The Play That Goes Wrong…

THE PLAY THAT GOES WRONG GOES RIGHT IN LEEDS

 

The West End’s Olivier Award winning box office hit, The Play That Goes Wrong, is making a welcome return to Leeds next week taking to the stage at Leeds Grand Theatre from Monday 22nd to Saturday 27thMay.

 

Co-written by Mischief Theatre company members Henry Lewis, Jonathan Sayer and Henry Shields, The Play That Goes Wrong is a highly physical comedy packed with finely-tuned farce and Buster Keaton inspired slapstick delivered with split-second timing and ambitious daring. The play introduces ‘The Cornley Polytechnic Drama Society’ who are attempting to put on a 1920s’ murder mystery, but as the title suggests, everything that can go wrong does, as the accident-prone thespians battle on against all the odds to get to their final curtain call.

 

“This production went down a storm when it was here last,” says Ian Sime, General Manager of The Grand. “And now that original cast – including the writers – are on Broadway and taking the States by storm! We’re quite proud of that.”

 

Winning the 2014 Whatsonstage.com Award for Best New Comedy, the 2015 Broadway World UK Award for Best New Play and the 2015 Olivier Award for Best New Comedy, The Play That Goes Wrong is now enjoying its third year in the West End, where it continues to play to sold-out houses. Licensed to thirty-three countries, with productions playing in Tokyo, Paris, Budapest and soon to open in Rome, Warsaw, Shanghai, Cape Town and Melbourne, the The Play That Goes Wrong is now set to receive its Broadway debut, with the original cast opening at the Lyceum Theatre in New York on 2 April 2017. It is a remarkable rags-to-riches story for a play, which started its life at a London fringe venue with only four paying members of the public at the first performance and has since played to an audience of over half a million.

 

The Play That Goes Wrong is at Leeds Grand Theatre from Monday 22nd to Saturday 27th May

Tickets are priced from £12.50 to £34.50

Book online at leedsgrandtheatre.com or call Box Office on 0844 848 2700

 

EPIC NEW PRODUCTION OF JANE EYRE ARRIVES IN NEWCASTLE

EPIC NEW PRODUCTION OF JANE EYRE ARRIVES IN NEWCASTLE

Following a critically acclaimed season in London, an inventive new production of Charlotte Brontë’s masterpiece Jane Eyre is coming to Newcastle Theatre Royal this summer.  Get ready to see an old classic in a  whole new light, Mon 3 – Sat 8 July 2017.

 

Jane Eyre is an exciting new collaboration between the National Theatre and Bristol Old Vic where it recently played to sold out houses. It will be visiting Newcastle Theatre Royal in the novel’s 170th anniversary year, proving that Brontë’s iconic story of the trailblazing Jane is as inspiring as ever. This bold and dynamic production tells of one woman’s fight for freedom and fulfilment.  From her beginnings as a destitute orphan, Jane Eyre’s spirited heroine faces life’s obstacles head-on, surviving poverty, injustice and the discovery of bitter betrayal before taking the ultimate decision to follow her heart.

Director Sally Cookson is an Associate Artist of Bristol Old Vic, where her productions include Treasure Island andPeter Pan; and elsewhere, Boing! (Sadler’s Wells), Cinderella (St James Theatre), an adaptation of Jacqueline Wilson’s Hetty Feather (West End and UK tour), and Romeo and Juliet  (Rose Theatre, Kingston).

Cookson said about her production of Jane Eyre:  ‘Adapting a novel for the stage is a challenging prospect – especially when that novel is cited as many people’s favourite of all time. It is always daunting when you’re working on a story which everyone knows so well, because you want to surprise and maybe challenge people’s expectations, without losing any of the things which make them like the story in the first place.’

‘I didn’t actually read the novel until I was in my early twenties and I remember thinking while I read it: ‘this is a clarion cry for equal opportunities for women, not a story about a passive female who will do anything for her hunky boss’. I was struck by how modern Jane seemed – her spirit and strong will, her peculiar and brilliant mind striving for personal freedom to be who she is, lashing out against any constraint that prevents her from being herself. She was exactly the sort of person I wanted to be.’

Nadia Clifford (Pomona) plays the central role of Jane, with Tim Delap as Rochester.  They are joined by Hannah Bristow (Helen Burns/Adele/St John/Grace Poole/Abbot), Matthew Churcher (Musician), Alex Heane (Musician), Melanie Marshall (Bertha Mason), Paul Mundell (Mr Brocklehurst/Pilot/Mason), David Ridley (musician), Evelyn Miller (Bessie/Blanche Ingram/Diana) and Lynda Rook (Mrs Reed/Mrs Fairfax).  The cast is completed by Ben Cutler, Jenny Johns, Dami Olukoya, Francesca Tomlinson and Phoebe Vigor.

