its Broadway premiere in 1966 – and the famous movie version starring Liza Minnelli and Oscar-winner Joel Grey – Cabaret has won a staggering number of stage and screen awards, including eight Oscars, seven BAFTAs and 13 Tonys. Norris’ production has enjoyed two smash hit West End runs and has picked up two Olivier Awards.

 

Cabaret is at Leeds Grand Theatre from Tuesday 24th to Saturday 28th October 2017

 

Tickets are on sale now priced at £20.50 (RV) to £41.50

(prices include a £3 booking fee. Postage charge £1 where applicable)

 

Book online at leedsgrandtheatre.com or call Box Office on 0844 848 2700

 

Hayley Tamaddon to star in Throroughly Modern Millie 2018 UK tour

David King for Modern Millie Ltd presents

 

BROADWAY’S MULTI AWARD WINNING MUSICAL COMEDY

 

THOROUGHLY MODERN MILLIE

TO EMBARK ON 2018 UK TOUR

 

 

CORONATION STREET, EMMERDALE AND DANCING ON ICE STAR

HAYLEY TAMADDON

TO STAR AS MILLIE

Following a hugely successful tour in Spring 2017, award-winning musical Thoroughly Modern Millie is set to tour the UK again in 2018 opening at Richmond Theatre on Tuesday 27 March with actress Hayley Tamaddontaking on the title role of Millie Dilmount, a Kansas girl determined to make it big in New York City.

Hayley Tamaddon is perhaps best known for her portrayal of Del Dingle in Emmerdale and Andrea Beckett in Coronation Street and for winning the fifth series of ITV1’s Dancing on Ice. Other television credits include AccusedShamelessWaterloo RoadWhere the Heart Is and The Royal. Her musical theatre roles include Roxie Hart in Chicago (UK Tour)The Lady of the Lake in Spamalot(UK tour)Janet in The Rocky Horror Show (UK Tour), Frenchie in Grease (UK Tour), Diana Morales in A Chorus Line (Sheffield Theatres), Trish in Boogie Nights (UK Tour), Carmen in Fame (UK Tour), Laura in Boyband (West End) and Lisa in Mamma Mia (West End). She has also starred in the UK tour of The Vagina Monologues and in John Godber’s play Muddy Cows (Stephen Joseph, Scarborough).

Winner of six Tony Awards including Best Musical, Thoroughly Modern Millie is based on the 1967 Academy Award-winning film. Taking you back to the height of the Jazz Age in 1920s New York City, when ‘moderns’ including a flapper named Millie Dillmount, were bobbing their hair, raising their hemlines, entering the workforce and rewriting the rules of love.

From explosive tap numbers to a ‘Fred and Ginger’ dance routine on a window ledge, and featuring hit songs including Gimme Gimme and Not for the Life of Me, Thoroughly Modern Millie is a brilliantly funny and entertaining show for all the family.

Tickets for Thoroughly Modern Millie are on sale now. Further casting to be announced.

 

WEBSITE TWITTER

 

THOROUGHLY MODERN MILLIE

 

Book by Richard Morris and Dick Scanlan

New Music by Jeanine Tesori

New Lyrics by Dick Scanlan

Original Story and Screenplay by Richard Morris for the Universal Pictures Film

Presented by arrangement with

Music Theatre International (Europe) Limited

Director and Choreographer Racky Plews

Musical Director Rob Wicks

Executive Producer David King

Casting Director Sue Talbert

Executive Director Graham King

 

THOROUGHLY MODERN MILLIE – 2018 UK TOUR DATES

Tuesday 27 – Saturday 31 March                                               Box Office: 0844 871 7651

Richmond Theatre                                                                           Website: www.atgtickets.com/richmond

Tuesday 3 – Saturday 7 April                                                       Box Office: 01323 412000 ON SALE SOON

Devonshire Park Theatre, Eastbourne                                    Website: www.eastbournetheatres.co.uk

Tuesday 10 – Saturday 14 April                                                   Box Office: 0844 871 3022

Sunderland Empire                                                                         Website: www.atgtickets.com/sunderland

Tuesday 1 – Saturday 5 May                                                        Box Office: 0844 871 3020

Oxford New Theatre                                                                      Website: www.atgtickets.com

Tuesday 8 – Saturday 12 May                                                     Box Office: 0844 871 3023

The Princess Theatre, Torquay                                                   Website: www.atgtickets.com/torquay

Tuesday 15 – Saturday 19 May                                                   Box Office: 01202 280000 ON SALE SOON

Poole Lighthouse                                                                             Website: www.lighthousepoole.co.uk

Tuesday 22 – Saturday 26 May                                                   Box Office: 0844 871 7649

Regent Theatre                , Stoke on Trent                                                Website: www.atgtickets.com/stoke

