The multi award-winning antidote to panel games will be recording part of its 64th series for the BBC at the Grand Opera House York. Join chairman Jack Dee, and regulars Barry Cryer, Graeme Garden, Tim Brooke-Taylor and Colin Sell for an unmissable evening of inspired nonsense.
“Whether the teams are singing the words of one song to the tune of another, making up serial rhymes or entering the mythic maze of Mornington Crescent, they have now become the National Theatre of fun”
Gillian Reynolds, Daily Telegraph
The evening will be recorded for broadcast on BBC Radio 4 and will finish no later than 10.30pm
THE OLIVIER AWARD-WINNING LA SOIRÉE LANDS BACK IN LONDON – PREVIEWS START TONIGHT
MELANIE CHY, YAMMEL RODRIGUEZ AND MISS FRISKY NOW CONFIRMED TO MAKE THEIRLA SOIRÉE DEBUTS ALONG WITH DENIS LOCK’S BRAND NEW BUBBLE ACT
THE ROLL CALL OF TANTALISING ACTS READY TO SEDUCE LONDON THIS WINTER INCLUDE OLD FAVOURITES THE ENGLISH GENTS, ASHER TRELEAVEN, MARIO QUEEN OF THE CIRCUS, BRET PFISTER AND CAPTAIN FRODO
PERFORMANCES RUN FROM 27 OCTOBER 2015 – 17 JANUARY 2016 IN THE LA SOIRÉE SPIEGELTENT AT THE SOUTHBANK CENTRE
The wait is finally over and the stage is now set for La Soirée to make its triumphant return to London this evening. Featuring world class performers from across the globe, leave all troubles at the door and get ready to be transported once again to the seductive world of La Soirée…
The crowned winner of this year’s prestigious Olivier Award for Best Entertainment and fresh from a magnificent world tour, the awe-inspiring cabaret sensation are returning home to London for a sixth season in the capital. From 27 October 2015 until 17 January 2016, the little show with a big heart will make its triumphant return to the Southbank Centre, taking up residency in the deliciously decadent La Soirée Spiegeltent.
The irresistible theatrical phenomenon has now seen more than 75 artists take their place on the iconic red stage across five continents, with over 150 acts between them. Audiences and critics alike have been wooed by LaSoirée’s ever-expanding, fabulously dysfunctional family in more than 25 cities, from Darwin to Manila, stopping off at Hong Kong, Melbourne, Montreal, Paris and New York along the way.
To extend a heartfelt thanks to their London supporters, an Early Bird Deal has been concocted to offer £10 off all seats for shows in October and November if booked before 31 October. Full details can be found below.
So dust off the cobwebs and sashay on over to the La Soirée Spiegeltent, a velvet draped salon of carved wood, polished mirrors, crystal and leadlight. Prepare to be amazed, astonished and aroused by the very crème de la crème of the cabaret world:
Denis Lock and Hamish McCann are two delightfully devilish and cordial “English” gentlemen who perform inconceivable feats of acrobatic skill, strength and balance, whilst casually puffing a pipe, reading the newspaper and sporting the stiffest of British upper lips. The act mixes their highly skilled feats with a dry English wit, unexpectedly climaxing with the two hilariously baring near-all for Queen and country and in the process displaying more pure sex appeal than ever before seen under a bowler hat.
La Soirée is proud to welcome back Canadian-born Mooky Cornish into the bosom of its unconventional family. Mooky is one of the funniest ladies working on the international circuit today. Renowned for her impeccable timing and knock your socks off slapstick, her illustrious background includes creator and lead clown for Cirque du Soleil’s box office triumph Varekai.This quirky comedienne has delighted over three million spectators worldwide with her astonishing talents which are as diverse as they are impressive – from puppeteer to mask maker, and from pianist to her most recent feat – an orange belt in Tae Kwon Do!
HAMISH MCCANN’S POLE ACT
This English Gent has been seducing audiences across the globe with his jaw-dropping pole act since 2009. His late night cabaret version of Singing in the Rain has acquired a worldwide cult reputation with this extremely skilled, stylish and oh so sexy routine which is sure to leave you ‘feeling good’…
DENIS LOCK’S BUBBLE ACT
From sheer strength to daring delicacy, what this English Gent puffs out of his pipe defies belief. An act where science steps away from the chalkboard and reveals its beauty and mystique through a bubble, La Soirée can’t wait to introduce you to Denis Lock’s newest act. Think you’ve seen it all with bubble-blowing? Prepare to hold your breath and gaze on in wonder.