 

Jane Eyre is at Newcastle Theatre Royal from Mon 3 until Sat 8 July2017, playing evenings 7pm, matinees on Thu and Sat 2pm. Tickets from £14.50.  Tickets can be purchased from the Theatre Royal Box Office on 08448 11 21 21 (Calls cost 7ppm plus your phone company’s access charge) or book online at www.theatreroyal.co.uk

Final Casting Announced for MISS SAIGON

FINAL CASTING ANNOUNCED FOR THE

UK AND IRELAND TOUR OF
CAMERON MACKINTOSH’S

EPIC PRODUCTION OF

BOUBLIL AND SCHÖNBERG’S LEGENDARY MUSICAL

 

OPENING AT CURVE LEICESTER ON 1 JULY 2017

FOLLOWING ITS RECORD-BREAKING LONDON RUN AND

ITS RECENT TONY NOMINATED OPENING ON BROADWAY

 

As rehearsals begin, Cameron Mackintosh is delighted to announce final casting for the UK and Ireland tour of his acclaimed production of Boublil and Schönberg’s legendary musical MISS SAIGON. Ryan O’Gorman will play ‘John’, and Marsha Songcome will play ‘Gigi’ until 1 August when Na-Young Jeon will take over the role. They join the previously announced Red Concepcion as ‘The Engineer’, Sooha Kim as ‘Kim’, Ashley Gilmour as ‘Chris’, Zoë Doano asEllen’ and Gerald Santos as ‘Thuy’. At certain performances ‘The Engineer’ will be played by Christian Rey Marbella, and ‘Kim’ will be played by Joreen Bautista.

They are joined by David Allwood, Randy Chien, Vinny Coyle,  Kristine Mae Diaz, Michael James Eborall,  Aynrand Ferrer, Seng Henk Goh, Emily Beth Harrington, Jack Heasman, Tom Hier, Barnaby Hughes, Kamm Kunaree, David Kar-Hing Lee, Amanda Lingdren, Ela Lisondra, Winchester Lopez,  Christian Rey Marbella, Jay Marsh, Tom Mussell,  Thao Nguyen, Saori Oda, YoungJoo Park,  Kiel Payton, Katherine Picar, Alistair So, Carl Jae-Suk Sohlberg, Eloisa Amalia Tan, Gavin Tsang, Amadeus Williams, and Gerald Zarcilla.

The tour opens at Curve Leicester where it will play from Saturday 1 July – Saturday 22 July 2017.www.miss-saigon.com

Red Concepcion’s many theatre credits in his native Philippines include ‘Adam/Felicia’ in “Priscilla Queen of the Desert” for which he won the ALIW Award and Gawah Buhay Award, ‘Tommy’ in “The Normal Heart” and ‘Alan Strang’ in “Equus” as well as the musicals “West Side Story” and “Hairspray”.

Sooha Kim made her professional debut in this recent production of “Miss Saigon” at the Prince Edward Theatre where she covered the role of ‘Kim’ before going on to play the role in the Japanese production. Her credits whilst training in Korea include ‘Maureen’ in “Rent” and ‘Carmen’ in “Fame”.

Ashley Gilmour also appeared in “Miss Saigon” at the Prince Edward Theatre. His most recent credits include playing ‘Link Larkin’ in the national tour of “Hairspray”.

Zoë Doano’s many West End theatre credits include ‘Cosette’ in “Les Misérables”, ‘Johanna’ in “Sweeney Todd” and most recently ‘Grazia’ in “Death Takes A Holiday”. She has also appeared in the national tours of “The Sound of Music” and “High Society”.

Ryan O’Gorman is currently playing the role of ‘Tom Collins’ in the 20th Anniversary UK Tour of “Rent”.  His other theatre credits include “Les Misérables”, at the Queen’s Theatre, “The Phantom of the Opera” at Her Majesty’s Theatre, “Billy Elliot” at the Victoria Palace Theatre and the UK tour of “Oliver!”.

Gerald Santos was the youngest ever winner of the biggest singing contest in the Philippines, Pinoy Pop Superstar. He has released five studio albums and has won numerous awards including winning twice Best Male Concert performer at the prestigious ALIW Awards.

Marsha Songcome returns to “Miss Saigon” having previously played the role of ‘Gigi’ at the Prince Edward Theatre. She is currently appearing in Disney’s “Aladdin” in the West End. Her other theatre credits include: ‘Sophie’ in “Mamma Mia!” and ‘Rizzo’ in “Grease” in Sweden.

Na-Young Jeon has previously played the role of ‘Fantine’ in “Les Misérables” at the Queen’s Theatre, a role she also played in South Korea. Her other theatre credits include: ‘Esmerelda’ in “Notre Dame de Paris” in South Korea; ‘Bianca’ in “Kiss Me Kate” in Amsterdam and “Miss Saigon” and “High School Musical” in the Netherlands.