Tuesday 29 May – Saturday 2 June                                           Box Office: +353 1 677 7999 ON SALE SOON

Bord Gáis Energy Theatre, Dublin                                             Website: www.bordgaisenergytheatre.ie

Tuesday 5 – Saturday 9 June                                                       Box Office: 01274 432000

Bradford Alhambra                                                                         Website: www.bradford-theatres.co.uk

Tuesday 12 – Saturday 16 June                                                  Box Office: 01325 486555 ON SALE SOON

Darlington Hippodrome                                                                                Website: www.darlingtonhippodrome.co.uk

Tuesday 19 – Saturday 23 June                                                  Box Office: 01702 351135

Cliffs Pavilion, Southend                                                               Website:www.southendtheatres.org.uk

Tuesday 26 – Saturday 30 June                                                  Box Office: 01902 429212

Grand Theatre, Wolverhampton                                               Website: www.grandtheatre.co.uk

Tuesday 10 – Saturday 14 July                                                    Box Office: 01473 433100 ON SALE SOON

Regent Theatre, Ipswich                                                               Website: www.apps.ipswich.gov.uk

Tuesday 31 July – Saturday 5 August                                       Box Office: 01534 511115 ON SALE SOON

Jersey Opera House                                                                       Website: www.jerseyoperahouse.co.uk

MORE DATES TO BE ANNOUNCED

THE OTHER PALACE Announces Autumn/Winter Season in The Other Studio

IS DELIGHTED TO ANNOUNCE

THE AUTUMN/WINTER SEASON IN

THE OTHER STUDIO

INCLUDING

“COME JOIN THE DOTS”

“HOT GAY TIME MACHINE”

“NATIONAL YOUTH MUSIC THEATRE: THE GREAT AMERICAN SONGBOOK”

“KNOCK KNOCK “

“CELEBRATE CHRISTMAS WITH NATALIE RUSHDIE”

AND

“BARRICADE BOYS – THE CHRISTMAS CABARET”

 

The Other Palace is delighted to announce the upcoming shows in the Autumn/Winter Season for The Other Studio.

 

There is an exciting mix of one-night performances and longer running shows in October and November beginning with “Come Join the Dots” on Friday 27 October; an evening of slick and sophisticated close part harmony, with just a dash of mischief. Fresh from their sell-out run at the Edinburgh Fringe, “Hot Gay Time Machine” covers all the moments of a gay man’s life from coming out to navigating the naked politics of the locker room and runs for six performances from Monday 6 November to Wednesday 8 November.  The National Youth Music Theatre return to The Other Palace for an evening celebrating the “Great American Songbook”on Saturday 25 November; and on Monday 27 November and Tuesday 28th November Niv Petel explores the effects of National Service on everyday life in “Knock Knock”.

 

Get into the festive spirit from early December and “Celebrate Christmas with Natalie Rushdie” as she performs a selection of Diva and Christmas Classics on Saturday 2 December. “The Barricade Boys – Christmas Cabaret” lights up the stage from Tuesday 5 December to Saturday 23 December showcasing some of the world’s finest male voices from the West End, International Tour and Hollywood movie of the world’s longest running musical – Les Misèrables.

Artistic Director Paul Taylor Mills said: “I am thrilled that the studio continues to offer a diverse programme of new music, comedy, variety and factual entertainment firmly establishing The Other Palace as a venue for all. As well as our produced programme we continue to nurture and foster new musicals at the start of their journey.”

 

“Come Join the Dots”

“Come Join The Dots” – Helen, Lucinda and Robine – for an evening of slick and sophisticated close part harmony, with just a dash of mischief. To begin, The Dots Do The Silver Screen – a celebration of the Hollywood musicals of the 30s and 40s. And for their second act, The Dots Do The Divas – a salute to the greatest female vocalists of all time. Expect shiny new musical arrangements plus dotty shenanigans as The Dots Do The Other Palace!

“Hot Gay Time Machine”

 

Fresh from their sell-out run at the Edinburgh Fringe, join Zak and Toby as they take you on an extravaGAYnza of outrageous dances, hilarious comedy and mind-blowing original songs that will BLOW your minds. So what are you waiting for? Gay marriage? Well we got that already, so come party with the gays!

 

“NYMT PLATFORM: The Great American Songbook”

 

Founded in 1976, the National Youth Music Theatre has performed in 200 venues throughout the UK, from Glyndebourne and the National Theatre to the Royal Opera House, Shakespeare’s Globe and at eight West End theatres. Of their countless productions, over 50 have been new music theatre works.

 

The National Youth Music Theatre returns to the studio at The Other Palace for the second in their series of NYMT Platform concerts showcasing outstanding young talent in cabaret performances. This programme features fresh interpretations of favourites from the Great American Songbook alongside new material inspired by the golden age of American popular music.

“Knock Knock”

 

How would you raise your child, if you knew that one day their turn will come to hold a rifle?