La Soirée is proud to welcome Asher Treleaven, sexual gentleman and overall bon vivant. One of Australia’s most critically acclaimed comedians, the former drama school dropout but accomplished circus school graduate has travelled the world over with his unique blend of physical comedy, socially responsible rhetoric and overenthusiastic sexual patter, racking up awards and nominations on his winding path. Not sure whether to laugh or blush? Have no fear – sit back, try to relax and enjoy this indescribable ride!
A showman of exceptional talents, Clarke McFarlane’s Mario is a leather-bursting reincarnation of Freddie Mercury – that’s if you can imagine a Freddie who had been able to juggle, ride a unicycle and if indeed he had ever run away to join the circus. Mario’s greatest skill, however, is to make even the most intimate of venues into a rocking arena spectacle, and to unite even the largest venues into one arm-waving excuse for a crowd-surf.
Miss Frisky is one of the biggest voices in the international cabaret scene – she has belted her way from London’s West End to the Sydney Opera House, via Singapore, Berlin and New York City. Best known for her exploits with partner Mannish, this diva is taking centre stage with La Soirée. Gird whatever needs girding, there will be full-frontal fabulousness.
The son of a famous Norse magician, this wunderkind has graced the stage since he was four. Possessed of an utterly beguiling charm, and famed the world over for bending, contorting and manipulating his body into shapes that are as astonishing as they are unnatural, Frodo is one of a kind. You will never look at a tennis racquet the same way again.
Supple, sexy, skilful and stunningly handsome, Bret Pfister brings the finest of Montreal’s circus talent to La Soirée.
Equally inspired by the neo-cabaret movement and the baroque indie-pop sound, he blends awesome physical skill and a cool insouciance into his exquisite punked-up aerial ballet.
YAMMEL RODRIGUEZ
General Yammel, notoriously known for her love of the finest Cuban cigars, has been drafted in to whip our army of circus fans into shape. Rapidly becoming an infamous siren of the cabaret scene, with her innovative performance on a single strap, she will soon be dominating the stages of the world.
Roaring on to the La Soirée stage is the heartstoppingly talented Melanie Chy. A third generation performer of Swiss, Italian and Chinese descent, Melanie has been astounding audiences across the globe since the age of six. Combining the mental rigor of a martial master, the agility of an Olympic gymnast and the performance panache of a modern dancer, Melanie Chy revives the ancient art of hand balancing in a jaw-dropping routine never before seen in the United Kingdom!
La Soirée is presented in London by Brett Haylock, Mark Rubinstein and Mick Perrin.
LISTINGS INFORMATION
La Soirée La Soirée’s Spiegeltent at Southbank Centre
27 October 2015 – 17 January 2016 PRESS NIGHT: 6 November
Box office: 0844 847 9910
Tickets from £15
For VIP Packages and party options please call 020 7021 0787.
EARLY BIRD OFFER
Until 31 October bookers can enjoy £10 off all ticket prices (except standing) for shows in October and November.
By BarrieKeeffe
Produced by Rachel Edwards for Tooting Arts Club In association with Soho Theatre and Jagged Fence Theatre With kind support from Soho Estates
Last chance to see Tooting Arts Club’s acclaimed production of Barrie Keeffe’s Barbarians at the Former Central Saint Martins School of Art in Soho
The show must close on 7 November 2015
There are only two weeks left for audiences to catch Tooting Arts Club’s acclaimed revival of Barbarians by Barrie Keeffe. Staged in the birthplace of UK punk, this hard-hitting production has been widely praised, not least for the performances of its three young actors. The final performance will be on Saturday 7 November 2015, at the former Central Saint Martin’s School of Art in Soho.
There are a limited number of tickets available at £10 for under-26s, students and the unemployed.
In 1977, Britain had just emerged from a worldwide recession. It was the Queen’s silver jubilee year but Paul, Jan and Louis had little to celebrate. With widespread youth unemployment and little opportunity on the horizon, there was anarchy in the air. Barbarians follows the fluctuating fortunes of its three male characters on a journey that is as humorous as it is brutal, to the soundtrack of The Clash, the Sex Pistols and The Jam. This venue provides the perfect setting, steeped in the punk culture of that time, to revive this acclaimed production which is as relevant now as it was then.