In March, this production of MISS SAIGON opened on Broadway where it plays to nightly ovations and has just been nominated for the Tony Award for Best Revival of a Musical. The New Yorker recently called it a “Dynamite Broadway revival”. When the smash-hit run of this production opened in London in May 2014 to record-breaking advance sales and critical acclaim, Dominic Cavendish in The Daily Telegraph wrote, “This thrilling new production spills out beyond the theatre and speaks directly to the times we live in”. The show swept the board at the 2015 Whatsonstage.com awards winning a record breaking nine awards, the most awards ever won by a single show in the 15-year history of the awards including: Best West End Show and Best Revival of a Musical.

 

MISS SAIGON tells the story of the last days of the Vietnam War, 17 year-old Kim is forced to work in a Saigon bar run by a notorious character known as the Engineer. There she meets and falls in love with an American GI named Chris but they are torn apart by the fall of Saigon. For 3 years Kim goes on an epic journey of survival to find her way back to Chris, who has no idea he’s fathered a son.

MISS SAIGON has music by Claude-Michel Schönberg with lyrics by Richard Maltby Jr. and Alain Boublil, adapted from original French lyrics by Alain Boublil, with additional lyrics by Michael Mahler. The new production is directed by Laurence Connor with musical staging by Bob Avian and additional choreography by Geoffrey Garratt.  Production design is by Totie Driver and Matt Kinley based on an original concept by Adrian Vaux; costume design by Andreane Neofitou; lighting design by Bruno Poet; projections by Luke Halls; sound design by Mick Potter; and orchestrations by William David Brohn.

Since its London premiere in 1989, Cameron Mackintosh’s production of Alain Boublil and Claude-Michel Schönberg’s legendary musical MISS SAIGON has become one of the most successful musicals in history.  The original Broadway production of MISS SAIGON opened on April 11, 1991 with what was the largest advance sale in Broadway history ($37 million).  The show went on to play for nearly ten years and 4,063 performances seen by more than 5.9 million people. MISS SAIGON has been performed in 28 countries, over 300 cities in 15 different languages, has won over 40 awards including 2 Olivier Awards, 3 Tony Awards, and 4 Drama Desk Awards and been seen by over 35 million people worldwide.

MISS SAIGON UK TOUR 2017/2018

www.miss-saigon.com

MONDAY 3 JULY – SATURDAY 22 JULY 2017

CURVE, LEICESTER

www.curveonline.co.uk – 0116 242 3595

ON SALE NOW

WEDNESDAY 26 JULY – SATURDAY 23 SEPTEMBER 2017

BIRMINGHAM HIPPODROME

www.birminghamhippodrome.com – 0844 338 5000

ON SALE NOW

WEDNESDAY 4 OCTOBER – SATURDAY 18 NOVEMBER 2017

BORD GAIS ENERGY THEATRE, DUBLIN

www.bordgaisenergytheatre.ie – +353 (1) 677 7999

ON SALE NOW

WEDNESDAY 29 NOVEMBER 2017 – SATURDAY 6 JANUARY 2018

WALES MILLENNIUM CENTRE, CARDIFF

www.wmc.org.uk – 029 2063 6464

ON SALE NOW

WEDNESDAY 17 JANUARY – SATURDAY 17 FEBRUARY 2018

FESTIVAL THEATRE EDINBURGH

www.edtheatres.com – 01315296000

ON SALE NOW

WEDNESDAY 21 FEBRUARY – SATURDAY 17 MARCH 2018

MAYFLOWER THEATRE, SOUTHAMPTON

www.mayflower.org.uk – 02380 711811

ON SALE NOW

WEDNESDAY 21 MARCH – SATURDAY 12 MAY 2018

MANCHESTER PALACE THEATRE

www.atgtickets.com/venues/palace-theatre-manchester 0844 871 3019

ON SALE 18 MAY 2017

Darlington Community Wind Band with Darlington SING Community Choir Review

Majestic Theatre, Darlington – 17 May 2017

The intimate surroundings of the Majestic Theatre in Darlington provided an ideal stage for the performers of Darlington Community Wind Band and Darlington SING Community Choir to showcase their talents on a diverse selection of old favourites and new repertoire.

The fabulous acoustics of this new theatre proved to be a wonderful setting for the magical music.  And as many in the audience said, the venue was the perfect size after the loss of the old Arts Centre and with the Hippodrome not just shut for refurbishment but also just too large for the intimacy this music deserves.

The Darlington Community Wind Band originally formed in 2006, was skillfully directed by Ed Thompson – a serving bandsman with The Band of The Royal Armoured Corps in Catterick, showing its proficiency and musical taste, delivering a beautifully well-rounded concert.

This was a performance of very high calibre – and great entertainment. And whilst I would be hard pushed to name the pieces they were highly enjoyable and performed perfectly

Darlington SING Community Choir has been running since 2012 led by Musical Director Bridie Jackson they presented a programme of songs which was was beautifully varied and gave much pleasure to the audience.

The members of the choir produced a warm, pleasing tone with good intonation.  As with so many choirs, the women outnumbered the men, but this didn’t spoil the entertainment and everyone left the Majestic  having been thoroughly entertained.