As a liaison officer for the army, Ilana, a single mother, supports families who’ve lost their sons and daughters to the wars. But when the time comes for her own only son to wear the army uniform, she faces a life-changing dilemma.

How is it to grow up in a place where children are destined to be soldiers from the day they are born? The parents– all former soldiers themselves – know that one day, a liaison officer might knock on their door too.

Writer Niv Petel weaves a vivid and detailed familial relationship in this immersive physical mono-drama about the effects of National Service on everyday life. Inspired by real life situations, and with a lot of humour, “Knock Knock” cuts through the thick curtain of politics to tell a story about parenthood, friendship, love and sacrifice.

“Celebrate Christmas with Natalie Rushdie”

 

Join Natalie Rushdie, for one night only, as she makes her debut at The Other Palace for a Christmas extravaganza performing a selection of Diva and Christmas Classics.  Take a sleigh ride down memory lane with Natalie and celebrate Christmas like the good old days with holiday favourites: “Have Yourself a Merry Little Christmas”, “Let it Snow”, “Silent Night” and more including the greatest divas from Judy Garland to Ella Fitzgerald.

Natalie has toured the UK with Classic BRIT Award winners “Blake” and performed the National Anthem an amazing five times at Wembley Stadium earning her the moniker ‘The Voice of Wembley’. Natalie is accompanied by acclaimed pianist Ed Bussey.

 

“The Barricade Boys – Christmas Cabaret”

After sell-out performances in London’s West End, an appearance at the St James Theatre on Broadway and many international dates, “The Barricade Boys” are quickly securing their place as theatre land’s newest and most exciting male vocal group!

Come and join the Christmas party as they, not only, perform the world’s greatest show tunes but also celebrate music from some of the most iconic names in the music industry, from powerful ballads and beautiful operatic arias to some of the best pop, rock and swing numbers of all time.

As well as appearing in the World’s longest running musical, Les Misèrables, and playing major leading roles in musical theatre “The Barricade Boys” have being guests on many primetime TV shows including, “The Paul O’Grady Show”, “Sunday Night at the Palladium”, “Children In Need”, “Ant and Dec’s Saturday Night Takeaway” and most recently “Best Time Ever” with Neil Patrick Harris.

LISTINGS

Come Join the Dots

Friday 27 October at 8pm

Tickets £20

Hot Gay Time Machine

Monday 6 November 7.30pm & 9.30pm

Tuesday 7 November 7.30pm & 9.30pm

Wednesday 8 November 7.30pm & 9.30pm

Tickets £15 & £20

NYMT PLATFORM: The Great American Songbook 

Saturday 25 November at 8pm

Tickets £20 – £25

Knock Knock

Monday 27 November & Tuesday 28th November at 8pm

Tickets £15 & £18

Celebrate Christmas with Natalie Rushdie

Saturday 2 December at 8pm

Tickets £25 & £30

The Barricade Boys – Christmas Cabaret

Tuesday 5 December to Saturday 23 December at 8pm

Thursday and Saturday matinee performances 3pm

Tickets £20 & £25

Tickets:

Online: www.theotherpalace.co.uk

Phone: 020 7087 7900

In person:  Box Office is open from 10.00am-6.30pm on show days and 10.00am – 6.00pm on non-show days.  Sundays and Bank Holidays may vary.

Address: 12 Palace St, Westminster, London SW1E 5JA

For more information about The Other Palace and further listings information about each of the initiatives and shows please visit: www.theotherpalace.co.uk

Madagascar The Musical to open at New Wimbledon Theatre Jul 2018

The Selladoor Worldwide and Hartshorn – Hook production of

Dreamworks

Based on the Dreamworks Animation Motion Picture

Book by Kevin Del Aguila

Original Music and Lyrics by George Noriega & Joe Someillan

Performed by arrangement with

Music Theatre International (Europe) Limited

COMING OUT OF THE ZOO AND ONTO A STAGE NEAR YOU

Go Wild! as Selladoor Worldwide and Hartshorn – Hook announce that their brand-new stage adaptation Madagascar – A Musical Adventure is coming out of the zoo and onto a stage near you, opening at New Wimbledon Theatre on 16 July 2018 prior to a UK Tour.

Join Alex the Lion, Marty the Zebra, Melman the Giraffe, Gloria the hip hip Hippo and, of course, those hilarious, plotting penguins as they bound onto stage in the musical adventure of a lifetime.

Based on the smash DreamWorks animated motion picture, Madagascar – A Musical Adventure follows all of your favourite crack-a-lackin’ friends as they escape from their home in New York’s Central Park Zoo and find themselves on an unexpected journey to the madcap world of King Julien’s Madagascar.