“I have mixed feelings about seeing it again in two new productions: proud that the play is on in London for the first time in twenty years but also a sadness that it’s a tale of a generation without hope or prospects who leave school only to join the dole queues” Barrie Keeffe.
The production is directed by Bill Buckhurst (Sweeney Todd) with design by Simon Kenny, sound design by Joshua Richardson and lighting design by Rob Youngson.
Cast: Thomas Coombes (The Father, ITV series Jekyll and Hyde), Jake Davies (Yen, X+Y) andJosh Williams (Lord of the Flies, Love and Information).
Tooting Arts Club’s most recent production was the acclaimed revival of Stephen Sondheim’sSweeney Todd in Harrington’s Pie and Mash Shop, Tooting, transferring to a found space on Shaftesbury Avenue.
Barrie Keeffe, who wrote the film The Long Good Friday, and whose other works for the stage include Sus, Not Fade Away, A Mad World My Masters, Only A Game, My Girl and King of England, was born and brought up in the East End of London. He was an actor with the National Youth Theatre of Great Britain and worked as a journalist before becoming a playwright.
Barbarians is directed by Bill Buckhurst, who also directed Sweeney Todd for Tooting Arts Club (Harrington’s Pie and Mash Shop and West End). He previously co-directed the international touring production of Shakespeare’s Globe’s Hamlet alongside Dominic Dromgoole. Also for Tooting Arts Club, Bill has directed Tinderbox in 2011, Barbarians in 2012 and A Midsummer Night’s Dream in 2014. His other directing credits include The Vegemite Tales in the West End and numerous touring productions for Shakespeare’s Globe.
Barbarians is produced by Rachel Edwards for Tooting Arts Club.
LISTINGS INFORMATION:
Barbarians
by Barrie Keeffe
Venue: Former Central St Martins School of Art, 111 Charing Cross Road, London WC2H ODU
Dates: Tuesday 29th September – 7th November 2015
Monday-Saturday, 7.30pm; Saturday and Thursday matinees 3pm
Press nights: Saturday 3rd October, Monday 5th, Tuesday 6th
Tickets: £10 (under-26s, students and unemployed), £26 and £32 (plus booking fees)
Book via Soho Theatre
Online www.sohotheatre.com Phone 020 7478 0100
In person Soho Theatre, 21 Dean Street, London W1D 3NE
Cast
Paul: Thomas Coombes
Jan: Jake Davies
Louis: Josh Williams
Producer: Rachel Edwards (for Tooting Arts Club)
Co- Producer: Hilary Williams
Director: Bill Buckhurst
Designer: Simon Kenny
Sound Designer: Joshua Richardson
Lighting Designer: Rob Youngson
Casting: Marc Frankum
Royal Court Theatre 21st October – 14th November. Reviewed by Claire Roderick
The Team’s Roosevelvis is billed as a hallucinatory road trip from the Badlands to Graceland – and what a trip it is!
This two-hander tells the story of Ann, a shy, gay worker in a meat-processing plant, sleepwalking through her life, and only becoming truly animated when talking to her hero – Elvis Presley. After a disastrous blind date involving a RV trip to Mount Rushmore, Elvis and his hero, Teddy Roosevelt intervene and, together with Ann, they embark on a journey to Graceland.
Libby King plays Ann as a truly lost soul, full of despair and loneliness. When she morphs into Elvis, with just a wig and a vocal twist, she is a revelation. Kristen Sieh is Brenda, Ann’s taxidermist date – hugely disappointed in the real Ann after meeting her online – and Roosevelt. Sieh is tiny, so her posturing and aggression as Roosevelt makes a funny character even better. But although there are lots of laughs to be had from the two American icons, the play celebrates rather than mocks them. Even though they are being played by women, they do not come across as a drag act, simply androgynous versions of their personas. The Team’s script is slick and confident. There is an underlying warmth and respect for these flawed men, and the relationship that builds between them on the road trip is simply wonderful. They have very different ideas about what Ann should do, and their reasoning is slowly and sympathetically unpicked as they reveal more and more of their history. Roosevelt’s coping method whenever he gets a little emotional is hysterical, and his pronunciation of Elvis’ name keeps you giggling throughout – and that ending!