The members of Darlington Community Wind Band and Darlington SING Community Choir come from in and around the local area – all connected by a desire to make collective music. This surely is an example of “community” at its best. And I look forward to seeing the  Darlington Community Wind Band and Darlington SING Community Choir perform at the Majestic again.

First ever UK of La Cage Aux Folles heads to The Lowry

First ever UK tour of La Cage Aux Folles stars John Partridge, Adrian Zmed and Marti Webb

At The Lowry Tue 13 – Sat 17 June

Bill Kenwright presents the highly anticipated first ever UK tour of the Tony and Olivier award winning La Cage Aux Folles, at The Lowry from Tuesday 13 until Sat 17 June.

John Partridge will play the iconic role of ‘Albin’, who moonlights as star drag act Zaza at the infamous La Cage aux Folles nightclub. Partridge’s extensive theatre credits include the West End productions of A Chorus Line at the London Palladium, Cats, Starlight Express and Chicago. He is also well known for playing the loveable Christian Clarke in BBC’s EastEnders and as a judge on TV’s Over The Rainbow.

Adrian Zmed will play ‘Georges’, partner of Albin and owner of the nightclub. Zmed co-starred with William Shatner as ‘Officer Vince Romano’ in the 80’s hit TV show T.J. Hooker, which ran for 90 episodes over 5 years, and for playing ‘Johnny Nogerelli’ in the cult classic film Grease 2. Adrian then went on to star alongside big screen legend Tom Hanks in comedy Bachelor Party. This will be his first stage appearance in the UK although he is no stranger to Broadway musicals having previously led the casts of Grease, no fewer than 3 times, Falsettos and Blood Brothers.

One of the West End’s most revered leading ladies’, TV star and recording artist Marti Webb will play ‘Jacqueline’, friend to ‘Albin’ and ‘Georges’, and owner of the restaurant ‘Chez Jacqueline’. Webb has played leading roles in numerous West End and touring musicals including Evita, Godspell, Thoroughly Modern Millie, Blood Brothers, Oliver, Oklahoma, 42nd Street, and Half-a-Sixpence. She received huge critical acclaim for her unforgettable performance in Tell Me on a Sunday, which was written specifically for her by Andrew Lloyd Webber and Don Black. She has recorded nine solo albums and had many hit singles, including Always There, the theme from the hit BBC series ‘Howard’s Way’ and the smash hit Take That Look off Your Face.

Dougie Carter will appear alongside them as ‘Jean-Michele’, Samson Ajewole as ‘Jacob’, Su Douglas as ‘Marie/Madame Renaud’, Alexandra Robinson as ‘Anne’, Paul F Monaghan as ‘Dindon / Renaud’, and Jon De Ville as ‘Francis’. Joining them on stage as Les Cagelles will beJordan Livesey, Matthew Ives, Louie-George Daniels, Liam Paul Jennings, Micah Holmes and Richard Leavey. Completing the cast areLuke Byrne, Jane Quinn, and Rachel Cumino.

Written by Harvey Fierstein and Jerry Herman, and based on the 1973 French play of the same name by Jean Poiret, La Cage Aux Folles follows the story of Georges, the manager of a Saint Tropez nightclub, and his partner, Albin, a drag artiste and the club’s star attraction. They live an idyllic existence in the south of France but behind the curtains of this sparkling extravaganza, all may be about to change when Georges’ son Jean-Michel announces his engagement to the daughter of a notorious right-wing politician determined to close down the local colourful night-life. Drama and hilarity ensue when a meeting of the parents forces them to cover up their vibrant lifestyle. Will Albin be able to play the role of his life to ensure that Jean-Michel can marry his love?

La Cage Aux Folles is a multi-award winning musical. The original Broadway production became an instant smash hit when it opened in 1983. It received nine nominations for Tony Awards and won six, including Best Musical, Best Score and Best Book. The success of the musical spawned a London Palladium production and several international runs. The 2004 Broadway revival won the Tony Award for Best Revival, and the 2008 London revival garnered the Laurence Olivier Award for Best Musical Revival.

Setting out on its first ever UK tour, this brand new production is produced by Bill Kenwright, directed by Martin Connor, choreographed by Olivier Award Winning Bill Deamer, designed by Gary McCann, with Wigs and Make-up Design by Richard Mawbey, Lighting by Ben Cracknell and Sound by Dan Samson (the team responsible for the sumptuous current hit, The Sound of Music), and musical direction byMark Crossland. This lavishly funny tale of unconditional love and family values, will leave you feeling the need to celebrate that life’s not worth a damn ‘till you can say I am what I am.’

This show-stopping score includes The Best of Times, Song on the Sand and the iconic I Am What I Am, which has been recorded by musical legends Gloria Gaynor, Shirley Bassey and Tony Bennett.

Son of a Preacher Man, a heart-warming new musical coming soon!