Alex the lion is the king of the urban jungle, the main attraction at New York’s Central Park Zoo. He and his best friends – Marty the zebra, Melman the giraffe and Gloria the hippo – have spent their whole lives in blissful captivity before an admiring public and with regular meals provided for them. Not content to leave well enough alone, Marty lets his curiosity get the better of him and makes his escape – with the help of some prodigious penguins – to explore the world.

This wacky adventure for the whole family is brought to life by Selladoor Family, the producers behind James And The Giant Peach, Seussical and The Owl And The Pussycat and Hartshorn – Hook, producers of the Olivier Award winning Rotterdam, Murder Ballad, Urinetown and American Idiot. Madagascar – A Musical Adventure will be directed by award winning Kirk Jameson who is thrilled to be working alongside Selladoor again having directed their 2013 revival of Seussical: The Musical at the Arts Theatre.

David Hutchinson, Executive Creative Producer of Selladoor says “One of our key principals at Selladoor is to aim to engage young people to come to the theatre and to help to encourage a whole new generation of theatre-goers, and Madagascar promises to do just that. We are delighted to be bringing these much-loved crazy characters to life on stage in an exciting caper for all of the family”

Filled with outlandish characters, adventure galore and an upbeat score, Madagascar will leave audiences with no choice but to “Move It, Move It!”

Tickets are on sale today, book now to join Alex and friends for an unforgettable night out. For tour and booking details visit www.selladoor.com

LISTINGS

16 – 28 Jul Wimbledon New Theatre www.atgtickets.com/wimbledon

30 Jul – 04 Aug Birmingham Alexandra www.atgtickets.com/birmingham

6 – 12 Aug Glasgow Kings Theatre www.atgtickets.com/glasgow

13 – 18 Aug Manchester Palace www.atgtickets.com/manchester

27 Aug – 01 Sep Sunderland Empire www.atgtickets.com/sunderland

17 – 22 Sep Bridlington Spa www.bridspa.com

08 – 13 Oct Bristol Hippodrome www.atgtickets.com/bristol

MORE DATES COMING SOON!

 

New Park Theatre 2018 season revealed

Jan – Jun 2018 SEASON ANNOUNCED

 

ARTISTIC DIRECTOR JEZ BOND TO DIRECT DYSTOPIAN POLITICAL THRILLER BUILDING THE WALL, A PARK THEATRE PRODUCTION AND UK PREMIERE FROM PULITZER PRIZE WINNING WRITER

 

DAVID HAIG STARS IN LONDON PREMIERE OF HIS PLAY PRESSURE, BASED ON A TRUE WARTIME STORY

 

A NEW STAGE ADAPTATION OF E. M. FORSTER’S SEMINAL NOVEL, A PASSAGE TO INDIA

 

UK PREMIERE OF ROTHSCHILD & SONS, A MUSICAL INSPIRED BY THE FAMOUS BANKING DYNASTY

 

Artistic Director Jez Bond today announces Park Theatre’s new Jan – Jun 2018 season. Featuring five world, European, UK and London premiere productions, Park Theatre continues to build its reputation as a home for new writing and celebrated transfers.

 

Artistic Director Jez Bond says: “I’m thrilled to be announcing our season for the first half of 2018. In PARK200 we are working with some of the best theatres and producers from across the UK and beyond, from Chichester Festival Theatre to Broadway, bringing world class productions to our stages; as well as producing our next show from America, the politically timely Building The Wall. As ever we’re full to the brim with a majority of new writing premieres in both PARK200 and PARK90. PARK90 celebrates our passion for women on stage and off: with women’s stories and journeys at the heart, and a prevalence of women writers, producers and directors.”

 

The UK premiere of the musical Rothschild & Sons opens the new season in PARK200, with Broadway songwriters Sheldon Harnick and Jerry Bock (Fiddler On The Roof) charting the Rothschild family’s rise from poverty to a global banking dynasty with new, never-before-heard songs. A Passage to India follows, as part of an international adaptation of E. M. Forster’s seminal novel set in Imperial India, re-imagined for a contemporary Britain by simple8. Written by and starring David Haig, Pressure is the incredible true story of two allied meteorologists tasked with predicting the perfect weather conditions for General Eisenhower’s D-Day landings in 1944. For the European premiere of Building The Wall from Pulitzer Prize and Tony Award-winning playwright Robert Schenkkan, Jez Bond directs this political thriller that has already taken America by storm, exploring how the inconceivable can become the inevitable. The world premiere of Monogamy closes the PARK200 season, a new comedy by Torben Betts about living a private life in the public eye.