The staging is so well thought out – while props are being moved around, the action continues on various screens, and the use of rowing machines is a stroke of genius. There are some dark and quiet moments, expertly portrayed by the actors on stage and on the screens. The screens are used to continue the story on location, showing action in shops, motels and scenery on the road. The sequence showing Ann at work starkly portrays her mundane life, although I must admit that the diner waitress film was a step too far for me – the sound and colour effects brought to mind dodgy art installations I have suffered through and made me twitch a little.
The play’s publicity states that this is a work about gender, appetite and the multitudes we contain – which worried me a little. But these themes are not sledgehammered into the play, they are allowed to breathe and take form gradually and subtly – allowing the audience to think for themselves and take what they want from the performance, which is exactly what a great play should do
The King’s Head Theatre and Charles Court Opera present:
MIRROR MIRROR: A SNOW WHITE PANTOMIME
3 December – 9 January
The King’s Head Theatre present Charles Court Opera’s legendary annual ’boutique panto’, now in its new home for 2015 after eight glorious years at the Rosemary Branch Theatre.
“a refreshingly different spin on the traditional panto that remains true to its spirit” Time Out on Billy the Kid, 2014
A terrifically evil Queen has all she could wish for – including an equally evil magic mirror. Enter a dashing Prince from a far off kingdom, more interested in a certain young filly in the town who spends her days playing housekeeper to seven dwarfs… cue disguises, booby traps, magic spells, and even murder by apple pie, all dunked in a delicious cocktail of jaw-dropping musical numbers, terrible puns and top drawer singers, and you’re all set for Charles Court Opera’s 9th boutique panto – a legendary part of North London’s Christmas (Time Out Critic’s Choice 2014).
“the future of panto is boutique… a must-see” Michael White, The Telegraph on Buttons, 2013
This year sees their uniquely alternative, inventive take on the tale of Snow White, and anyone who has seen any of their 8 boutique pantos to date knows to expect the unexpected! The cast will feature regular Charles Court Opera compatriots, including founder and resident dame (“Outrageously funny” Time Out) John Savournin. Charles Court Opera became an associate company at the King’s Head Theatre this year, which is also their 10th anniversary.
“If there is a better pantomime in London this winter I will eat my critic’s hat” Reviewsgate on Buttons, 2013
From adults-only performances through to children’s matinees, Charles Court Opera’s boutique pantos are perfect for families, couples, groups of friends or office parties, with this year’s promising to be bigger, better, and a glittering treat for all. Join them in their new home this year – don’t miss out!
Now in its 45th year, The King’s Head Theatre is celebrating this anniversary with an exciting new artistic policy after the departure of OperaUpClose, becoming a crucible for new writing and critical rediscoveries. Work from Irvine Welsh, Richard Cameron, Richard O’Brien and Arthur Miller, as well as Mike Bradwell directing for the first time since the 1970s, guarantees that if it’s on here, you won’t see it anywhere else. Led by Adam Spreadbury-Maher, second artistic director following Dan Crawford (who set up the King’s Head as the first pub theatre in 1970), the theatre is the first unfunded venue to have an Equity agreement to pay theatre-makers fair wages since 2011, and continues to do so despite receiving no public funding.
Darlington Operatic Society revisit the Rodgers and Hammerstein classic South Pcific for their winter show this year.
Julian Cound plays Emile. Bringing to the role a commanding presence, a sense of solitude and a burnished tone that almost stops the show in This Nearly Was Mine. While Kat Flynn plays Nellie, her portrayal of this inspiringly positive yet vulnerable woman is pitch perfect. Full of nervous energy and fine acting, vocally she is also top-dollar.
In contrast Zoe Kent gives a full-blooded performance as the polynesian pedlar, Bloody Mary, that brings out her character. Bali Hai is beautifully sung. During Happy Talk, as she forces Liat, Zoe Birkbeck, to play up to the American Lieutenant, himself in a state of malarial delirium. There is good work from Michael Hirst as a traumatised lieutenant Cable. His sensitive portrayal reveals many sides to this multifaceted character while his smooth voice is tailor-made for Younger Than Springtime.
Star of the show though is Ben Connor and his wonderful portrayal of Luther Billis. Clearly channelling the spirit of Paul Lynde, Connor offers terrific comic value particularly in his grass-skirted drag number, Honey Bun.