SON OF A PREACHER MAN

 

THE FIRST EVER UK TOUR OF THE NEW MUSICAL SON OF A PREACHER MAN WILL COME TO GRAND OPERA HOUSE YORK FOR A ONE WEEK RUN FROM TUESDAY 3 TO SATURDAY 7 OCTOBER  

 

TICKETS ON GENERAL SALE NOW

Son of a Preacher Man, a heart-warming new musical featuring the soulful music of Dusty Springfield, with a book by Warner Brown and directed and choreographed by Craig Revel Horwood, embarks on a national tour starting at Bromley’s Churchill Theatre from Monday 4 September 2017.

Three broken hearts, one Soho hang-out, and the only man who could ever help them…

Welcome to the Preacher Man, the swinging 1960s Soho joint where the kids danced the night away to the latest crazes and dared to dream of love, while the legendary owner, The Preacher Man himself, dispensed advice to cure the loneliest of hearts.

Only, that was a long time ago and all that remains are the memories, the stories and the myths. Until now, that is, when three random strangers, generations apart but all in need of help with their hopeless love lives, are inexplicably drawn to the site of the original venue. The Preacher Man is long gone, but his son, with help from the wonderful Cappuccino Sisters, might just find it in himself to channel the spirit of The Preacher Man and once more give these three lovesick strangers the look of love.

Featuring the greatest hits of Dusty Springfield, including “The Look Of Love”, “I Only Want To Be With You”, “Spooky” and of course, the classic “Son Of A Preacher Man”, this sparklingly funny and sweetly touching new musical play by internationally renowned writer Warner Brown will have you laughing, crying and singing your heart out to some of the greatest songs ever written.

Directed and choreographed by Strictly Come Dancing’s Craig Revel Horwood, Son of a Preacher Man comes to Grand Opera House York for one week only. You only want to be with us!

Choreographer Craig Revel Horwood said:  

 

‘I am delighted to bring to life for the very first time this wonderful story created by Warner Brown, with soulful songs from the legendary Dusty Springfield’s iconic music catalogue. I hope that audiences in York will come to love this warm-hearted and uplifting new musical as much as I do.’

General Manager Lizzie Richards at Grand Opera House York, said:

‘Son of a Preacher Man’ will feature many of the greatest hits of Dusty Springfield, including “The Look Of Love”, “I Only Want To Be With You”, “Spooky” and the classic “Son Of A Preacher Man”

It will be the perfect way to start this October.’

Warner Brown works internationally and is well known for his work in musical theatre and straight plays, encompassing both traditional and avant-garde forms.

He wrote ‘the most popular family show of all time’, the arena production Walking With Dinosaurs, creating an entirely new genre of theatrical presentation and winning many international awards.  Currently playing in venues from Madison Square Garden to the Mercedes Benz Arena in Shanghai, an episode of CSI: Las Vegas has been based upon the show and it has even been parodied on The Simpsons.

Warner is currently working on multiple developing projects, including the Broadway musicals The Gold Room and The Thomas Crown Affair, both with composer Michael Feinstein; the opera Empty Spaces, with composer Joshua Schmidt, for Florentine Opera in the USA; the musical A Little Danger, with composer Michael Reed, for the St Petersburg Theatre in Russia; and the screenplay for the movie A Minute To Midnight for Bill Kenwright Films. He is part of the consortium, including choreographer Arlene Phillips and musical director Mike Dixon, for the new internet-based project Reality.

Writing credits include Half A Sixpence (UK Tour), The Biograph Girl (Phoenix Theatre), Cinderella (London Palladium), The Black and White Ball, which opened in London and for which The Cole Porter Trusts granted Warner stage rights to the songs of Cole Porter, Flickers (Broadway’s Circle-In-The Square Theater), The House on the Corner (Edinburgh International Festival) and, in addition, Tallulah For A Day and Sleep With Friends. Plays include Laughing Dove, Wavelength and The Prospero Suite, directed by John Doyle.

Warner has worked extensively in Europe, most recently writing the musical Garbo, with music by ‘Meatloaf’ rock legend Jim Steinman. He also has extensive writing credits for the BBC and was Script Associate of the BBC Classic Musicals Series, for which he adapted fourteen musicals featuring many international stars.  Warner was the subject of the BBC Two TV documentary The Making Of A Musical. Warner is co-sponsor of the international music prize The S&S Award, named in honour of his late parents.

Craig Revel Horwood is a well-known face on television in the UK and now internationally for his role as a judge on all fifteen series of BBC One’s Strictly Come Dancing and for directing and appearing as a judge in the Live Tour.