 

There or Here commences the new PARK90 season, in the UK premiere production of a new American comedy about outsourcing motherhood, from the producer of Yellow Face (Park Theatre/National Theatre transfer). The London premiere of A Princess Undone is a play inspired by actual events around sensational and potentially damaging royal letters acquired by Princess Margaret. A revival of Philip Ridley’s modern classic exploring hate crime follows, as Robert Chevara directs Vincent River. Inspired by a real court case in the USA, a Chicago teenager is arrested for terrorist collusions when she converts from Christianity to Islam, and is tried by a practicing Muslim, in the UK premiere of Faceless. Next is a revival of Schism from the lauded playwright and activist Athena Stevens, which charts the unlikely love that forms when Harrison’s suicide plans are dashed by the arrival of a young student with cerebral palsy. Closing the new season in PARK90, Beirut explores a fleeting encounter between two lovers, now divided by a quarantine enforced to protect a future society from a terrifying Sexually Transmitted Disease.

  

PARK200

 

24 January – 17 February 2018

Arnold Mittelman in association with Park Theatre presents the UK Premiere of

 

ROTHSCHILD & SONS

Music by Jerry Bock

Lyrics by Sheldon Harnick

Book by Sherman Yellen

Based on The Rothschilds by Frederic Morton

Directed by Jeffrey B. Moss Press Night: Mon 29 Jan, 7pm

Times: Evenings Mon – Sat 7.30pm, Matinees Thu & Sat 3pm
Audio Described: Tue 13 Feb 7.30pm (Touch Tour, 6pm)

 

A Family willing to risk everything

The remarkable story of how a father, mother and their sons changed the world.

This uplifting and universal tale affirming human dignity springs from the hearts and minds of Broadway songwriters Sheldon Harnick and Jerry Bock (creators of Fiddler on the Roof, She Loves Me) and Tony-nominated writer Sherman Yellen. Inspired by the book The Rothschilds by Frederic Morton, this re-imagined musical about a family that risks everything includes several never-before-heard songs in its thrilling UK premiere.

 

 

20 February – 24 March 2018

A simple8 and Royal & Derngate, Northampton co-production in association with Park Theatre

 

A PASSAGE TO INDIA

Based on the novel by E. M. Forster

Adapted by Simon Dormandy

Directed by Sebastian Armesto and Simon Dormandy
Original music by Kuljit Bhamra

Press Night: Thu 22 Feb, 7pm

Times: Evenings Tue – Sat 7.30pm, Matinees Thu & Sat 3pm
Parents & Babies Wed 21 Mar 1pm

 

“One cannot be friends with the English!”

Harsh but clear advice, which Aziz chose to ignore. Now he lies in jail, charged with sexual assault. E. M. Forster’s masterpiece poses an urgent question: how can we love one another in a world divided by culture and belief?

Following the acclaimed Don’t Sleep There Are Snakes (Park Theatre), the award-winning simple8 transport us to imperial India, conjuring up the elephants and caves, courthouses and temples by the simplest and boldest means – with original music played live by legendary composer Kuljit Bhamra.

Full of humour and rich humanity, but with vast philosophical and political scope, A Passage to India is one of the great novels of the 20th century. simple8’s thrilling new adaptation re-imagines it for contemporary Britain.

28 March – 28 April 2018
Jonathan Church productions & Oliver Mackwood in association with Cambridge Arts Theatre and Park Theatre presents the London Premiere of the Royal Lyceum Edinburgh and Chichester Festival Theatre production of

 

PRESSURE

By David Haig

Directed by John Dove

Cast includes David Haig and Laura Rogers

Press Night: Tue 3 Apr, 7pm

Times: Evenings Tue – Sat 7.30pm, Matinees Thu & Sat 3pm, Mon 2 Apr 7.30pm

Captioned: Tue 17 Apr 7.30pm

D-Day, June 1944. The Allied forces led by General Eisenhower are poised to launch. 350,000 lives at stake and the decision of whether or not to attack comes down to the most important weather forecast of all time.

Olivier Award-winner David Haig plays Scottish meteorologist, Group Captain James Stagg, in this true story and critical smash hit, from Chichester Festival Theatre and Royal Lyceum Theatre, Edinburgh.

2 May – 2 June 2018

Park Theatre presents the UK Premiere of

BUILDING THE WALL

Written by Robert Schenkkan

Directed by Jez Bond

Press Night: Fri 4 May, 7pm

Times: Evenings Tue – Sat 7.30pm, Matinees Thu & Sat 3pm
5th Birthday Gala: Tue 15 May, 6pm

Captioned: Tue 22 May 7.30pm

Audio Described: Fri 1 Jun 7.30pm (Touch Tour, 6pm)

“Shit rolls downhill and the little guy takes the fall while the people who really set things in motion, they always walk. Always.”

2019, America. Rick is incarcerated awaiting sentencing for the crime of the century. He grants just one interview – to Gloria, an African American historian. In a world where history is written by the winners, Gloria wants a full account. Unfiltered. Direct from source.

Building the Wall examines what happens when an ordinary person becomes a cog in a regime and how the inconceivable becomes the inevitable.