The production is outstanding and its ridiculous to call this Amateur Operatics when the show is of such a professional standard. The performers and production staff are dedicated and accomplished and it shows all the way through the show
Full of melodic glories from the live band led by Michael Trotter, the show is beginning to show its age. In 1949 there was obviously a ground breaking liberalism to its premise: a racially blinkered nurse from Little Rock, having fallen in love with an exiled French planter in wartime. And the tension between the sexual imperialism of the American troops and the yearnings of the Pacific islanders in that Bloody Mary pimps out daughter Liat to the highest bidder. But the story lines aside, there is no doubting the professionalism and talent that has gone into this production
In Darlington until 31 October this is a beautiful acted and tremendously sung show that all the family can enjoy.
Theatre N16, 19th October – 5th November. Reviewed by Claire Roderick
Oh. My. Word.
BOAT is one of those rare plays that leaves you feeling slightly grubby for having enjoyed human misery so much.
PIGDOG’s production of Kiran Millwood Hargrave’s debut play is simply stunning. A girl is adrift on a boat on an endless ocean. The girl has forgotten her name. Her twin is also on the boat, but she hasn’t moved or spoken for a long time. Girl is adamant that she is just sleeping. Turtle repeatedly comes to visit the girl on her boat and talks about relativity and freedom. Then Gull finds the boat, and begins to contradict Turtle’s ideas. So far, so “Life of Pi”, but then sinister slips and hints begin to trickle into the conversations and Girl’s memories. Amidst the mythology of “The Leaving” and the “litterlands” ripples of fear and horror of “them” begin to emerge.
Pia Laborde Noguez is phenomenal as Girl – she captures the innocence and precociousness of the character perfectly, and breaks your heart in the final scenes. As Twin, Cristina Catalina excels in the seemingly less sympathetic role as the stronger, protective sibling who gives in to despair. Matthew Coulton’s Turtle is full of joy and love for Girl, but Coulton lets his true motives reveal themselves subtly and almost sympathetically. Gabriele Lombardo as Gull is full of energy and this makes his shame and fear in his final scene even more heartfelt.
The set design at first appears sweet and naïve, but as the story unfolds, you realise why these objects have been used. The sound effects are created on stage by the cast and the audience and recorded and manipulated for use throughout by the Jellyfish of Sound (Jethro Cooke). Again, the reasons for this became horrifyingly clear. This is such an intricate production – lines that seemed irrelevant come back to haunt you; everything on stage has a purpose. It is like putting together a jigsaw with no picture to guide you. Suddenly, fantasy is stripped away and stark reality is laid bare – and it is awful. But oh so relevant. There is no happy ending, just a fade to dark. “Regret is dark, dark is regret.”
This is a production you must see. PIGDOG have created a little piece of magic – beautiful, horrible, dark magic.
Catterick’s brand new state-of-the-art, seven-screen cinema, Empire Cinemas Catterick, hosted a VIP launch event on Thursday 22nd October to the local community, at which Tom Hanks new film ‘Bridge of Spies’ was screened.
Last Thursday Empire Cinemas Catterick opened its doors to the community with multiple screenings of the hottest new films especially for locals. The new state-of-the-art, seven-screen cinema complex will bring a new era of entertainment to the residents of Catterick and the surrounding area, and is part of a £25m redevelopment. For further ticketing information visit www.EmpireCinemas.co.uk
The cinema is now open to the public as of Friday 23rd October
The state-of-the-art, seven-screen cinema complex will bring a new era of entertainment to residents of Catterick and the surrounding area. The new opening is part of a larger retail and leisure development (Princes Gate) being built by Kier Property at the heart of Catterick Garrison close to the A1.
The cinema is helmed by new General Manager Dave Thomas. Dave has 16 years of experience in the cinema industry working his way up through the ranks to become Empire’s first General Manager appointment at Catterick.
The cinema will be surrounded by several well-known high street brands such as Next, Boots and SportsDirect, as well as popular food and drink operators including Costa, Greene King and a new 60 bed hotel for Premier Inn including a Brewers Fayre. For those with a sweet tooth the cinema itself will include a Ben & Jerrys Scoop Shop plus an Empire IMPACT screen – the ultimate way to experience blockbuster movies.