Craig’s recent credits as director and choreographer include the current UK tour of Sister Act, the previous UK tours Brother Love Travelling Salvation Show and Chess; for television, How Do You Solve a Problem Like Maria? and Just the Two of Us; and for film, the feature film Paddington 2. In addition, he recently directed the all-star concert version of Stephen Sondheim’s Follies at the Royal Albert Hall. Other credits as a theatre director and choreographer are: West Side Story (Prince Edward), Miss Saigon (Drury Lane), Hey, Mr Producer! (Lyceum), Spend Spend Spend! (Piccadilly Theatre; Olivier nomination for Best Choreography), Pal Joey (Chichester Festival Theatre), Guys and Dolls (Sheffield Crucible), Paradise Moscow (Opera North), Carmen (Holland Park), My One and Only (Piccadilly Theatre; Olivier nomination for Best Choreography), Beautiful and Damned (Lyric Theatre), Arms and the Cow (Opera North), The Ballet Boyz: Yumbo Vs Nonino (Festival Hall, Sadler’s Wells, Royal Opera House, Covent Garden), The Hot Mikado (Watermill Theatre and UK Tour; Martin Guerre (Watermill Theatre), Sunset Boulevard (Watermill Theatre and Comedy Theatre, West End), Spend Spend Spend! (Watermill Theatre and UK Tour) and Copacabana (Watermill Theatre).

He recently returned to his roots as a performer in musical theatre, starring as Miss Hannigan in the UK national tour of Annie, and in Christmas 2016 as Captain Hook in Peter Pan at the Churchill Theatre, Bromley. Other performing credits include Captain Hook in Peter Pan at the Orchard, Dartford in 2014 and at the Swan, High Wycombe in 2015. Previously, Craig starred as the Wicked Queen in Snow White at Venue Cymru, Llandudno in 2009, The Hawth, Crawley in 2010 and The Orchard, Dartford 2011. He reprised his role at The Swan Theatre, High Wycombe in 2012 and the Cliffs Pavilion, Southend in 2013.

Amongst his numerous TV credits, highlights include winning the BBC Two series Maestro at the Opera, the final of which saw him conduct Act II of La Bohème at the Royal Opera House. He was also a grand finalist on the hit cooking show, Celebrity MasterChef and participated in and won Ready, Steady, Cook.

 

Book                                                                      Warner Brown

Director & Choreographer                           Craig Revel Horwood

Set & Costume Designer                              Morgan Large

Musical Supervisor & Arrangements      Paul Herbert

Lighting Designer                                            Richard G Jones

Sound Designer                                                Richard Brooker

Associate Director & Choreographer      David James Hulston

Casting Director                                               Anne Vosser

Son of a Preacher Man is produced by Brian Berg, John Sachs, Andrew Berg & Kimberley Sachs for

Eclipse Live, Michael Park for The Infinite Group, Paul Tyrer & Jamie Clark for TBO Productions,

Churchill Theatre Bromley and executive producers Andrew Green and Ben White, all on behalf of Dusty Touring Ltd.

 

 

FOR FURTHER INFORMATION PLEASE VISIT:

               

www.sonofapreachermanmusical.com/

PERFORMANCE DETAILS

Theatre: Grand Opera House York

Dates: Tuesday 3 – Saturday 7 October

Performance days/times: Evenings 7.30pm, Wed & Sat matinees 2.30pm

Ticket prices:  From £18.00

Booking details (Box Office/website): ATG box office 0844 871 3024  www.atgtickets.com/york

 

 

Stockard Channing to star in APOLOGIA directed by Jamie Lloyd, Trafalgar Studios 29th July – 18th November

STOCKARD CHANNING

Tony and Emmy Award Winner

 

stars in

APOLOGIA

“Sharp, funny, wise and humane”
Sunday Telegraph

By ALEXI KAYE CAMPBELL

Olivier Award Winner

 

Directed by JAMIE LLOYD

 

Trafalgar Studios

29th July – 18th November 2017

Hollywood and Broadway icon Stockard Channing will return to the London stage this summer, to star in a new production of Olivier Award winner Alexi Kaye Campbell’s acclaimed drama Apologia, directed by the multi-award winning Jamie Lloyd.

Opening at the Trafalgar Studios on 29th July, Apologia will see the Tony and Emmy Award winning actor performing in the West End for the first time in over a decade.  Channing’s hugely popular film and TV credits include starring roles in The West Wing, The Good Wife, her Oscar® and Golden Globe nominated role in Six Degrees of Separation, and the iconic role of Rizzo in the film Grease. An acclaimed Broadway and West End star, Channing’s most recent performances on Broadway, It’s Only a Play and Other Desert Cities (a “peerlessperformanceNY Times, for which she was nominated for her seventh Tony Award), have affirmed her position as a true theatrical legend.

Channing says: “I’m excited to be returning to the West End – my first time both working with Jamie Lloyd and performing at the Trafalgar Studios. I was so drawn to this unforgettably bold and uncompromising character in such a rich, moving and witty play. I can’t wait for us to bring Apologia to life for the audiences.”

 

This production also marks the return to the Trafalgar Studios of Jamie Lloyd, following his critically acclaimed productions of The Ruling Class and Macbeth starring James McAvoy and his hit production with Martin Freeman of Richard III.