Don’t miss the UK Premiere of this gripping political thriller from Robert Schenkkan, a Pulitzer Prize and Tony Award-winning playwright and Academy award nominee.

The story has already begun. Is this how it ends?

6 June – 7 July 2018

The Original Theatre Company in association with Park Theatre presents the World Premiere of

MONOGAMY

Written by Torben Betts

Directed by Alastair Whatley

Press Night: Mon 11 Jun, 7pm

Times: Evenings Tue – Sat 7.30pm, Matinees Thu & Sat 3pm

Parents and Babies: Tue 3 Jul 1pm (£15, babes in arms under 1 year go free)

Monogamy means sharing your life with one person, but what if you shared your kitchen with 5.6 million?

Caroline Mortimer, the nation’s favourite TV cook, has it all – a sparkling career, a big house in Highgate, a (golf) loving husband, smart kids and the best kitchen money can buy.

But beneath the immaculate furnishings, studio lighting and away from the glare of the ever-present cameras – Caroline must face the looming collision of living a private life in the public eye. What happens when the cameras turn off and the truth comes out?

A searing, sharp, state of the nation comedy from one of the UK’s most exciting playwrights, Torben Betts (Muswell Hill, Park Theatre).

PARK90

 

23 January – 17 February 2018

Special Relationship Productions in association with Anita Creed Productions and Park Theatre presents the UK Premiere of

 

THERE OR HERE

Written by Jennifer Maisel

Directed by Vik Sivalingam

Press Night: Thu 25 Jan, 7pm

Times: Evenings Tue – Sat 7.45pm, Matinees Thu & Sat 3.15pm

Parents and Babies: Wed 31 Jan 1pm (£15, babes in arms under 1 go free)
Captioned: Wed 7 Feb 7.45pm

 

2006. When illness prevents Robyn and Ajay from having a child of their own, they outsource their pregnancy to a woman in India. As they embark on this journey of a lifetime, their increasing inability to be each other’s comfort drives them to seek solace from strangers on the other end of their phones.

The producer of Yellow Face, the 2013 sell-out hit (and National Theatre transfer) returns to Park Theatre with new American comedy There or Here, a PEN West Literary Award Finalist play about outsourcing, motherhood and identity.

 

 

20 February – 17 March 2018

Entico Ltd in association with Park Theatre presents the London premiere of

 

A PRINCESS UNDONE

Written and directed by Richard Stirling

Press Night: Mon 26 Feb, 7pm

Times: Evenings Tue – Sat 7.45pm, Matinees Thu & Sat 3.15pm
Captioned: Tue 13 Mar 7.45pm

 

Kensington Palace, 1993. She was the Diana of her day. That day has gone, but HRH The Princess Margaret seeks one final chance to be of service.

 

Acquiring potentially sensational letters from Charles and Diana, she means to burn the evidence. But there are other papers, relating to Margaret herself. And when an ex-gangster admirer returns from her past, the Queen’s sister has the choice to make or break her family yet again.

 

As dynamic as The Crown (Netflix) and inspired by actual events.

20 March – 14 April 2018

Celia Dugua in association with Park Theatre presents

 

VINCENT RIVER

Written by Philip Ridley

Directed by Robert Chevara

Press Night: Fri 23 Mar, 7pm

Times: Evenings Tue – Sat 7.45pm, Matinees Thu & Sat 3.15pm
Dementia Friendly: Wed 11 Apr 3.15pm

 

Davey has seen something he can never forget. Anita has been forced to flee her home. Tonight, they meet for the first time… and their lives will change forever.

 

Philip Ridley’s modern classic was a huge success when it premiered at the Hampstead Theatre in 2001, and became a West End smash in 2007. Thrilling, heartbreaking and darkly humorous by turns, it is now seen as one of the most powerful explorations of hate crime – and society’s need to crush ‘difference’ – ever written.

 

 

17 April – 12 May 2018

PMJ Productions in association with Park Theatre presents the UK Premiere of

 

FACELESS

Written by Selina Fillinger

Directed by Prav MJ

Press Night: Thu 19 Apr 2018

Times: Evenings Tue – Sat 7.45pm, Matinees Thu & Sat 3.15pm
Relaxed Performance: Tue 8 May 3.15pm (£10)

 

“So I’ve been thinking a lot lately and I think I’m ready to convert– I know I need two witnesses for it to count so I Googled it”

 

Susie, a suburban Chicago teenager lives her life on the internet. However, when she meets someone online who convinces her to convert from Christianity to Islam and leave home for Syria, Susie finds herself arrested for conspiring to commit acts of terrorism.

 

Recent Harvard Law graduate and practising Muslim, Claire Fathi, will be prosecuting for the US government to the full extent of the law…

 

Inspired by a real court case in the USA.