Empire Cinemas’ cater for all; from Empire JNRS, which offers families the chance to see a family favourite every weekend for pocket money prices; to Empire Seniors, where the over 60’s can watch a selection of the best recent and classic films every Wednesday, including tea or coffee and a biscuit. Empire Cinemas also welcome parents with babies through their Empire Parent & Baby screenings, providing a relaxing environment for parents/guardians to enjoy the latest releases with the lights up and sound down, every Monday morning. Other offers include Sav£rday Tuesday, which offers customers a chance to see current films for a ‘credit crunch busting’ price, and Last Chance To See Thursdays, which screens selected films coming to the end of their run at Saverday prices.
Sherlock and Spectre star Andrew Scott will star in the UK première of Richard Greenberg’s The Dazzle at new theatre FOUND111 on Charing Cross Road.
The production – directed by Simon Evans – will feature Scott alongside David Dawson (The Duchess of Malfi) and opens on 15 December for a strictly limited season until 30 January 2016. Further casting will be announced shortly.
The Dazzle is a co-production between Michael Grandage Company and Emily Dobbs Productions and continues Grandage’s tradition of offering affordable access to his productions, with £10 ticket will be available for all performances.
According to press materials, the play – which won an Outer Critics Circle Award when it opened in New York in 2000 – takes place in New York City at the beginning of the 20th Century. “Two brothers sit in their home surrounded by 136 tons of hoarded junk. When a beautiful guest arrives, everybody’s lives are thrown into sharp focus.”
Scott – who stars in the latest Bond film, Spectre, opening on Monday – was last seen on stage in Simon Stephens’ Birdland at the Royal Court. His other theatre credits includeAristocrats, Emperor and Galilean (National Theatre) and A Girl in a Car with a Man(Royal Court) for which he won the Olivier Award for Outstanding Achievement in an Affiliate Theatre in 2005.
FOUND111 is a new venture at 111 Charing Cross Road – the original site of the Central St Martins School of Art – launched by Emily Dobbs Productions and Rachel Edwards for Tooting Arts Club, whose production of Barbarians is currently running at the venue until 7 November.
Members of the Society of Ticket Agents and Retailers (STAR), the self-regulatory body for the entertainment ticket industry, have voted in favour of developing a Code of Practice for online ticket resale marketplaces.
Despite controversy around resale, reputable online marketplaces can provide a safe environment for people offering to resell tickets to transact with potential buyers. These marketplaces are therefore distinct from unscrupulous websites where customers are defrauded by sellers that do not have the claimed tickets to supply or even have a deliberate intention to take money but never supply tickets.
Chief Executive of STAR, Jonathan Brown, said “Customers deserve clear information about where they can buy tickets safely. STAR recognises that the UK ticketing industry has rapidly changed in recent years and today’s consumers expect greater levels of choice and protection. They need to know how and where they can buy tickets safely, whether they choose to buy them from the primary or secondary sectors. To increase clarity for ticket buyers, STAR will therefore develop standards of best practice to which we hope resale businesses that take consumer protection seriously will subscribe.”
STAR already operates a Code of Practice for the primary ticket market to which all the major names in UK ticketing are signed up. The new resale code will establish similar high standards of service and information as well as requirements regarding consumer protection and rights, particularly around the security of customer payments and guaranteed refunds if tickets are not supplied.
It is expected that the Code will be developed over the next few months before being presented to the STAR membership for consideration in the New Year. If the Code is approved and adopted by STAR members, resale marketplaces that can meet the demands of the Code would then be able to apply for membership.
The Government recently announced a review of consumer protection measures in the online ticket resale market and STAR looks forward to co-operating with that review. All STAR members are, of course, required to abide by the law. The new Code for resale will include reference to the specific requirements in the Consumer Rights Act and will be reviewed regularly to take into account any further changes in regulations.
Jonathan Brown added, “This is not about whether tickets should or shouldn’t be offered for resale or for how much they are sold. It is about pragmatically working to fill a gap in consumer protection by ensuring that customers are able to feel confident whenever they buy tickets and by improving standards even further in the legal ticket resale sector. We have to do all we can to be clear about the advice we give to customers to help them avoid illegal scam websites. We need to stop them from giving money to fraudsters who prey on fans desperate to obtain tickets for sold-out events without any intention of delivering.”
presents
at 7.30pm on Thursday 12th November 2015