 

Alexi Kaye Campbell’s play is a compelling drama about the importance of family and the pressures commitment and principles exert on it.  Apologia follows his critical success with The Pride and his acclaimed plays Sunset at The Villa Thalia at the National Theatre and The Faith Machine at the Royal Court Theatre.

 

Stockard Channing plays Kristin Miller, a firebrand liberal matriarch of a dynamic family, who is presiding over her birthday celebrations. An eminent art historian, Kristin’s almost evangelical dedication to her career and her political activism has resulted in her sons – Peter, a merchant banker, and Simon, a writer – harbouring deeply rooted and barely suppressed resentments towards her. The fissures in her relationship with them are brought to the fore by the recent publication of her memoir.

As the evening progresses through barbed humour, Kristin’s family and friends, and ultimately Kristin herself, question their achievements and choices, and whether they were worth the sacrifices they made. In the increasingly fragmented political turmoil of today’s landscape these questions have never seemed more relevant, and will strike a chord with audiences.

The producers of Apologia are also delighted to continue Jamie Lloyd’s pioneering commitment to ensuring that tickets to the highest quality West End dramas remain affordable and accessible, particularly to younger audience members. As such two exciting new ticketing initiatives are announced for the production:

·         TODAYTIX £15 RUSH EXCLUSIVE: In partnership with TodayTix, a daily rush scheme will see the front row for every performance sold at £15, allowing people access the best seats. The theatre ticket app provides access to the best prices for theatre tickets booked same day or within 30 days. TodayTix have a great track record of running highly successful access programmes for high-profile productions, including No Man’s Land, Rosencrantz & Guildenstern Are Dead and Kenneth Branagh’s ‘Plays At The Garrick’ season. 

 

Merritt Baer CEO of TodayTix, said: “We are delighted to work in partnership with Jamie Lloyd and Trafalgar Entertainment, as part of our ground-breaking efforts to ensure tickets to the most prestigious West End shows are accessible and affordable. This is part of our ongoing mission to connect the next generation of culture lovers to theatre. Jamie Lloyd’s previous productions have been consistently popular with our customers so we’re thrilled to work with him on Apologia, offering exclusive access to this amazing play.”

·         £25 UNDER 25 RATE: A general under 25s rate of £25 (redeemable for any standard-priced seat, subject to availability at time of booking) will also be available throughout the run forevery performance Monday – Thursday inclusive meaning that anybody under 25 will be able to see the show during the week at this special accessible rate. This rate will be available through ATG Tickets, the principal ticketing provider for Trafalgar Studios.

The producers are also committed to a number of other initiatives during the course of the run to ensure that tickets are accessible to a broad cross-section of theatre-goers as well as aiming to attract new audiences to the West End.

 

Further casting will be announced shortly.

Dates:                                   Saturday 29th July – Saturday 18th November
Press night:                        Thursday 3rd August
Performances:                  Monday – Saturday at 7:30pm, Thursday and Saturday matinees at 2:30pm

Access Performances:  Wednesday 13th September and Wednesday 4th October
Box Office:                         www.atgtickets.com/trafalgarstudios / 0844 871 7632
Ticket Prices:                     From £15
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AWARD WINNING COMEDY HEADS TO NEWCASTLE THEATRE ROYAL

AWARD WINNING COMEDY HEADS TO NEWCASTLE THEATRE ROYAL

 

 

Well known faces from British comedy are set to take to the stage as the Olivier Award-winning Out of Order directed by playwright Ray Cooney heads to Newcastle Theatre Royal (Tue 23 – Sat 27 May ’17).

 

Arthur Bostrom, best known for his iconic role as ‘Officer Crabtree’ in classic sitcom ‘Allo ‘Allo  joins the cast as the ‘Hotel Manager’, alongside Shaun Williamson (EastEnders, Extras) as ‘George Pigden’; Sue Holderness (Only Fools & Horses, Green Green Grass) as ‘Mrs Willey’; Jeffrey Harmer (Diana Her True Story) as ‘Richard Willey’; Susie Amy (Footballers’ Wives) as ‘Jane Worthington’; James Holmes (Miranda) as the ‘Waiter’; Elizabeth Elvin as ‘Nurse Foster’; Jules Brown as ‘Ronnie Worthington’, and David Warwick as ‘The Body’. Completing the cast are Raphael Bar, Simon Murray, and Kate Sawyer.

When Tory Junior Minister Richard Willey tries to spend the evening with Jane, one of the Opposition’s secretaries, in the Westminster Hotel, things don’t exactly go according to plan – starting with the discovery of a body trapped in the hotel’s only unreliable sash window… Enlisting the help of his hapless private secretary George Pigden, Willey’s sticky situation goes from bad to worse, and with the arrival of Jane’s distraught young husband and with the addition of an unscrupulous waiter, Mrs Willey and Nurse Foster things really come to a head!