 

 

16 May – 9 June 2018

Aegis Productions in association with Park Theatre presents

 

SCHISM

Written by Athena Stevens

Directed by Lily McLeish

Cast includes Athena Stevens

Press Night: Thu 17 May 2018

Times: Evenings Tue – Sat 7.45pm, Matinees Thu & Sat 3.15pm. Mon 21 May 19.45
Relaxed: Wed 6 Jun 3.15pm

 

“I never wanted to change, in case you didn’t like it”

 

Failed architect Harrison had plans to end his life. The last thing he needed was Katherine, a young student with cerebral palsy, breaking into his house begging for his help…

 

As their chaotic first encounter turns into the beginning of a twenty year relationship, the unlikely couple grow to realise that they are capable of either building something great together – or absolutely destroying each other.

 

Following the journey of Harrison and Katherine, Schism is a stunning new play about two people finding each other, and questions at what point does a dream become unrealistic and out of date.

 

 

12 June – 7 July 2018

Elphin Productions in association with Park Theatre presents

 

BEIRUT

Written by Alan Bowne

Directed by Robin Lefevre

Press Night: Mon 18 Jun 2018

Times: Evenings Tue – Sat 7.45pm, Matinees Thu & Sat 3.15pm

Captioned: Wed 27 Jun 7.45pm

 

“I can live without sex and feel dead or risk death and feel alive.”

 

Torch has been quarantined in a dark, squalid room on the Lower East Side of New York City, which the locals refer to as “Beirut” after testing positive for a nameless disease. Torch passes the time alone, forbidden from contact with the outside world.

 

His girlfriend, Blue, makes the dangerous journey across the quarantine line to be with him. Torch tries to keep her at arm’s length and they argue lovingly, jokingly, fearfully, bravely, and desperately about sex and death. All the while, Torch pleads with Blue to leave before his resistance fails….

 

Robin Lefevre has previously won the New York Drama Desk Award for Best Director and is a Tony Award nominee.

The Secret Keeper Review

Ovalhouse – 11 – 21 October.  Reviewed by Claire Roderick

4****

Angela Clerkin’s The Secret Keeper is an adult fairy tale with a thoroughly modern moral.

The Doll House Maker and his wife have been increasingly unhappy since his brother’s murder 9 years earlier. Trying to help, The Good Daughter offers to hear his secret and not tell anyone. Once he has unburdened himself, The Doll House Maker feels free and happy, leaving his daughter to carry the secret as a magpie. He encourages everyone he meets to give their secrets to The Good Daughter, and eager to please (and enjoying being special), she soon carries the secrets of the townsfolk. The Doll House Maker’s initial goodwill in offering the service as a gift soon disappears as he and his wife realise the possible financial rewards, and they fail to notice the impact that keeping the secrets is having on their child.

The secrets range from trivial nonsense to matters of national security, and there’s the ultimate secret confession of her uncle’s murderer (told with such inane detail, denial and blame shifting by the perpetrator that you want to slap them). The play leaves the audience to interpret its message however they choose, but the consensus in the bar was the dangers of social media anonymity and rumour spreading, and the belief that making a glib confession gives everyone a clean slate, with no consequences, lessons learned, or changes made. The pressures on people to keep horrible secrets for fear of repercussions, professionally or privately, was also a hot topic, especially with this week’s news from Hollywood. The only use of name is for a victim of abuse, all other characters are known by generic roles in the town – another uncomfortable echo of reality.

The use of magpies, both models and the grotesquely costumed cast, was inspired, as it gave the secrets life and allowed them to debate the pros and cons of being shared or hidden. The simple set adds to the traditional storytelling vibe of the play, and the scene titles announcements need to be seen to be believed – a wonderfully macabre touch.

An adult (Angela Clerkin) playing The Good Daughter is a very wise move, as a child on stage would have been much too uncomfortable. Clerkin excels giving naïve descriptions of the town and its inhabitants, and her innocently delivered dialogue is full of uncomfortable truths that only children would say out loud. Niall Ashdown, Anne Odeke and Hazel Maycock play multiple roles as the townsfolk, with Odeke wonderfully shifty as The Doll House Makers Wife and Maycock a hoot as The King’s Righthand Man. Ashdown is full of comic touches until his musical number “I’m disappointed in you” when he really lets rip revealing his character’s pain, anger and shame. The musical numbers don’t really add anything to the narrative (and aren’t exactly Gershwin) but they feel right at home with this style of storytelling and performance, creating lots of smiles and laughter. Clerkin’s script ensures that there is a lot of squirming in seats mixed in with the laughter, as the audience realises exactly what they’re laughing at, and the final scene will haunt you.

The Secret Keeper is an entertaining and compelling exploration of truth and confession told in a gloriously glib and grotesque style that is well worth a look. Catch it at the Ovalhouse or on tour soon.

FIRST LOOK BRIDGE THEATRE

Tonight (Saturday 14 October 2017) Nicholas Hytner and Nick Starr welcomed the first ever audience to the newly built Bridge Theatre situated on the river by Tower Bridge and City Hall.  In advance of official previews beginning next week (18 October 2017), tonight an audience of Bridge and Young Bridge members were invited to try out the building for the first time.

As well as seeing Young Marx, the opening production at the Bridge – a new play by Richard Bean and Clive Coleman, directed by Nicholas Hytner – the audience of over nine hundred people experienced the theatre’s in-house bar, café and up to date facilities. 

 

The flagship theatre of the London Theatre Company, the Bridge is London’s first theatre of scale to be added to London’s commercial theatre stock in eighty years.

London Theatre Company commissioned the new theatre from architect Steve Tompkins and his colleague Roger Watts from Haworth Tompkins.  The Bridge auditorium is a collaboration between Haworth TompkinsLTC and Tait Stage Technologies.

FIRST LOOK BRIDGE THEATRE

Tonight (Saturday 14 October 2017) Nicholas Hytner and Nick Starr welcomed the first ever audience to the newly built Bridge Theatre situated on the river by Tower Bridge and City Hall.  In advance of official previews beginning next week (18 October 2017), tonight an audience of Bridge and Young Bridge members were invited to try out the building for the first time.

As well as seeing Young Marx, the opening production at the Bridge – a new play by Richard Bean and Clive Coleman, directed by Nicholas Hytner – the audience of over nine hundred people experienced the theatre’s in-house bar, café and up to date facilities. 

 

The flagship theatre of the London Theatre Company, the Bridge is London’s first theatre of scale to be added to London’s commercial theatre stock in eighty years.

London Theatre Company commissioned the new theatre from architect Steve Tompkins and his colleague Roger Watts from Haworth Tompkins.  The Bridge auditorium is a collaboration between Haworth TompkinsLTC and Tait Stage Technologies.

Metropolis Review

Ye Olde Rose & Crown Theatre until 5 November.  Reviewed by Claire Roderick

5*****

Based on the classic Fritz Lang film, Metropolis opened, and closed, in the West End in 1989. I never saw the original production, but a tipsy late night buying mix-up on Amazon saw me the eternally grateful owner of the original cast soundtrack rather than a new DVD copy of the film, and I couldn’t wait to see Metropolis live. All Star Productions’ revival is the first London production since then, but hopefully this fantastic version will encourage lovers of the musical to emerge from the darkness and demand a longer run in a larger theatre.

John Freeman, founder of Metropolis, uses the Workers below the city to produce the energy needed to enable the Elitists above to live carefree lives. Freeman’s son, Steven is unaware of the conditions below the city, until he meets and falls in love with Maria, the Workers’ spiritual leader and teacher. With all the earth’s natural resources destroyed, human energy is the only source available to keep the machines working. He plans to replace the unreliable humans with robots, built by Warner, whose prototype, Futura, only needs a face to be complete.

Director Tim McArthur ensures the audience is immersed in the Workers’ dark and steamy environment from the minute you enter the theatre. Arriving early gives you the added entertainment of watching people peering confusedly through the smoke and darkness trying to figure out where exactly the seating is. Jonny Rust and Justin Williams’ set design is incredible – rusty and imposing with Vittorio Verta’s lighting design notching up the claustrophobic atmosphere.

OK, the plot is bonkers, but the themes of obsessive leadership, abuse of power and discrimination are always relevant, and McArthur doesn’t include any 21st century knowing winks, instead taking the musical (which he clearly adores) seriously and creating a stunningly powerful production.

Musical director Aaron Clingham manages to create a soaring sound with just a four-piece band and makes Joe Brooks and Dusty Hughes’ musical numbers fresh and exciting. The strong cast give their all, with striking choreography by Ian Pyle, particularly in 101.11 as the cast work their machines, and the Elitists dance numbers which are like a drug addled nightmarish version of the Ascot scene from My Fair Lady. Making Warner female adds an interesting new dynamic to the scientist’s fascination with Futura/Maria, with Kitty Whitelaw nailing the role with a wonderfully nuanced performance. Gareth James is wonderful as John Freeman – cold and calm, with the fury beneath bubbling through – his stillness as he sings is magnetic and chilling. It’s hard to believe that Miiya Alexandra is making her professional debut as Maria/Futura, giving a beautifully judged performance as Maria and going full psycho as Futura. Her vocals are sublime, and her duets with Rob Herron will make your heart soar. Rob Herron as Steven is a powerhouse of emotion. The man has an INCREDIBLE voice, and leading man looks to match (I must admit that I got a little distracted trying to read his tattoo). Definitely two names to watch out for in the future.

Bold, brutal, bonkers and bloody brilliant – Metropolis is a show you HAVE to see. Get a ticket today.