Ray Cooney’s credits include Run For Your Wife, Funny Money and Two Into One, Caught in the Netand It Runs in the Family. Out of Order was first produced regionally in 1980, under the original title ‘Whose Wife is it Anyway’, with Cooney playing ‘George Pigden’. The show was subsequently produced in the West End in 1990 starring Donald Sinden, Sandra Dickinson and Michael Williams, with Cooney directing.

Ray Cooney said, “Having directed my Olivier Award-Winning play in London and all over the world, and hearing all that wonderful raucous laughter from audiences, it has become one of my favourite plays. I’ve up-dated it to present day and, fortunately, the basic premise of a philandering MP is as likely today as it was when the play was originally written!”

Out of Order is produced by Tom O’Connell Productions, with design by Rebecca Brower, Lighting by Jack Weir, Sound by James Nicholson and casting by Marc Frankum CDG.

Out of Order appears at Newcastle Theatre Royal from Mon 22 – Sat 27 May’17. Tickets are available from £14.50 and can be purchased from the Theatre Royal Box Office on 08448 11 21 21 (calls cost 7ppm plus your phone company’s access charge) or book online at www.theatreroyal.co.uk.

The World’s Most Successful Rock & Roll Musical comes to Richmond

THE WORLD’S MOST SUCCESSFUL ROCK & ROLL MUSICAL
BUDDY – THE BUDDY HOLLY STORY
CONTINUES TO TOUR THE UK IN 2017
DUE TO HUGE POPULAR DEMAND!
Due to phenomenal demand for tickets Buddy – The Buddy Holly Story has extended its tour into 2017. The incredibly successful tour visits Richmond Theatre from Tuesday 27th June – Saturday 1st July.
 
Buddy – The Buddy Holly Story tells the enduring tale of the musical icon’s meteoric rise to fame and his final legendary performance at the Surf Ballroom in Clear Lake, Iowa, before his tragic and untimely death at the age of 22. In 18 short months the Texas-born boy revolutionized the face of contemporary music influencing everyone from The Beatles to Bruce Springsteen.
 
The production boasts a phenomenally multi-talented cast comprising of Glen Joseph and Alex Fobbester (who alternate the role of Buddy Holly), Miguel Angel, Joe Butcher, Celia Cruwys-Finnigan, Jordan Cunningham, Josh Haberfield, Kerry Low, Thomas Mitchells, Matthew Quinn, Tom Sowinski and Alex Tosh. Together they present two terrific hours of music with over 20 of his greatest hits, including the timeless classics That’ll Be The Day, Peggy Sue, Oh Boy and Rave On.
 
With the Big Bopper’s Chantilly Lace and Ritchie Valens’ La Bamba completing a stellar musical line-up, Buddy is a not to be missed evening of family entertainment.
 
Although there have been many imitations Buddy – The Buddy Holly Story has stood the test of time. The show has inspired a generation of multi-million selling juke-box musicals, includingMamma Mia and We Will Rock You, still remains a true original and a musical phenomenon.
 
Seen by over 22 million music fans since it opened in London’s West End in 1989, Buddy speaks an international language and continues to have audiences from aged 8 to 80 years old rockin’ in the aisles across the globe!
 
Buddy’s widow, Maria Elena Holly, says of the show: “When we opened the show we never imagined Buddy’s music and story would still be rocking stages and entertaining audiences around the world week-in week-out over 25 years later. I believe this is testament to a great show – the first of its kind – and to the enduring appeal of Buddy Holly and what he represents; a youthful energy, huge talent and creativity, combined with a determination to make a lasting impression in this world.”
 
Writer/Producer Alan Janes says “Audiences aged 8 to 80 dance in the aisles every night to our enactment of the story of a young man whose musical career spanned an all-too-brief period but whose music will be remembered forever”.

This Is Not Culturally Significant Review

The Bunker 15 May – 3 June.  Reviewed by Claire Roderick

Adam Scott-Rowley’s one man show is bloody brilliant. Transferring to The Bunker after wowing audiences at the VAULT Festival, this feels perfect for an underground venue. Performing nude, with his body daubed with white paint, Scott-Rowley does at times resemble the weird cave creatures from The Descent or Gollum having a psychotic break when he brings to life characters that make the inhabitants of Royston Vasey look like they belong in Ballamory.

An aging porn star, one of her fans and his abused wife, a homeless Glaswegian woman desperate to see her children, a Spiritualist lecturer (scolding latecomers creepily in character), a West End producer and others all have satisfyingly strong narrative threads and emotional heft in the short running time.

The storylines cross with increasing pace and erratic rhythm keeping the audience on edge and ricocheting between laughter and nervous silence, with the lighting and sound design racking up the tension brilliantly. There are surreal, playful and moving moments interspersed between uncomfortable and brutal events, with Scott-Rowley transforming himself physically and vocally in an astounding performance.

The dark and grotesque humour isn’t for everyone, and there are some WTF moments that are deeply disconcerting. This is a show that leaves the audience shell shocked and euphoric – a rollercoaster theatrical experience that is not for the faint-hearted, but one that is unforgettable.